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Lakewood guitars are handmade in Giessen, Germnay utilizing top tonewoods of 8 different types along with 18 bracing variants. Their sound is stron...

Lakewood guitars are produced in Giessen, Germany. The instruments are a reflection of the well known German work ethic; they are build with the hi...

Neuware -Wussten Sie, dass der Rheinfall, der jährlich von über einer Million Menschen besucht wird, in seiner Höhe von 23 Metern von unbekannten Giessen im Kanton Zürich übertrumpft wird Kennen Sie den versteckten Canyon im Schreizen, die grossräumigeFelshöhle am Brandenfels oder die «Tüfels Chilen», die mächtigste Tuffsteinformation der Schweiz Der Kanton Zürich hat mehr zu bieten als nur die namensgebende Stadt mit ihrem See. Die eigentlichen Wasserparadiese liegen nämlich etwas verborgen und warten mit sagenhaften Geschichten darauf, entdeckt zu werden. Die 22 Wanderungen, wurden von den Autoren aus über 120 untersuchten Tobeln im Kanton Zürich ausgesucht und führen insgesamt zu den 44 eindrücklichsten von ihnen. Von kinder- und seniorenfreundlichen Spaziergängen bis hin zu abenteuerlichen Pfaden, bringt unsdieses Wanderbuch zu teils unbekannten Wildbächen, Höhlen, Felsformationen und Wasserfällen. «Von Fall zu Fall» decken wir die «Wasserwunder» auf, die Zeit undWasser geschaffen haben. Ob Frühling, erfrischende Sommerkühle, herbstlicher Farbenreigen oder Eiskunst im Winter - die 44 hier porträtierten Tobel begeistern zujeder Jahreszeit. Sie sind die Herzpumpen des wichtigsten Lebensspenders, dem Wasser, und dank der Bäume, die Lungenflügel Zürichs. 238 pp. Deutsch

In 1833, two university students from Giessen, Germany, Friedrich Muench and Paul Follenius, decided to immigrate to America and settle in the west. They wanted to create a German utopia in Missouri, and they recruited others to join them by distributing throughout Germany a promotional pamphlet detailing their ambitious plans. The resulting participants spanned various religions, cities, and villages and called themselves the Giessen Emigration Society. By July of 1934, each member had settled along the Missouri River, forming a vibrant German segment of the state whose cultural footprint can still be seen and felt today. In the bilingual book Utopia, this story is brought to life through more than two hundred historic photographs and documents and contributions from both Americans and Germans. The book accompanies a traveling exhibit that will begin in Germany and travel to the German-American Heritage Museum in Washington, DC, and then land in St. Louis at the Missouri History Museum, following the path of the Germans who immigrated to America so many years ago. Utopia serves as both an exhibition catalog and as a historical narrative of the Giessen Emigration Society. 

Seminar paper from the year 2004 in the subject Sociology - Methodology and Methods, grade: 1,2, Justus-Liebig-University Giessen, language: English, abstract: In the 1970s and '80s, the behavioral researcher and psychologist Prof. Philip Zimbardo tested the effects of extraordinary situations on human subjects. Zimbardo was less concerned with demonstrating the personal situations, developments and psychological case studies of individuals, and rather was searching for universal relationships between external influences and the behavior of the subject. Such influences are to be observed in situations of extreme duress, as illustrated by those in prisons. After World War II there were a multitude of reports from prisoners about their personal experiences, the influences and effects of their respective time in prison. Zimbardo now wanted to observe the effects of prison on a universal level. He thus clearly separated the personal psyche of the individual from the factors that would encroach from the "outside", making them equal to prisoners. The core question Zimbardo was experimenting with was the question of the "good" and "evil" in humans. Would good or evil triumph in individuals who were subjected to extreme stress and were required to resort to violence? What influence does the environment have on this decision? Who is actually responsible for reporting extraordinary violence in prisons? Is it the special characters and individuals gathered within the prison, or must this phenomenon be ascribed to the imposed prison environment?

Seminar paper from the year 2004 in the subject Sociology - Methodology and Methods, grade: 1,2, Justus-Liebig-University Giessen, language: English, abstract: In the 1970s and '80s, the behavioral researcher and psychologist Prof. Philip Zimbardo tested the effects of extraordinary situations on human subjects. Zimbardo was less concerned with demonstrating the personal situations, developments and psychological case studies of individuals, and rather was searching for universal relationships between external influences and the behavior of the subject. Such influences are to be observed in situations of extreme duress, as illustrated by those in prisons. After World War II there were a multitude of reports from prisoners about their personal experiences, the influences and effects of their respective time in prison. Zimbardo now wanted to observe the effects of prison on a universal level. He thus clearly separated the personal psyche of the individual from the factors that would encroach from the "outside", making them equal to prisoners. The core question Zimbardo was experimenting with was the question of the "good" and "evil" in humans. Would good or evil triumph in individuals who were subjected to extreme stress and were required to resort to violence? What influence does the environment have on this decision? Who is actually responsible for reporting extraordinary violence in prisons? Is it the special characters and individuals gathered within the prison, or must this phenomenon be ascribed to the imposed prison environment?

Neuware - Im Gegensatz zu vielen anderen Metaphern im Neuen Testament, die schon häufig untersucht wurden, gab es bisher keine ausführliche Untersuchung des Begriffs 'Erstlingsgabe'. Diese Lücke schließt das vorliegende Buch von Joel White, Dozent für Neues Testament an der Freien Theologischen Akademie in Gießen. White analysiert den neutestamentlichen Gebrauch des Begriffs gegen seinen alttestamentlichen und frühjüdischen Hintergrund und zeigt, dass hinter dem Begriff Konzeptionen stehen, die für die Geschichte und Theologie des Urchristentums von weitaus größerer Bedeutung sind, als zumeist angenommen wird.

For the specific atmosphere of Oberon Michael Hofstetter found it crucial that the performance was played on the period instruments Weber composed for. In Giessen, he worked with four natural horns, natural trumpets, finely tuned trombones and not least flutes made of wood instead of metal. This produced an inexhaustible wealth of acoustic colors, enabling us to sensually experience what might really be meant by the concept of German Romanticism on the musical level. Michael Hofstetter conducts