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Hartmut Bobzin ist der Fachwelt und einer interessierten Offentlichkeit vor allem als der Erforscher des Korans und der Biographie des Propheten Muhammad bekannt. Der Sammelband, der ihm zum 60. Geburtstag gewidmet wurde, spiegelt auch seine daruber hinausgehenden Forschungsinteressen wider, u.a. Wissenschaftsgeschichte, Theologie, islamische Geschichte, arabische Literatur sowie Philologie der klassischen wie der modernen arabischen Hochsprache. Insgesamt 23 Beitrage in- und auslandischer Gelehrter befassen sich mit Themen aus all den genannten Bereichen, auch orale Literatur in arabischer wie neuaramaischer Sprache kommt in einzelnen Beitragen zum Ausdruck.Aus dem Inhalt: (insges. 23 Beitrage)Al-Maqama l-Bubtsiniya (Georges Tamer)Schriftenverzeichnis Hartmut BobzinA. Ambros, Zum Gebrauch der Elativ-Form im KoranW. Arnold, Gott und der Teufel in den aramaischenSprichwortern aus Ma'lulaTh. Bauer, Was kann aus dem Jungen noch werden? W. Diem, Schwieriger Verkauf einer MauleselinW. Fischer, Die Funktion des "redundanten" min inprapositionalen Verbindungen J. W. Frembgen, Marriage to the Koran. Notes on a LocalCustom in Sindh and Punja

My skepticism on my first encounter in about 1991 - Never heard of him, who on earth is Mr Lindemann?" tipped suddenly over into unbounded enthusiasm, which has since mellowed into calm confidence: Lindemann has for the first time convinced me so firmly of the use of a rounded bow, with his portrayal of Bach's Chaconne, that I really "couldn't bother" about it's usage. The music created with it is overwhelming. [...] And if a player can summon up enough ardent eloquence, which supersedes all q

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With their expressive timbre and the technical excellence of the recording, the Auryn Quartet need not fear the competition, even though there is already a multitude of recordings in existence. Hartmut Leck, Klassik-heute There is no shortage of great and famous Beethoven Cycles, but there are no performances such as these. For me, this is now the set to beat. (Laurence Vittes)

He [Hartmut Lindemann] combines a finely spun, expressive tone with creative intelligence and effortless brilliance right up to the top notes where the viola often sounds like a violin. Supported by pianist Gunther Herzfeld with nimble improvisation, Lindemann improves on many a frivolous piece with his thoughtfulness, creating the right atmosphere for the CD title (named after a Debussy arrangement): Beau soir - a lovely evening. (Frankfurter Allgemeine Zeitung)

With their expressive timbre and the technical excellence of the recording, the Auryn Quartet need not fear the competition, even though there is already a multitude of recordings in existence. (Hartmut Luck, Klassik-heute) There is no shortage of great and famous Beethoven Cycles, but there are no performances such as these. For me, this is now the set to beat. (Laurence Vittes)

A single nights performance, captured live in 2011, conducted by Hartmut Haenchen, passionate Parsifal proponent. Romeo Castellucci, in his first-ever producer role in opera, lead the stage direction. With Anna Larsson as Kundry, Andrew Richards as Parsifal and Jan-Eerik Rootering as Gurnemanz. ...the Monnaies Parsifal casts new light on a difficult opera. - NY Times

Insistency! Geerken, Hartmut & His Rock & Free Jazz Group Kabul - LP 769791958555

Holiday Records presents Orpheus by Hartmut Geerken. Fantastic sound poetry piece by Hartmut Geerken restringing the "Sun Harp", the Ukranian bandura that Sun Ra gave him in 1971 when he visited Egypt for the first time. The acoustics of his manual workings emerge without any esthetic intention: the bandura's voluminous resonating body forms the reverb of the room. Each manual action and each contact of the tuning key with the wooden body is "reverbed". The instrument creates it's audio space. A

Remembering his old friend John Tchicai and the days when these live recordings were made, Hartmut Geerken says, "When John came to visit US in Afghanistan and in Greece, where we lived in the '70s and '80s, my wife, Sigi, had to extend his bed always with fruit boxes. His height didn't fit into a normal-sized bed as well as his musical dimensions were too far out to fit into the mainstream taste of the masses. It was wonderful to hike with him in the Hindukush mountains up the Salang Pass. Afgh

Sinfonie Concertante Hartmut Haenchen - CD 782124134426

Robert Lloyd, Catherine Naglestad, Marco Jentzsch, Marina Prudenskaja, Oliver Ringelhahn, and Juha Uusitalo star in this Netherlands Opera production of the Wagner opera conducted by Hartmut Haenchen and directed by Martin Kusej.

praise for a fine line "A breath of turbo-charged fresh air that doesn't regurgitate the ego-maniac CEO's selective memory or an outside expert's misinterpretations. Hartmut explains innovation through the lens of design, and it's about time we gained his valuable perspective." —Guy Kawasaki, former chief evangelist, Apple and co-founder of Alltop.com "At Flextronics, we fell in love with Hartmut and frog, and their passion for bringing crazy great designs and design processes into the forefront of great product companies. We used their expertise to help our customers, many of the greatest product companies in the world, including Apple, HP, Cisco, Microsoft and others. It is a credit to Hartmut that in the midst of a shocking global recession, frog still sets quarterly revenue records. Theirs is a unique and fascinating story." —Michael Marks, partner, Riverwood Capital LLC and former CEO, Flextronics "Hartmut's new approach to design is felt in every room in every house in every country and in every business around the world. He proved that thoughtful design is not only good for people but is good for business—and that both are interlinked. I have been fortunate to have observed first hand his impact at Sony, Apple, and HP?and have learned so much from him. He is an unsung hero of our times! A Fine Line is a must-read for designers and business people alike." —Satjiv Chahil, senior vice president, Hewlett-Packard "A fascinating, breathtaking, and exemplary insight into a success story that never had so much topicality, and so much informative potential as just now. Esslinger offers an honest and encouraging portrait of the incredible power of the business and design alliance. A Fine Line is a handbook of design expertise and the art of business at its best, showing a variety of radical solutions and fresh new ideas." —Professor Dr Peter Zec, president, ICSID and founder, red dot awards

The pace of modern life is undoubtedly speeding up, yet this acceleration does not seem to have made us any happier or more content. If acceleration is the problem, then the solution, argues Hartmut Rosa in this major new work, lies in “resonance.” The quality of a human life cannot be measured simply in terms of resources, options, and moments of happiness; instead, we must consider our relationship to, or resonance with, the world. Applying his theory of resonance to many domains of human activity, Rosa describes the full spectrum of ways in which we establish our relationship to the world, from the act of breathing to the adoption of culturally distinct worldviews. He then turns to the realms of concrete experience and action – family and politics, work and sports, religion and art – in which we as late modern subjects seek out resonance.  This task is proving ever more difficult as modernity’s logic of escalation is both cause and consequence of a distorted relationship to the world, at individual and collective levels. As Rosa shows, all the great crises of modern society – the environmental crisis, the crisis of democracy, the psychological crisis – can also be understood and analyzed in terms of resonance and our broken relationship to the world around us. Building on his now classic work on acceleration, Rosa’s new book is a major new contribution to the theory of modernity, showing how our problematic relation to the world is at the crux of some of the most pressing issues we face today. This bold renewal of critical theory for our times will be of great interest to students and scholars across the social sciences and humanities.

Hartmut Rosa advances an account of the temporal structure of society from the perspective of critical theory. He identifies three categories of change in the tempo of modern social life: technological acceleration, evident in transportation, communication, and production; the acceleration of social change, reflected in cultural knowledge, social institutions, and personal relationships; and acceleration in the pace of life, which happens despite the expectation that technological change should increase an individual's free time.According to Rosa, both the structural and cultural aspects of our institutions and practices are marked by the "shrinking of the present," a decreasing time period during which expectations based on past experience reliably match the future. When this phenomenon combines with technological acceleration and the increasing pace of life, time seems to flow ever faster, making our relationships to each other and the world fluid and problematic. It is as if we are standing on "slipping slopes," a steep social terrain that is itself in motion and in turn demands faster lives and technology. As Rosa deftly shows, this self-reinforcing feedback loop fundamentally determines the character of modern life.

Hartmut Rosa advances an account of the temporal structure of society from the perspective of critical theory. He identifies three categories of change in the tempo of modern social life: technological acceleration, evident in transportation, communication, and production; the acceleration of social change, reflected in cultural knowledge, social institutions, and personal relationships; and acceleration in the pace of life, which happens despite the expectation that technological change should increase an individual's free time.According to Rosa, both the structural and cultural aspects of our institutions and practices are marked by the "shrinking of the present," a decreasing time period during which expectations based on past experience reliably match the future. When this phenomenon combines with technological acceleration and the increasing pace of life, time seems to flow ever faster, making our relationships to each other and the world fluid and problematic. It is as if we are standing on "slipping slopes," a steep social terrain that is itself in motion and in turn demands faster lives and technology. As Rosa deftly shows, this self-reinforcing feedback loop fundamentally determines the character of modern life.

Design as a strategic and holistic way of finding and creating sustainable and successful solutionsA presentation of new tendencies and strategic approaches that work for positive changeIn this book Hartmut Esslinger - one of the most influential designers and thinkers, as well as the founder of frog design - explains how 'strategic design' in business and society can and must bring about positive change through innovative creativity. A key component is the strategically extended definition of design as a convergent and humanistic amalgamation of technology, the environment and the economy.For Esslinger, design has always been a key strategic discipline, which he has practised successfully in cooperation with companies such as Wega, Louis Vuitton, Sony, SAP and especially Apple, collaborating directly with Steve Jobs. Therefore in this book he sets out to establish a wide range of creative innovators as top executives, who are equally influential and occupy leading positions in economics, education and politics. Every future projection is always based on history, Design Forward also shows relevant and richly illustrated case studies taken from Esslinger's career, as well as selected works by his students at the University of Applied Arts in Vienna.

816 S./// mgb Das zehnbändige Werk Deutsche Geschichte im Osten Europas, das der Verlag 1991 mit Hartmut Boockmanns "Ostpreußen und Westpreußen"eröffnet hat, ist ein alle Beteiligten Überraschender Erfolg geworden. Einzelne Bände liegen in einer Vielzahl von Auflagen vor, und die Leser wie Käufer gehören nicht nur dem Kreis der Flüchtlinge und Vertriebenen an, wie Skeptiker anfangs erwarteten. Die ehemaligen Schlesier, Ostpreußen und Sudetendeutschen werden ja immer weniger, und Auflagen in der Größenordnung von 25 000 Exemplaren zeigen, daß seit dem Umsturz aller Verhältnisse in Mitteleuropa sich eine weite Öffentlichkeit mit neu erwachtem Interesse und neuer Wißbegierde Räumen zuwendet, die einst deutsch besiedelt oder deutsch durchdrungen waren. Sprache: Deutsch Gewicht in Gramm: 550

Signatur, nicht zum Buch zugehorig. Wenn Beschleunigung das Problem ist, dann ist Resonanz vielleicht die Losung. Dies ist, auf die kurzest mogliche Formel gebracht, die Kernthese des neuen Buches von Hartmut Rosa, das als Grundungsdokument einer Soziologie des guten Lebens gelesen werden kann. An seinem Anfang steht die Behauptung, dass sich die Qualitat eines menschlichen Lebens nicht in der Wahrung von Ressourcen, Optionen und Glucksmomenten angeben lasst. Stattdessen mussen wir unseren Blick auf die Beziehung zur Welt richten, die dieses Leben pragt und die dann, wenn sie intakt ist, Ausdruck stabiler Resonanzverhaltnisse ist.Um dies zu begrunden, prasentiert Rosa zunachst das ganze Spektrum der Formen, in denen wir eine Beziehung zur Welt herstellen, vom Atmen bis hin zu kulturell ausdifferenzierten Weltbildern. Dann wendet er sich den konkreten Erfahrungs- und Handlungsspharen zu – etwa Familie und Politik, Arbeit und Sport, Religion und Kunst –, in denen wir spatmodernen Subjekte Resonanz zwar suchen, aber immer seltener finden. Das hat massgeblich mit der Steigerungslogik der Moderne zu tun, die sowohl Ursache als auch Folge einer gestorten Weltbeziehung ist, und zwar auf individueller wie kollektiver Ebene. Denn auch die grossen Krisentendenzen der Gegenwartsgesellschaft – Okokrise, Demokratiekriese, Psychokrise – lassen sich resonanztheoretisch analysieren, wie Rosa in seiner Soziologie der Weltbeziehung zeigt. Als eine umfassende Rekonstruktion der Moderne in Begriffen ihrer historisch realisierten Resonanzverhaltnisse wagt sie den Versuch, den Rahmen fur eine erneuerte Kritische Theorie abzustecken.

Hartmut Rosa advances an account of the temporal structure of society from the perspective of critical theory. He identifies three categories of change in the tempo of modern social life: technological acceleration, evident in transportation, communication, and production; the acceleration of social change, reflected in cultural knowledge, social institutions, and personal relationships; and acceleration in the pace of life, which happens despite the expectation that technological change should increase an individual's free time.According to Rosa, both the structural and cultural aspects of our institutions and practices are marked by the "shrinking of the present," a decreasing time period during which expectations based on past experience reliably match the future. When this phenomenon combines with technological acceleration and the increasing pace of life, time seems to flow ever faster, making our relationships to each other and the world fluid and problematic. It is as if we are standing on "slipping slopes," a steep social terrain that is itself in motion and in turn demands faster lives and technology. As Rosa deftly shows, this self-reinforcing feedback loop fundamentally determines the character of modern life.