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Tuned to a medieval scale, our Gregorian Chimes echo the vocal music of the gothic era, sung to accompany meditation in the churches of Europe since the late 8th century. Each chime has eight tubes for an exceptionally rich sound and each one harmonizes with the others, so they sound absolutely wonderful together. Our most popular chime series. This chime carries a lifetime tuning guarantee.WOODSTOCK CHIMES THE ORIGINAL MUSICALLY TUNED WIND CHIMES. Tuned to beautiful melodies and scales from around the world and available in a wide range of styles, songs and sizes, you can choose the Woodstock Chime that speaks to your soul. HOW IT ALL BEGAN. In 1979, the first Woodstock Chime was created by GRAMMY Award-winning musician Garry Kvistad from an aluminum lawn chair he found in a landfill. As a professional musician and instrument designer, he was fascinated by the Scales of Olympus, a 7th century pentatonic scale that can't be played on a modern piano. Garry had the idea to cut and tune the lawn chair chime tubes to the exact frequency of the ancient scale. The resulting Chimes of Olympus was the first Woodstock Chimes Wind Chimes and is still one of our bestselling wind chimes. Garry and his wife Diane founded Woodstock Chimes in 1979 and it remains based in New York's Hudson Valley.

Tuned to a medieval scale, our Gregorian Chimes echo the vocal music of the gothic era, sung to accompany meditation in the churches of Europe since the late 8th century. Each chime has eight tubes for an exceptionally rich sound and each one harmonizes with the others, so they sound absolutely wonderful together. Our most popular chime series. This chime carries a lifetime tuning guarantee. Material: Aluminum.

Tuned to a medieval scale, our Gregorian Chimes echo the vocal music of the gothic era, sung to accompany meditation in the churches of Europe since the late 8th century. Each chime has eight tubes for an exceptionally rich sound and each one harmonizes with the others, so they sound absolutely wonderful together, Our most popular chime series. This chime carries a lifetime tuning guarantee. Material: Aluminum.

Tuned to a medieval scale, our Gregorian Chimes echo the vocal music of the gothic era, sung to accompany meditation in the churches of Europe since the late 8th century. Each chime has 8 tubes for an exceptionally rich sound, and each one harmonizes with the others, so they sound absolutely wonderful together. Our most popular chime series. This chime carries a lifetime tuning guarantee. Material: Aluminum.

Experience the inner quiet that comes from listening to the peaceful patterns of Gregorian chant. Tuned to a medieval scale, this wind chime echoes the vocal music that has been sung as a part of daily devotionals and meditation in the monasteries and churches of Western Europe for more than a thousand years. Many believe this music to have remarkable healing powers. The sound is beautiful, relaxing and mysteriously compelling. Like the free-flowing monophonic lines of the chant, this windchime's resonant tones will surround the listener as the sounds linger in the breeze. All of the Woodstock Gregorian Chimes - Baritone, Tenor, Alto, Soprano and the Little Gregorian harmonize beautifully together.WOODSTOCK CHIMES THE ORIGINAL MUSICALLY TUNED CHIME. Tuned to beautiful melodies and scales from around the world in several styles, songs and sizes. In 1979, the first Woodstock Chime was created by GRAMMY Award-winning musician Garry Kvistad from an aluminum lawn chair he found in a landfill. As a professional musician and instrument designer, he was fascinated by the Scales of Olympus, a 7th century pentatonic scale that can't be played on a modern piano. Garry cut and tuned the lawn chair chime tubes to the exact frequency of the ancient scale. The resulting Chimes of Olympus was the first Woodstock Chimes Wind Chimes and is still one of our bestselling wind chimes. Garry and his wife Diane founded Woodstock Chimes in 1979 and it remains based in New York's Hudson Valley.

Experience the inner quiet that comes from listening to the peaceful patterns of Gregorian chant. Tuned to a medieval scale, this wind chime echoes the vocal music that has been sung as a part of daily devotionals and meditation in the monasteries and churches of Western Europe for more than a thousand years. Many believe this music to have remarkable healing powers. The sound is beautiful, relaxing and mysteriously compelling. Like the free-flowing monophonic lines of the chant, this windchime's resonant tones will surround the listener as the sounds linger in the breeze.All of the Woodstock Gregorian Chimes - Baritone, Tenor, Alto, Soprano and the Little Gregorian harmonize beautifully together.WOODSTOCK CHIMES THE ORIGINAL MUSICALLY TUNED WIND CHIMES. In 1979, the first Woodstock Chime was created by GRAMMY Award-winning musician Garry Kvistad from an aluminum lawn chair he found in a landfill. As a professional musician and instrument designer, he was fascinated by the Scales of Olympus, a 7th century pentatonic scale that can't be played on a modern piano. Garry had the idea to cut and tune the lawn chair chime tubes to the exact frequency of the ancient scale. The resulting Chimes of Olympus was the first Woodstock Chimes Wind Chimes and is still one of our bestselling wind chimes. Garry and his wife Diane founded Woodstock Chimes in 1979 and it remains based in New York's Hudson Valley.

Gregorian Chants Benedictine Monks of the Abbey M nsterschwarzach - CD 4010072771988

Unread book in perfect condition.

Publisher Comments: The revolutionary strategy that will help every player beat the house without counting cards. Gregory Mannarino has devised his own Gregorian Strategy, the only strategy that is specifically designed to take advantage of the rules offered by mulitple deck games. By understanding the basic rules of the game and their variations, players will begin to realize that some games have rules that are more favorable to the player than others, learn how to determine the probabilities of winning various combinations of player and dealer-up cards, and learn how to attack the dealer when he's most vulnerable.

What is Gregorian chant, and where does it come from? What purpose does it serve, and how did it take on the form and features which make it instantly recognizable? Designed to guide students through this key topic, this book answers these questions and many more. David Hiley describes the church services in which chant is performed, takes the reader through the church year, explains what Latin texts were used, and, taking Worcester Cathedral as an example, describes the buildings in which it was sung. The history of chant is traced from its beginnings in the early centuries of Christianity, through the Middle Ages, the revisions in the sixteenth and seventeenth centuries, and the restoration in the nineteenth and twentieth. Using numerous music examples, the book shows how chants are made and how they were notated. An indispensable guide for all those interested in the fascinating world of Gregorian chant.

The Gregorian Missal is intended for the faithful who participate in Mass sung in Gregorian chant. The Gregorian Missal contains all of the chants for Sunday Mass in Latin as well as the various prayers from the Mass in Latin and English. The missal also contains the ordinary of the Mass in Latin and English and all of the ordinary chants (Kyrie, Sanctus, etc.) for the Mass. Texts for various special masses (for the dead, for the pope, etc.) are also included. Does not include the Sunday Readings. This Missal is for the Novus Ordo Latin Mass, not the 1962 Tridentine Mass.  Imprimatur: Georgius Gilson, Cenomanensis episcopus, November 16, 1989

The Gregorian Missal is intended for the faithful who participate in Mass sung in Gregorian chant. The Gregorian Missal contains all of the chants for Sunday Mass in Latin as well as the various prayers from the Mass in Latin and English. The missal also contains the ordinary of the Mass in Latin and English and all of the ordinary chants (Kyrie, Sanctus, etc.) for the Mass. Texts for various special masses (for the dead, for the pope, etc.) are also included. Does not include the Sunday Readings. This Missal is for the Novus Ordo Latin Mass, not the 1962 Tridentine Mass.  Imprimatur: Georgius Gilson, Cenomanensis episcopus, November 16, 1989

Excerpt from The Gregorian Sacramentary Under Charles the GreatLondon harrison and sons, printers IN ordinary TO his majesty, st. Martin's lane.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A world-renowned scholar of plainchant, Kenneth Levy has spent a portion of his career investigating the nature and ramifications of this repertory's shift from an oral tradition to the written versions dating to the tenth century. In Gregorian Chant and the Carolingians, which represents the culmination of his research, Levy seeks to change long-held perceptions about certain crucial stages of the evolution and dissemination of the old corpus of plainchant--most notably the assumption that such a large and complex repertory could have become and remained fixed for over a century while still an oral tradition. Levy portrays the promulgation of an authoritative body of plainchant during the reign of Charlemagne by clearly differentiating between actual evidence, hypotheses, and received ideas. How many traditions of oral chant existed before the tenth century? Among the variations noted in written chant, can one point to a single version as being older or more authentic than the others? What precursors might there have been to the notational system used in all the surviving manuscripts, where the notational system seems fully formed and mature? In answering questions that have long vexed many scholars of Gregorian chant's early history, Levy offers fresh explanations of such topics as the origin of Latin neumes, the shifting relationships between memory and early notations, and the puzzling differences among the first surviving neume-species from the tenth century, which have until now impeded a critical restoration of the Carolingian musical forms.

The fundamentals of reading and interpreting Gregorian chant for the person with no prior experience; a handbook for anyone who desires to acquire a practical, working understanding of chant notation, rhythm, modes, liturgical use (past and present), interpretation, and conducting, as well as Latin pronunciation.

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Dom Eugene Cardine A study of the various signs (notation) used through the ages.  Numerous examples and comparisons.

Noirin Ni Riain, singer and musician, has made many recordings, including Caoineadh na Maighdine with the monks of Glenstal, and is the author of books and articles on the religious song tradition in Ireland. In this collection, sixty-five of the finest Gregorian chants, spanning many centuries, were selected for ease of performance and are ideal for meditation alone or in church. Words and music of chants handwritten by Dom Kevin Healy.

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