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A follow-up to the Crane-2, the Zhiyun-Tech CRANE 2S has been highly upgraded to better suit the needs of filmmakers. Featuring a new-generation 9th Instune Algorithm that improves the responsiveness of each axis, the CRANE 2S is capable of stabilising large cameras such as the Blackmagic Pocket 6K, Panasonic S1H, and Canon EOS 1DX Mark II along with accessories. (Please visit the Zhiyun website for a full list of compatible cameras and lenses.)

Widely recognized as the exemplar of 3-axis handheld gimbals for professional filmmakers, the CRANE 2 series is proud to present you a newest masterpiece that witnessed numerous hardworking days and nights of ZHIYUN R&D; team—CRANE 2S. Featuring high load capacity and modular design, the CRANE 2S is keen on delivering reliable and excellent performance, even in the most challenging environments. Photo shown is in use and for illustrative purpose only. Camera / Lens not included.

Portable yet professional with great compatibility - That's what describes CRANE-M3 the best. Compact body design and optimized axis arm structure deliver a better gripping and user experience. With the brand new dual-color-temperature lighting and professional audio solution, CRANE-M3 presents an outstanding filming experience in an all-in-one design.

Portable yet professional with great compatibility - That's what describes CRANE-M3 the best. Compact body design and optimized axis arm structure deliver a better gripping and user experience. With the brand new dual-color-temperature lighting and professional audio solution, CRANE-M3 presents an outstanding filming experience in an all-in-one design.

CRANE 3 LAB boasts a versatile and ergonomic structure that even revolutionizes the entire appearance. By holding the handle of the gimbal in a handy underslung position, you’ll find CRANE 3 LAB extremely effort-saving and flexible. CRANE 3 LAB is the only gimbal on the market that is integrated with wireless FHD image transmission, focus & zoom control, touch control and all-inclusive control panel. Designed for professional filmmakers, CRANE 3 LAB is invincible in the industry.

The DJI Osmo+ Handheld 4K Camera and 3-Axis Gimbal is the first handheld gimbal with an integrated zoom camera. Featuring 3.5x optical and 2x digital zoom, the Osmo+ offers up to 7x zoom when shooting in Full 1080p resolution, and up to 3.5x zoom at all other resolutions.

Covering a variety of telephoto focal lengths, the Canon RF 100-500mm f/4.5-7.1L IS USM spans a short- to super-telephoto range within a sleek and portable form factor. The modest maximum aperture enables a relatively portable design that is well-suited to handheld, walkaround use and optical image stabilisation also helps to steady photos and videos by up to five stops when working in difficult lighting conditions. This lens is also characterised by its advanced optical design, which includes a series of Super UD and UD elements to greatly reduce chromatic aberrations and color fringing throughout the zoom range for a degree of clarity and color accuracy.

Covering a variety of telephoto focal lengths, the Canon RF 100-500mm f/4.5-7.1L IS USM spans a short- to super-telephoto range within a sleek and portable form factor. The modest maximum aperture enables a relatively portable design that is well-suited to handheld, walkaround use and optical image stabilisation also helps to steady photos and videos by up to five stops when working in difficult lighting conditions. This lens is also characterised by its advanced optical design, which includes a series of Super UD and UD elements to greatly reduce chromatic aberrations and color fringing throughout the zoom range for a degree of clarity and color accuracy.

Covering a variety of telephoto focal lengths, the Canon RF 100-500mm f/4.5-7.1L IS USM spans a short- to super-telephoto range within a sleek and portable form factor. The modest maximum aperture enables a relatively portable design that is well-suited to handheld, walkaround use and optical image stabilisation also helps to steady photos and videos by up to five stops when working in difficult lighting conditions. This lens is also characterised by its advanced optical design, which includes a series of Super UD and UD elements to greatly reduce chromatic aberrations and color fringing throughout the zoom range for a degree of clarity and color accuracy.

Covering a variety of telephoto focal lengths, the Canon RF 100-500mm f/4.5-7.1L IS USM spans a short- to super-telephoto range within a sleek and portable form factor. The modest maximum aperture enables a relatively portable design that is well-suited to handheld, walkaround use and optical image stabilisation also helps to steady photos and videos by up to five stops when working in difficult lighting conditions. This lens is also characterised by its advanced optical design, which includes a series of Super UD and UD elements to greatly reduce chromatic aberrations and color fringing throughout the zoom range for a degree of clarity and color accuracy.

Covering a variety of telephoto focal lengths, the Canon RF 100-500mm f/4.5-7.1L IS USM spans a short- to super-telephoto range within a sleek and portable form factor. The modest maximum aperture enables a relatively portable design that is well-suited to handheld, walkaround use and optical image stabilisation also helps to steady photos and videos by up to five stops when working in difficult lighting conditions. This lens is also characterised by its advanced optical design, which includes a series of Super UD and UD elements to greatly reduce chromatic aberrations and color fringing throughout the zoom range for a degree of clarity and color accuracy.

Covering a variety of telephoto focal lengths, the Canon RF 100-500mm f/4.5-7.1L IS USM spans a short- to super-telephoto range within a sleek and portable form factor. The modest maximum aperture enables a relatively portable design that is well-suited to handheld, walkaround use and optical image stabilisation also helps to steady photos and videos by up to five stops when working in difficult lighting conditions. This lens is also characterised by its advanced optical design, which includes a series of Super UD and UD elements to greatly reduce chromatic aberrations and color fringing throughout the zoom range for a degree of clarity and color accuracy.

Covering a variety of telephoto focal lengths, the Canon RF 100-500mm f/4.5-7.1L IS USM spans a short- to super-telephoto range within a sleek and portable form factor. The modest maximum aperture enables a relatively portable design that is well-suited to handheld, walkaround use and optical image stabilisation also helps to steady photos and videos by up to five stops when working in difficult lighting conditions. This lens is also characterised by its advanced optical design, which includes a series of Super UD and UD elements to greatly reduce chromatic aberrations and color fringing throughout the zoom range for a degree of clarity and color accuracy.

Covering a variety of telephoto focal lengths, the Canon RF 100-500mm f/4.5-7.1L IS USM spans a short- to super-telephoto range within a sleek and portable form factor. The modest maximum aperture enables a relatively portable design that is well-suited to handheld, walkaround use and optical image stabilisation also helps to steady photos and videos by up to five stops when working in difficult lighting conditions. This lens is also characterised by its advanced optical design, which includes a series of Super UD and UD elements to greatly reduce chromatic aberrations and color fringing throughout the zoom range for a degree of clarity and color accuracy.

Covering a variety of telephoto focal lengths, the Canon RF 100-500mm f/4.5-7.1L IS USM spans a short- to super-telephoto range within a sleek and portable form factor. The modest maximum aperture enables a relatively portable design that is well-suited to handheld, walkaround use and optical image stabilisation also helps to steady photos and videos by up to five stops when working in difficult lighting conditions. This lens is also characterised by its advanced optical design, which includes a series of Super UD and UD elements to greatly reduce chromatic aberrations and color fringing throughout the zoom range for a degree of clarity and color accuracy.

Covering a variety of telephoto focal lengths, the Canon RF 100-500mm f/4.5-7.1L IS USM spans a short- to super-telephoto range within a sleek and portable form factor. The modest maximum aperture enables a relatively portable design that is well-suited to handheld, walkaround use and optical image stabilisation also helps to steady photos and videos by up to five stops when working in difficult lighting conditions. This lens is also characterised by its advanced optical design, which includes a series of Super UD and UD elements to greatly reduce chromatic aberrations and color fringing throughout the zoom range for a degree of clarity and color accuracy.

Covering a variety of telephoto focal lengths, the Canon RF 100-500mm f/4.5-7.1L IS USM spans a short- to super-telephoto range within a sleek and portable form factor. The modest maximum aperture enables a relatively portable design that is well-suited to handheld, walkaround use and optical image stabilisation also helps to steady photos and videos by up to five stops when working in difficult lighting conditions. This lens is also characterised by its advanced optical design, which includes a series of Super UD and UD elements to greatly reduce chromatic aberrations and color fringing throughout the zoom range for a degree of clarity and color accuracy.

Covering a variety of telephoto focal lengths, the Canon RF 100-500mm f/4.5-7.1L IS USM spans a short- to super-telephoto range within a sleek and portable form factor. The modest maximum aperture enables a relatively portable design that is well-suited to handheld, walkaround use and optical image stabilisation also helps to steady photos and videos by up to five stops when working in difficult lighting conditions. This lens is also characterised by its advanced optical design, which includes a series of Super UD and UD elements to greatly reduce chromatic aberrations and color fringing throughout the zoom range for a degree of clarity and color accuracy.

Covering a variety of telephoto focal lengths, the Canon RF 100-500mm f/4.5-7.1L IS USM spans a short- to super-telephoto range within a sleek and portable form factor. The modest maximum aperture enables a relatively portable design that is well-suited to handheld, walkaround use and optical image stabilisation also helps to steady photos and videos by up to five stops when working in difficult lighting conditions. This lens is also characterised by its advanced optical design, which includes a series of Super UD and UD elements to greatly reduce chromatic aberrations and color fringing throughout the zoom range for a degree of clarity and color accuracy.

Covering a variety of telephoto focal lengths, the Canon RF 100-500mm f/4.5-7.1L IS USM spans a short- to super-telephoto range within a sleek and portable form factor. The modest maximum aperture enables a relatively portable design that is well-suited to handheld, walkaround use and optical image stabilisation also helps to steady photos and videos by up to five stops when working in difficult lighting conditions. This lens is also characterised by its advanced optical design, which includes a series of Super UD and UD elements to greatly reduce chromatic aberrations and color fringing throughout the zoom range for a degree of clarity and color accuracy.