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Whimsical yet contemporary, silhouettes of silver dandelions dazzle against a grey background in this floral design. Shadow accents create a dimensional effect. Hamsun is an unpasted, non woven wallpaper.

Powerful personal narratives by the renowned author of Living Up the Street. These small essays are not unlike Dutch paintings of the sixteenth century. They are clear and precisely rendered, and are either thematically domestic scenes or pedestrian in their observations of the ordinary. There is a delirious joy in Soto's writings, and heartbreak. This collection features his much-lauded essays "The Jacket" and "Like Mexicans," along with new essays such as "Childhood Worries, or Why I Became a Writer," "Getting It Done," and the title essay in which Soto fashions himself to be Fresno's own Knut Hamsun, the Norwegian writer of the 1920s who lived on nothing more than his five senses. Poet and critic Christopher Buckley said of his poetry, "[Soto has] mastered his form, has found his voice, and has the life experiences to provide meaningful content." He could have been speaking of his prose as well. Soto is at home with the essay; he is able to paint moments that would otherwise seem dull and not worthy of comment. He picks up hitchhikers, sorts through the mystery of finding a wife, and pulls together his wits to solve the hunger of stray dogs. He is tender and outrageous; he is reflective on worldly matters and cagey with his family and friends. In all, his dazzling effects of language will keep the reader continually surprised.These portraits are set in his hometown, Fresno, and in his current residence, the San Francisco Bay area. They therefore mark his time and place, but honor the instincts of the master Knut Hamsun, who walked around his town, a spectacle of wonder. This volume includes forty-eight pieces: all of the personal narratives formerly collected in Small Faces, the best of Lesser Evils―both volumes long out-of-print―as well as five new essays.

472 pages. 9.21x5.98x1.50 inches. In Stock.

In this epic story of love and treason, Max von Sydow gives a career-crowning performance as Knut Hamsun, Norway's controversial Nobel Laureate. Hamsun is his country's most beloved writer.

"The Growth of the Soil" is the novel by Norwegian writer Knut Hamsun which won him the Nobel Prize in Literature in 1920. Stylistically it has a simplicity which reflects its subject matter and there prevails what Worster calls a "Miltonic monumental calm". Hamsun also has the qualities of a Norwegian Steinbeck in his tale of the tragedies and joys of everyday life. There are also 'Bergmanesque' elements in its blacker episodes: the two infanticides; Axel left to die in the snow by the jealous and resentful Brede, whom he has gone out of his way to help and support; and the actions and words of the poisonous, spiteful and grasping Oline. Yet these are relieved by an underlying humour and lightness and all characters seem to have their redeeming features. Tragedy and evil rarely lead to unmitigated disaster, often because of the inner strength and fortitude of the principal characters

Published in Norway in 1912, The Last Joy (Den Siste Glaede) appears at an important transition point in Hamsun’s career, as he moved any from his intense observations of individual characters to focus on a broader canvas of small town and farm life social units of the Norwegian culture. If Hunger (1890) represents the epitome Hamsun’s focus on the individual, his works of the late teens and 1920s, particularly Growth of the Soil (1917) and Women at the Pump (1920) best represent the latter. The Last Joy lies somewhere between, with all the comic eccentricity of Hamsun’s great individualistic portraits and the small-town pretensions and social inter-relationships of his later works.Winner of the Nobel Prize in 1920, Knut Hamsun is one of the most beloved writers—although reviled for his "collaboration" with the Nazis during the German occupation of Norway—of the 20th century.

"Mothwise" is a classic novel, written by a world famous Norwegian author Knut Hamsun, who was awarded the Nobel Prize in Literature in 1920.

Since the death of Ibsen and Strindberg, Hamsun is undoubtedly the foremost creative writer of the Scandinavian countries. Those approaching most nearly to his position are probably Selma Lagerlöf in Sweden and Henrik Pontoppidan in Denmark. Both these, however, seem to have less than he of that width of outlook, validity of interpretation and authority of tone that made the greater masters what they were.

Contemptuous of contemporary novels and what he saw as stereotypical plots and empty characters, in 1890 Knut Hamsun wrote "Hunger", which is a searing excursion into the realm of the irrational. In a moment-by-moment internal monologue, Hamsun reveals the profound anguish of a struggling writer facing the possibility of death in a world indifferent to his existence.

"The Growth of the Soil" is the novel by Norwegian writer Knut Hamsun which won him the Nobel Prize in Literature in 1920. Stylistically it has a simplicity which reflects its subject matter and there prevails what Worster calls a "Miltonic monumental calm". Hamsun also has the qualities of a Norwegian Steinbeck in his tale of the tragedies and joys of everyday life. There are also 'Bergmanesque' elements in its blacker episodes: the two infanticides; Axel left to die in the snow by the jealous and resentful Brede, whom he has gone out of his way to help and support; and the actions and words of the poisonous, spiteful and grasping Oline. Yet these are relieved by an underlying humour and lightness and all characters seem to have their redeeming features. Tragedy and evil rarely lead to unmitigated disaster, often because of the inner strength and fortitude of the principal characters

Hunger by Knut Hamsun is a strange, semi-delirious, gorgeous narrative of a young man who wanders the Norwegian urban milieu and spends most of his time starving and contemplating eccentric ways of obtaining food for a few coins. The occasional income he gets from his writing is barely adequate to keep him alive, and between the bouts of hunger he hallucinates and imagines -- and sometimes engages in -- sensuality in all its forms. Food and sex and vivid creative daydreams, in combination with a peculiar personal pride, keep him on the fringes, apart from others. And yet, his need for nourishment in every sense, physical and emotional, is overwhelming. Even though it was completed in 1890, Hunger is considered a psychological masterpiece of the early 20th century.

In this Norwegian saga of restlessness, Hamsun presents young Edevart, a headstrong boy ill at ease with books, but fiercely self-determined and eager to escape his poor village of Polden. He becomes a close friend of August, a man-orphan, rootless, who sings fantastic tales of a wondrous world. In their years of seafaring, peddling, and raucous-raising-sometimes together, sometimes separated-Edevart grows in understanding, becoming a cunning businessman, experiencing the exhilaration and devastation of love and learning to enjoy the freedom of his wandering lifestyle. Nobel prize winner Hamsun expertly weaves the clashing ideologies-the draw of a comfortable home and the excitement of adventure and the sea-with Edevart's own picaresque, as it drifts between restlessness and a peaceful happiness.

Gathers together eighteen ghostly tales and poems by master storytellers ranging from H. G. Wells to Knut Hamsun

Hunger by Knut Hamsun is a strange, semi-delirious, gorgeous narrative of a young man who wanders the Norwegian urban milieu and spends most of his time starving and contemplating eccentric ways of obtaining food for a few coins. The occasional income he gets from his writing is barely adequate to keep him alive, and between the bouts of hunger he hallucinates and imagines -- and sometimes engages in -- sensuality in all its forms. Food and sex and vivid creative daydreams, in combination with a peculiar personal pride, keep him on the fringes, apart from others. And yet, his need for nourishment in every sense, physical and emotional, is overwhelming. Even though it was completed in 1890, Hunger is considered a psychological masterpiece of the early 20th century.

In this Norwegian saga of restlessness, Hamsun presents young Edevart, a headstrong boy ill at ease with books, but fiercely self-determined and eager to escape his poor village of Polden. He becomes a close friend of August, a man-orphan, rootless, who sings fantastic tales of a wondrous world. In their years of seafaring, peddling, and raucous-raising-sometimes together, sometimes separated-Edevart grows in understanding, becoming a cunning businessman, experiencing the exhilaration and devastation of love and learning to enjoy the freedom of his wandering lifestyle. Nobel prize winner Hamsun expertly weaves the clashing ideologies-the draw of a comfortable home and the excitement of adventure and the sea-with Edevart's own picaresque, as it drifts between restlessness and a peaceful happiness.

On Overgrown Paths was written after World War II, at a time when Hamsun was in police custody for his openly expressed Nazi sympathies during the German occupation of Norway, 1940-45. A Nobel laureate deeply beloved by his countrymen, Hamsun was now reviled as a traitor—as long as his sanity was not called into question. On Overgrown Paths is Hamsun's apologia.However, the psychiatric report declared him to be sane, but concluded that his mental faculties were "permanently impaired." This conclusion was emphatically refuted by the publication, in 1949, of On Overgrown Paths, Hamsun's apologia. In its creative élan, this book, filled with the proud sorrow of an old man, miraculously recalls the spirit of Hamsun's early novels, with their reverence for nature, absurdist humor, and quirky flights of fancy.This edition is the first authoritative English translation of Hamsun's last work, a work which stood at the center of the recent film Hamsun.Knut Hamsun was the greatest 20th century Norwegian novelist, winner of the Nobel Prize, and enormously beloved when the country was occupied in World War II. During the war, however, his wife, a supporter of Quisling and the Nazis, traveled across the country reading from his work, particularly Growth of the Soil, which seemed to support notions of agrarian return by a superior Aryan peasant class. Old and confused, Hamsun traveled to Germany to meet with Hitler, hoping, he claimed, to change the conditions of occupation in Norway. The meeting ended disastrously, and after the war, Hamsun was arrested for his Nazi sympathy. As this book reveals, however, Hamsun was anything by mentally disturbed. It is a sad and tragic book filled with pained sorrow of an old man, great in stature and contribution, but completely out of touch with his own time.