33 products were found matching your search for hassam in 2 shops:

Book is in NEW condition. 4.45

20 x 24 the garden door was painted in 1888 by frederick childe hassam. This painting captures the feelings of summer perfectly. You can almost feel the gentle breeze on your skin as the sun is shining down and the woman is tending to her garden creating a tranquil scene. We have recreated the same imaginative colors and shapes using oil paint on canvas so that you can have the magic of this piece in your very own collection. Frame description studio black wood frame. Color: Orange.

In shrink wrap. Looks like an interesting title!

8vo (21 x 21 cm). 68 pp. Glossy pictorial covers with green titles to upper . Text block tight and unmarked.

A major book on a major American Impressionist. From the late 1880s to around 1915, Childe Hassam, America's foremost impressionist, frequently visited the Isles of Shoals, the site of a summer resort popular with many American artists and writers. Paintings from Hassam's Isles of Shoals series are among the most familiar icons of late nineteenth-century American art. But until now, a comprehensive selection of these beautiful works had not been collected in one place. David Park Curry's informative text provides the background essential to a full appreciation of these works. 105 full-color reproductions and100 black-and-white photographs.

Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Published in conjunction with an exhibition of the same title at the Portland Art Museum (Dec. 2004 - March 2005), this oversize (10.25x12.25") catalog displays over 50 color reproductions, many of which are of paintings that Hassam created during his two trips to the West (Oregon and the surrounding regions) in 1904 and 1908. Curator Bullock describes the highly prolific artist's life and work, discussing the Western paintings in the context of all Hassam's work, as well as Hassam's desire to create art that was entirely American. The volume concludes with a working list of the Western paintings, a checklist of works in the exhibition, and a list of plate illustrations. Distributed by the U. of Washington Press. Annotation ©2004 Book News, Inc., Portland, OR (booknews.com)

1st edition. 68 pages. 8.25x8.25x0.16 inches. This item is printed on demand.

"I believe the man who will go down to posterity is the man who paints his own time and the scenes of every-day life around him," declared Childe Hassam in 1892. It was as a pioneer of American Impressionism and perhaps its most prolific and successful practitioner that Hassam (1859-1935) realized this credo. In so doing, he provided an account of our national life during a dynamic period. At the same time he helped to create a wave of enthusiasm for American Impressionism that he rode to fame and fortune.

Childe Hassam's impressive career as one of America's foremost Impressionists is celebrated and illuminated in this dazzlingly beautiful volume. No other American Impressionist ever surpassed the quality and variety of Hassam's output as a painter and draftsman. Equally talented in oils, watercolors, and prints, he explored rain-swept city scenes, glorious gardens, exquisite women, and stirring flag-lined streets. Many of these irresistible pictures are hidden in private collections and are rarely, if ever, accessible to the public; others are on view at major museums across the country, from the Metropolitan Museum to the Museum of Fine Arts, Boston, to the Los Angeles County Museum of Art. By approaching Childe Hassam (1859-1935) from different angles, the three authors reveal this multitalented artist's many facets and uncover previously unknown aspects of his life and work. The authoritative essays are illustrated with a brilliant array of color illustrations that represent all of Hassam's styles, from Barbizon-inspired Tonalism to Impressionism to Post-Impressionism. The book concludes with an invaluable illustrated chronology and an annotated bibliography.

"I believe the man who will go down to posterity is the man who paints his own time and the scenes of every-day life around him," declared Childe Hassam in 1892. It was as a pioneer of American Impressionism and perhaps its most prolific and successful practitioner that Hassam (1859-1935) realized this credo. In so doing, he provided an account of our national life during a dynamic period. At the same time he helped to create a wave of enthusiasm for American Impressionism that he rode to fame and fortune.

American Impressionist Childe Hassam. flag paintings created during WW I

An exploration of the fascinating connections between the Isles of Shoals and the beautiful paintings that Childe Hassam created there Childe Hassam (1859–1935) was the foremost American impressionist of his generation. Prolific in oil paintings and watercolors, he found his native New England to be a touchstone for his art. Hassam had a fascination with Appledore, the largest island of the Isles of Shoals off the coast of Maine and New Hampshire, and he traveled there almost every summer for thirty years. This fascinating book traces Hassam’s artistic exploration of Appledore and reveals a complex portrait of the island created over time. John W. Coffey, working with the marine biologist Hal Weeks, revisits Hassam’s painting sites, identifying where, what, and how the artist painted on the island. Kathleen M. Burnside considers the range of the artist's stylistic responses to the island's nature. A photo essay by Alexandra de Steiguer reveals Appledore’s enduring beauty.

An exploration of the fascinating connections between the Isles of Shoals and the beautiful paintings that Childe Hassam created there Childe Hassam (1859–1935) was the foremost American impressionist of his generation. Prolific in oil paintings and watercolors, he found his native New England to be a touchstone for his art. Hassam had a fascination with Appledore, the largest island of the Isles of Shoals off the coast of Maine and New Hampshire, and he traveled there almost every summer for thirty years. This fascinating book traces Hassam’s artistic exploration of Appledore and reveals a complex portrait of the island created over time. John W. Coffey, working with the marine biologist Hal Weeks, revisits Hassam’s painting sites, identifying where, what, and how the artist painted on the island. Kathleen M. Burnside considers the range of the artist's stylistic responses to the island's nature. A photo essay by Alexandra de Steiguer reveals Appledore’s enduring beauty.

The first complete catalogue of the etchings and engravings by Childe Hassam, who began making prints in 1915 at the age of 56 when he as already an acclaimed painter. There are 156 illustrations.

The first complete catalogue of the etchings and engravings by Childe Hassam, who began making prints in 1915 at the age of 56 when he as already an acclaimed painter. There are 156 illustrations.

The most comprehensive review of the Provincetown Artist Colony to date, this two-volume set is complete with conversations with many artists, including Robert Motherwell, Jack Tworkov, Red Grooms, Raphael Soyer, and Chaim Gross, and nearly 300 images of works by those artists, as well as Childe Hassam, Hans Hofmann, Franz Kline, Adolph Gottlieb, Edward Hopper, and numerous others. Attracted by its sparkling natural light and spirit of freedom, artists have flocked to Provincetown since the late 19th century. Now recognized by the National Trust for Historic Preservation as the "home of the nation's oldest art colony," Provincetown is a microcosm of American art of the last century, as well as a community for artists who played vital roles in American art movements. In volume one, Deborah Forman traces the history of these artists from 1899, when Charles Hawthorne opened his Cape Cod School of Art, through the struggles among traditionalists, impressionists, modernists, and abstract expressionists. Volume two picks up at mid-century and continues to the present day with discussions and art by Paul Resika, Arnold Newman, Joel Meyerowitz, Arthur Cohen, Michael Mazur, Anne Packard, and many others. Throughout this valuable resource, Provincetown's rich art heritage is captured through more than sixty personal accounts from artists, collectors, gallery owners, and writers who shared their stories, views of art, and love of Provincetown with the author.

What Argenteuil in the 1870s was to French Impressionists, Cos Cob between 1890 and 1920 was to American Impressionists Childe Hassam, Theodore Robinson, John Twachtman, J. Alden Weir, and their followers. These artists and writers came together to work in the modest Cos Cob section of Greenwich, Connecticut, testing new styles and new themes in the stimulating company of colleagues. This beautiful book is the first to examine the art colony at Cos Cob and the role it played in the development of American Impressionist art. During the art-colony period, says Susan Larkin, Greenwich was changing from a farming and fishing community to a prosperous suburb of New York. The artists who gathered in Cos Cob produced work that reflects the resulting tensions between tradition and modernity, nature and technology, and country and city. The artists' preferred subjects—colonial architecture, quiet landscapes, contemplative women—held a complex significance for them, which Larkin explores. Drawing on maritime history, garden design, women's studies, and more, she places the art colony in its cultural and historical context and reveals unexpected depth in paintings of enormous popular appeal.

Luminous works by Childe Hassam, Ernest Lawson, Maurice Prendergast, John Henry Twachtman, are among the 100 seminal works featured in this book showcasing 27 artists. As members of the first generation of American painters to absorb the technique, brighter palette, and subject matter of Impressionism from their French counterparts, these artists transformed the heroic American landscape into a modern idiom, in atmospheric park and beach scenes, urban views, and charming interiors, with particular interest in optical effects, light, and the seasons. This book provides a vivid summary of the movement, starting with its roots in earlier American art and its relationship to French Impressionism. It charts the response of many of these American artists to one of the most beloved movements in 19th century painting. All of the masterworks are here, in full color, from Hassam's sun-drenced gardens to Twachtman's snowy landscapes. It is a celebration of the Impressionist style and it's fresh interpretatiuon of America's landscapes

13700 shelf. Unpaginated. Oversized trade paperback, red covers w/ light-struck spine. Childe Hassam, Milton Avery, Henri Matisse,Georgia O'Keeffe, other NYS Museum treasures. With b/w & color photos, repros.