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If there was one man, other than Napoleon himself, who determined the course of the Napoleonic Wars, it was Jacques-Antoine-Hippolyte, comte de Guibert, the foremost military theorist in France from 1770 to his death in 1790. Taking in the full scope of the times, from the ideas of the Enlightenment to the passions of the French Revolution, Jonathan Abel’s Guibert is the first book in English to tell the remarkable story of the man who, through his pen and political activity, truly earned the title of Father of the Grande Armée. In his Essai général de tactique, published in 1771, Guibert set forth the definitive institutional doctrine for the French army of the Revolutionary and Napoleonic Wars. But unlike many other martial theorists, Guibert, who served in the French Ministry of War from 1775 to 1777 and again from 1787 to 1789, was able to put his ideas into practice. Drawing on a wealth of primary source documents—including Guibert’s own papers and the letters and memoirs of his friends and associates—Jonathan Abel re-creates the temper of an era of great turbulence and remarkable creativity. More than a military theorist, Guibert was very much a man of his day; he attended salons, wrote poetry and plays, and was inducted into the Académie française. A fiery figure, he rose and fell from power, lived and loved fiercely, and died swearing that he would “find justice.” In Abel’s account, Guibert does at last receive a measure of justice: a thorough, painstakingly documented picture of this complex man in the thick of extraordinary times, building the foundation for Napoleon's success between 1796 and 1807—and in significant ways, changing the course of European history.

302 pages. 11.50x8.50x0.75 inches. In Stock.

This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:2251340432

This is a well written and valuable study of the life of a familiar but still somehow shadowy figure and an important contribution to medieval intellectual history, with insights into the meaning of the twelfth-century renaissance, the monastic mindset, the invention of psychological thought, the birth of the university, and the historiography of the Crusades.

If there was one man, other than Napoleon himself, who determined the course of the Napoleonic Wars, it was Jacques-Antoine-Hippolyte, comte de Guibert, the foremost military theorist in France from 1770 to his death in 1790. Taking in the full scope of the times, from the ideas of the Enlightenment to the passions of the French Revolution, Jonathan Abel’s Guibert is the first book in English to tell the remarkable story of the man who, through his pen and political activity, truly earned the title of Father of the Grande Armée. In his Essai général de tactique, published in 1771, Guibert set forth the definitive institutional doctrine for the French army of the Revolutionary and Napoleonic Wars. But unlike many other martial theorists, Guibert, who served in the French Ministry of War from 1775 to 1777 and again from 1787 to 1789, was able to put his ideas into practice. Drawing on a wealth of primary source documents—including Guibert’s own papers and the letters and memoirs of his friends and associates—Jonathan Abel re-creates the temper of an era of great turbulence and remarkable creativity. More than a military theorist, Guibert was very much a man of his day; he attended salons, wrote poetry and plays, and was inducted into the Académie française. A fiery figure, he rose and fell from power, lived and loved fiercely, and died swearing that he would “find justice.” In Abel’s account, Guibert does at last receive a measure of justice: a thorough, painstakingly documented picture of this complex man in the thick of extraordinary times, building the foundation for Napoleon's success between 1796 and 1807—and in significant ways, changing the course of European history.

This is a well written and valuable study of the life of a familiar but still somehow shadowy figure and an important contribution to medieval intellectual history, with insights into the meaning of the twelfth-century renaissance, the monastic mindset, the invention of psychological thought, the birth of the university, and the historiography of the Crusades.

204 pages. 9.76x6.54x0.47 inches. In Stock.

In its original printing, this edition of the Autobiography was greeted in Saturday Review as ‘a treasure-house of information on education, monastic life, and the beginnings of the great medieval towns ... also delightful reading with its mingling of scholarship and superstition, its stories of necromancy and devils, its other-worldliness warring with human weakness.‘Originally published by Harper Torchbooks, 1970.

Text: English, Spanish (translation)

Editeur : F.X. de Guibert O.E.I.L. Date de parution : 1992 Description : In-8, 278 pages, broché remplié, occasion, très bon état. Envois quotidiens du mardi au samedi. Les commandes sont adressées sous enveloppes bulles. Photos supplémentaires de l'ouvrage sur simple demande. Réponses aux questions dans les 12h00. Librairie Le Piano-Livre. Merci. Référence catalogue vendeur: 60708. Please let us know if you have any questions. Thanks

Un vigneron chez Jean-Pierre Gibrat ou chez Emmanuel Guibert, et un auteur de bande dessinée dans la vigne : mais qui sont-ils ? Deux ignorants ! Comment, pourquoi, et pour qui faire des livres ou du vin ? Les réponses à ces questions forment le récit vivant et joyeux d'une initiation croisée.

Brand new series from multiple award-winning author Emmanuel Guibert (The Photographer) and renowned illustrator Marc Boutavant! Ariol is your everyday tween donkey with blue glasses. He lives in the suburbs with his mom and dad. His best friend is a pig. He's in love with a beautiful cow in his class. His teacher is a dog. His gym teacher is a huge rooster. In short, Ariol is just like you and me. Kids will love the real humor around their lives on this one as they have in many other countries!

"Photographs are not innocent." Guibert writes in one of the most provocative essays in Ghost Image, a collection of critical and autobiographical writings on photography translated for the first time into English by Robert Bononno. "They influence and...betray what is hidden beneath the skin. They weave not only lines and grids, but plots, and they cast spells....They are an impressionable material that welcomes spirits." Guibert, photography critic of La Monde for many years, himself weaves a spell with his many topics and moods, delineated in a continually unpredictable mixture of precise descriptions and poetic musing. Guibert recalls family members through the frozen reality of pictures taken at different times. He offers a compact history of the Polaroid, and informative remarks on noted travel journals resembling photography. He confesses to having betrayed an actress he photographed, and silently ponders whether certain pictures should arouse him, adding his views on the differences between visual erotica and pornography. His own occasional role as model causes ambivalence.A flurry of other incidents and thoughts - some real, others fantasy - crowd Guibert's pages as he struggles to fathom the essence of that which captures life. In an unforgettable conclusion, through his account of an enigmatic portrait and its strange fate, Guibert finally achieves the union of person and picture he sought. Ghost Image is a collection of beautifully and hauntingly written essays on what is and what lies behind any photograph.

Editeur : F.X. de Guibert O.E.I.L. Date de parution : 1992 Description : In-8, 278 pages, broché remplié, occasion, très bon état. Envois quotidiens du mardi au samedi. Les commandes sont adressées sous enveloppes bulles. Photos supplémentaires de l'ouvrage sur simple demande. Réponses aux questions dans les 12h00. Librairie Le Piano-Livre. Merci. Référence catalogue vendeur: 60708. Please let us know if you have any questions. Thanks

Rayon : Spiritualité Editeur : F.-X. de Guibert Date de parution : 1994 Description : In-8, 332 pages, broché, occasion, très bon état. Envois quotidiens du mardi au samedi. Les commandes sont adressées sous enveloppes bulles. Photos supplémentaires de l'ouvrage sur simple demande. Réponses aux questions dans les 12h00. ATTENTION : Les expéditions de plus de 2 kilos se voient appliquer un supplément de port. Un envoi en Mondial Relay est possible en France et en Europe. IMPORTANT : Le service économique d'envoi de livres à l'international "livres et brochures" prendra fin au 1er juillet 2025. Clients internationaux, profitez des derniers mois de ce tarif très avantageux. N'hésitez pas à vous renseigner avant de passer commande. Librairie Le Piano-Livre. Merci. Référence catalogue vendeur: X12430

Guibert of Ghent is only 7 years old when he arrives at his uncle’s castle to become a knight and study chivalry. But learning the Ancient Code of Chivalry turns out to be a much harder and much more exciting lesson than he ever expected! Guibert’s study of chivalry leads him into adventures involving a deadly encounter with wolves, helping a lady in distress, finding new friends and new enemies, fighting a nefarious political plot against his home, helping in a desperate woodland battle, and solving a mystery with roots stretching into the era of his Viking great-grandparents. Follow Guibert’s adventures through the Ten Commandments of Chivalry in this character study of 22 lessons for your little knights. A story lesson alternates with a practical lesson about the specific commandment Guibert is learning, applying Christian principles to everyday situations. The lessons also contain questions to think about, memory verses, reproducible coloring pages, puzzles, crafts, and practical activities to make learning chivalry even more fun! Chivalry is still very much alive today. And that’s because it is essentially a list of qualities to help people be better servants to God and their fellow man. It is codified Christian servanthood. It speaks into our broken, modern age in incredibly relevant ways, and it can help your child build a strong foundation for a vibrant life of Christian faithfulness. Those bold boys and girls who set off on the path of Ancient Code Chivalry will find a challenge: but they’ll find it the path of real, Christian adventure, a path they’ll never want to turn back from!

A work of remarkable imagination and insight; never before has such an extraordinary description of what it is to be blind been written. Guibert writes about the blind with virtuosity, entering into their minds and bodies and seeing the inner and outer worlds of their confined existence. This produces a strange penetration into hallucinated sensual confusion, in which colors are sounds and sounds are objects. These nightmarish phantasms of the blind culminate in a gruesome crime de passion.

The Mausoleum of Lovers comprises Guibert’s journals, kept from 1976–1991. Functioning as an atelier, it forecasts the writing of a novel, which does not materialize as such; the journal itself ― a mausoleum of lovers ― comes to take its place. The sensual exigencies and untempered forms of address in this epistolary work, often compared to Barthes’ A Lover’s Discourse, use the letter and the photograph in a work that hovers between forms, in anticipation of its own disintegration.

Why is a French chef writing about lefse? Chef Guibert has cooked fine cuisine around the world, but when a visitor presented him with lefse, he came up with ideas beyond butter and sugar. His creations were met with praise - and quickly emptied plates.

The Mausoleum of Lovers comprises Guibert’s journals, kept from 1976–1991. Functioning as an atelier, it forecasts the writing of a novel, which does not materialize as such; the journal itself ― a mausoleum of lovers ― comes to take its place. The sensual exigencies and untempered forms of address in this epistolary work, often compared to Barthes’ A Lover’s Discourse, use the letter and the photograph in a work that hovers between forms, in anticipation of its own disintegration.