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Since the late 1950s, Ron Gorchov (born 1930) has been a stalwart advocate of the possibilities of paintings as objects rather than as representations. Early in his career, alongside artists like Frank Stella, Robert Mangold and Richard Tuttle, Gorchov experimented with the shape of the canvas and stretcher, eventually devising the saddle-like frame that has allowed him to make paintings that are sculptures as much as they are sites of image-making. Gorchov’s art is distinguished by the luminous gentleness of its abstractions, which often consist of paired lozenges or lines that grow perceptually perplexing on their undulating grounds as the viewer engages them. Published on the occasion of a major exhibition in Spain curated by Gorchov’s studio neighbor Ray Smith, this volume is the first substantial monograph on this much loved New York artist, who has received increasing attention over the past decade.

Qto., Illustrated with colour plates, a NEW copy .

Catalogo della mostra al Whitney Museum Fabbraio - Aprile 1977. Opere di Vito Acconci, Nicholas Africano, Terry Allen, John Baldessari, Lewis Baltz, Jennifer Barlett, Mel Bochner, Joan Brown, Chris Burden, Vija Celmins, Chuck Close, Robert Cumming, Stephen A. Davis, Richard Estes, Ron Gorchov, Duane Hanson, Michael Heizer, James Hill, Alfred J. Jensen, Barry Le Va, Brice Marden, Agnes Martin, Duane Michals, Ree Morton, Elizabeth Murray, Bruce Nauman, Jim Nutt, Dennis Oppenheim, Dorothea Rockburne, Robert Ryman, Alan D. Saret, Richard Serra, Joel Shapiro e molti altri. Illustrazioni in bianco e nero . cm 21x21 pp. 104 Brossura (wrappers) Molto Buono (Very Good)