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Regarding the significance of Gilberto Freyre’s 1933 Casa-grande e senzala, Antonio Candido referred to it as nothing less than an "earthquake". From Dubois to Genovese, from Braudel to Barthes, not to mention decades of Brazilian and Lusophone cultural reflection, Freyre’s impact has been felt around the globe. Thomas Skidmore has recently called Freyre’s oeuvre a "unique world" that will "take many decades to explore". This volume represents a contribution to that process by offering a set of new critical readings from a range of disciplinary perspectives. These essays show that Freyre is worth considering anew today precisely because of the way in which his legacy serves, often silently, as a foundational presence within so many of the debates that are increasing in both volume and intensity across a number of fields of inquiry. The interesting project embedded in the realization that seemingly new trends appear throughout Freyre’s work is not to simply show how he raised a number of issues precociously. Rather, the crucial task is to ask after the ways in which his work still inhabits our own. In other words, the question is not to ask in which ways we have improved upon Freyre’s theses, or transcended his errors; the question is to ask how those "errors" force us to confront our own work in unexpected ways.

Limited vinyl LP pressing of this classic 1964 album. One of the biggest-selling jazz albums of all time, not to mention bossa nova's finest moment, Getz/Gilberto trumped jazz samba by bringing two of bossa nova's greatest innovators - guitarist/singer Joo Gilberto and composer/pianist Antonio Carlos Jobim - to New York to record with Stan Getz. The results were magic. It's release helped fuel the bossa nova craze in the United States and internationally, becoming the first Grammy Award-winning

Reggio Emilia, Teatro Valli, dal 3 dicembre 1988. Modena, Galleria Rossanaferri, dal 5 dicembre 1988.Testi di Mario Bertoni, Rudi Fuchs e Gilberto Zorio.Torino, 1988; br., pp. 180, 108 ill. b/n col., 2 tavv. col. f.t., cm 21x28.(Cataloghi, libri d'artista). La presente monografia è stata pubblicata in occasione delle esposizioni personali di Gilberto Zorio realizzate nel 1988/89 a Modena e a Reggio Emilia. Contiene un saggio-intervista di Germano Celant e testi di Rudi Fuchs e Mario Bertoni. Gilberto Zorio è nato ad Andorno Micca, Vercelli, nel 1944. Vive a Torino. La sua ricerca artistica si svolge nell'ambito della scultura sperimentale, spesso associando materiali noti fin dall'antichità con nuovi ritrovati della scienza moderna. Per i suoi lavori si avvale anche della tecnica fotografica e dell'illuminazione fosforescente.

Reggio Emilia, Teatro Valli, dal 3 dicembre 1988. Modena, Galleria Rossanaferri, dal 5 dicembre 1988.Testi di Mario Bertoni, Rudi Fuchs e Gilberto Zorio.Torino, 1988; br., pp. 180, 108 ill. b/n col., 2 tavv. col. f.t., cm 21x28.(Cataloghi, libri d'artista). La presente monografia è stata pubblicata in occasione delle esposizioni personali di Gilberto Zorio realizzate nel 1988/89 a Modena e a Reggio Emilia. Contiene un saggio-intervista di Germano Celant e testi di Rudi Fuchs e Mario Bertoni. Gilberto Zorio è nato ad Andorno Micca, Vercelli, nel 1944. Vive a Torino. La sua ricerca artistica si svolge nell'ambito della scultura sperimentale, spesso associando materiali noti fin dall'antichità con nuovi ritrovati della scienza moderna. Per i suoi lavori si avvale anche della tecnica fotografica e dell'illuminazione fosforescente.

The stories in this vibrant and humorous series introduce four odd and curious little critters whose garden adventures will delight children. Follow Dorita Ladybug who is cursed by a witch, Teresa Honeybee and her empty honey pots, Gilberto Butterfly and his tired flower friends, and Menbrillo Gremlin and his neighbors as they teach young readers about the world around them through valuable lessons. Las historias en esta vibrante y humorística colección presentan cuatro extrañas y curiosas criaturas cuyas aventuras en el jardín deleitarán y enriquecerán a los niños. Siguiendo a Dorita Mariquita, tocada por el maleficio de una bruja, a Teresa Abeja y sus tarros de miel vacíos, a Gilberto Mariposa y sus amigas las flores cansadas, y a Menbrillo Gremlin y sus vecinos; los jóvenes lectores aprenderán valiosas lecciones acerca del mundo que les rodea.

FOR USE IN SCHOOLS AND LIBRARIES ONLY. A young boy finds in the wind a playmate of many moods: one that can sail boats, fly kites, blow dirt, and turn umbrellas inside out.

Digitally remastered two CD set containing a trio of albums from Jazz saxophonist Stanley Turrentine's CTI catalog, originally released in 1970 and 1971. All-star musicians accompanying Turrentine include George Benson, Freddie Hubbard, Billy Cobham, Deodato, Airto Moreira and Ron Carter. Includes "Sugar," "Impressions," "Solo El Fin," "Historia De Amor," "Traveling Light," "Storm," "Gibraltar" and more!

Joao Gilberto / Chega De Saudade (IMPORT) Brazilian Love Affair - LP 8719039001675

(Transcribed Score). This folio transcribes every note by every instrument on the ground-breaking 1965 bossa nova masterpiece that won the Grammy Award for Best Album of the Year and produced the classic standard "The Girl from Ipanema" which also won a Grammy for Record of the Year. It features Stan Getz on saxophone, Joao Gilberto on guitar, and Antonio Carlos Jobim on piano. 8 songs, including: Desafinado * Doralice * The Girl from Ipanema (Garota De Ipanema) * O Grande Amor * Para Machuchar Meu Coracao * Quiet Nights of Quiet Stars (Corcovado) * So Danco Samba (Jazz 'N' Samba) * Vivo Sonhando (Dreamer).

Most die-hard Brazilian music fans would argue that Getz/Gilberto, the iconic 1964 album featuring "The Girl from Ipanema," is not the best bossa nova record. Yet we've all heard "The Girl from Ipanema" as background music in a thousand anodyne settings, from cocktail parties to telephone hold music. So how did Getz/Gilberto become the Brazilian album known around the world, crossing generational and demographic divides? Bryan McCann traces the history and making of Getz/Gilberto as a musical collaboration between leading figure of bossa nova João Gilberto and Philadelphia-born and New York-raised cool jazz artist Stan Getz. McCann also reveals the contributions of the less-understood participants (Astrud Gilberto's unrehearsed, English-language vocals; Creed Taylor's immaculate production; Olga Albizu's arresting, abstract-expressionist cover art) to show how a perfect balance of talents led to not just a great album, but a global pop sensation. And he explains how Getz/Gilberto emerged from the context of Bossa Nova Rio de Janeiro, the brief period when the subtle harmonies and aching melodies of bossa nova seemed to distill the spirit of a modernizing, sensuous city.33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-based books and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.

(Transcribed Score). This folio transcribes every note by every instrument on the ground-breaking 1965 bossa nova masterpiece that won the Grammy Award for Best Album of the Year and produced the classic standard "The Girl from Ipanema" which also won a Grammy for Record of the Year. It features Stan Getz on saxophone, Joao Gilberto on guitar, and Antonio Carlos Jobim on piano. 8 songs, including: Desafinado * Doralice * The Girl from Ipanema (Garota De Ipanema) * O Grande Amor * Para Machuchar Meu Coracao * Quiet Nights of Quiet Stars (Corcovado) * So Danco Samba (Jazz 'N' Samba) * Vivo Sonhando (Dreamer).

Most die-hard Brazilian music fans would argue that Getz/Gilberto, the iconic 1964 album featuring "The Girl from Ipanema," is not the best bossa nova record. Yet we've all heard "The Girl from Ipanema" as background music in a thousand anodyne settings, from cocktail parties to telephone hold music. So how did Getz/Gilberto become the Brazilian album known around the world, crossing generational and demographic divides? Bryan McCann traces the history and making of Getz/Gilberto as a musical collaboration between leading figure of bossa nova João Gilberto and Philadelphia-born and New York-raised cool jazz artist Stan Getz. McCann also reveals the contributions of the less-understood participants (Astrud Gilberto's unrehearsed, English-language vocals; Creed Taylor's immaculate production; Olga Albizu's arresting, abstract-expressionist cover art) to show how a perfect balance of talents led to not just a great album, but a global pop sensation. And he explains how Getz/Gilberto emerged from the context of Bossa Nova Rio de Janeiro, the brief period when the subtle harmonies and aching melodies of bossa nova seemed to distill the spirit of a modernizing, sensuous city.33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-based books and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.

It's story time! Encourage listening and learning with this unique selection of 7 children's classic books in varied formats. Titles include: Corduroy by Don Freeman; Rabbits and Raindrops by Jim Arnosky; Red Barn by Margaret Wise Brown; Gilberto and the Wind by Marie Hall Ets; The Day Goose Got Loose by Reeve Lindbergh; Tale of Peter Rabbit by Beatrix Potter; The Snowy Day by Ezra Jack Keats; story time storytime reading center preschool books for 3 year olds books for 4 year olds story telling storytelling library reading read children's books childrens books kids books kid's books book sets read together read along story time storytime reading center preschool books for 3 year olds books for 4 year olds story telling storytelling library reading read children's books childrens books kids books kid's books book sets read together read along

Elevate your style with the Gilberto sweater by Séfr. Crafted from a luxurious wool blend, it features a classic crew neck, long sleeves, and exquisite cable knit. The slightly cropped fit and distressed details add a modern touch to any outfit.

Elevate your style with the Gilberto sweater by Séfr. Crafted from a luxurious wool blend, it features a classic crew neck, long sleeves, and exquisite cable knit. The slightly cropped fit and distressed details add a modern touch to any outfit.

Vocal Solo with Jazz Ensemble - Grade 3-4 Made famous by Astrud Gilberto and Stan Getz, this laid back Latin favorite features a great groove and t...

This great bossa nova classic by the Brazilian artist Joao Gilberto completely captures the flavor of the 1960s. Smooth lines and the jazz infused ...

Composer: Gilberto Parra Por Un Amor Publisher: Hal Leonard Category: Band/Orchestra/Ensemble Series: Hal Leonard Mariachi Series Format: Pa...

Composed in the mid 1950s, Bim-Bom is considered the very first bossa nova! Notably recorded by artists such as Sergio Mendes, Astrud Gilberto, and...

This Brazilian favorite from the 1960s has been recorded by a variety of artists including composer Edu Lobo, Astrud Gilberto, Sergio Mendes, and W...