26 products were found matching your search for heartfield in 2 shops:
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John Heartfield: Laughter is a Devastating Weapon
Vendor: Abebooks.com Price: 45.69 $German artist John Heartfield (1891-1968) is widely considered one of the inventors of photomontage. In the 1930s, he produced some of the most visually arresting and politically hard-hitting artwork of the 20th century, appropriating the widely circulated propaganda of the time to create its total antithesis. In his own words, he used “laughter as a devastating weapon” to target the Nazis, which made him a target for Nazi censorship. In 1933, the Gestapo destroyed much of his work, after which he produced his brilliantly terrifying images in exile. This new book includes an insightful essay and more than 150 full-color reproductions of his works.
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1991 Heartfield Talon electric guitar super strat made in japa...
Vendor: Reverb.com Price: 699.00 $ (+65.00 $)1991 fender heartfield talon super strat guitar is in good shape.has some dings ,chips and scratches. please see pictures.frets are in good shape ...
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Fender Fender HM Heartfield Model 4 String Bass USA Neck Rose...
Vendor: Reverb.com Price: 595.00 $ (+9.99 $)Neck Material : Maple Fretboard Material : Rosewood Item condition : The guitar neck is straight and the trust rod turns in both directi...
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Heartfield Talon
Vendor: Reverb.com Price: 890.00 $ (+60.00 $)Awesome MIJ Fender!!! Has a good bit of wear, tried to picture the major dings. In good news, the guitar plays and sounds fantastic!!!! Comes with ...
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1991 Heartfield Catalog
Vendor: Reverb.com Price: 29.99 $ (+5.00 $)Up for sale is this vintage 1991 Fender Heartfield guitar catalog. This original piece of paperwork is in nice condition for its age, but does show...
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Heartfield RG by FENDER
Vendor: Reverb.com Price: 719.28 $ (+69.81 $)90's Heartfield by FENDER:* alder body refinished with matte black textured laquer, has wear* maple neck with rosewood fingerboard & pointy hea...
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John Heartfield and the Agitated Image : Photography, Persuasion, and the Rise of Avant-Garde Photomontage
Vendor: Abebooks.com Price: 62.98 $Working in Germany between the two world wars, John Heartfield (born Helmut Herzfeld, 1891–1968) developed an innovative method of appropriating and reusing photographs to powerful political effect. As a pioneer of modern photomontage, he sliced up mass media photos with his iconic scissors and then reassembled the fragments into compositions that utterly transformed the meaning of the originals. In John Heartfield and the Agitated Image, Andrés Mario Zervigón explores this crucial period in the life and work of a brilliant, radical artist whose desire to disclose the truth obscured by the mainstream press and imperial propaganda made him a de facto prosecutor of Germany’s visual culture. Zervigón charts the evolution of Heartfield’s photomontage from an act of antiwar resistance into a formalized and widely disseminated political art in the Weimar Republic. Appearing on everything from campaign posters to book covers, the photomonteur’s notorious pictures challenged well-worn assumption and correspondingly walked a dangerous tightrope over the political, social, and cultural cauldron that was interwar Germany. Zervigón explains how Heartfield’s engagement with montage arose from a broadly-shared dissatisfaction with photography’s capacity to represent the modern world. The result was likely the most important combination of avant-garde art and politics in the twentieth century.A rare look at Heartfield’s early and middle years as an artist and designer, this book provides a new understanding of photography’s role at this critical juncture in history.
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Heartfield Versus Hitler (Pocket Archives)
Vendor: Abebooks.com Price: 25.00 $John Heartfield (1891, Berlin - 1968) is the anglicized name of the German photomontage artist Helmut Herzfeld. He chose to call himself Heartfield in 1916, to criticize the rabid nationalism and anti-British sentiment prevalent in Germany during World War I.His photomontages satirising Adolf Hitler and the Nazis often subverted Nazi symbols such as the swastika in order to undermine their propaganda message. One of his more famous pieces, made in 1935 entitled Hurrah, die Butter ist Alle! (English: Hurray, the butter is gone!) was published on the frontpage of the AIZ in 1935. A parody of the aesthetics of propaganda, the photomontage shows a family at a kitchen table, where a nearby portrait of Hitler hangs and the wallpaper is emblazoned with swastikas. The family - mother, father, old woman, young man, baby, and dog - are attempting to eat pieces of metal, such as chains, bicycle handlebars, and rifles. Below, the title is written in large letters, in addition to a quote by Hermann Göring during food shortage. Translated, the quote reads: "Iron has always made a nation strong, butter and lard have only made the people fat".In 1918 Heartfield joined the Berlin Dada club and the Communist Party of Germany.He would turn out to be highly active in the Dada movement, organizing the First International Dada Fair in Berlin in 1920. In 1919, he was dismissed from the Reichswehr film service on account of his support for the strike that followed the assassination of Karl Liebknecht and Rosa Luxemburg. With George Grosz, he founded Die Pleite, a satirical magazine. After meeting Bertolt Brecht in 1924, who was to have an influence on his art, Heartfield developed photomontage into a form of political and artistic expression. He worked for two communist publications: the daily Die Rote Fahne and the weekly Arbeiter-Illustrierte-Zeitung (AIZ), the latter of which published the works for which Heartfield is best remembered.
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90's Heartfield Talon
Vendor: Reverb.com Price: 795.72 $ (+145.88 $)Cleaned,polished.Truss rod,electrixs checked.Plays and works fine.Fender USA Designed HeartfieldTalonIbanez RG style Fujigen made guitarMade in Jap...
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1991 Heartfield Catalog
Vendor: Reverb.com Price: 29.99 $ (+5.00 $)Up for sale is this vintage 1991 Heartfield Guitar Catalog. This catalog is in nice condition for its age, but does show light wear. Please be sur...
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John Heartfield : AIZ/ VI 1930-38
Vendor: Abebooks.com Price: 65.28 $John Heartfield and George Grotz began experimenting with photomontage, a term coined by the Berlin Dadaists, in 1915. Heartfield developed photomontage into a powerful satirical tool he was to use throughout his career. This is the catalogue raisonée for his best-known body of work, published between 1930 and 1938 in the magazine Arbeiter-Illustrierte Zeitung (Workers' Ullustrated Paper, renamed Volks Illustrierte from 1936 to 1938). Extensive text and plate notes by David Evans. Edited by Anna Lundgren. Conceived and published by Kent Fine Art, Inc., 1992
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John Heartfield: Photography plus Dynamite
Vendor: Abebooks.com Price: 71.00 $With designs for book jackets, magazines, and political pamphlets, John Heartfield (1891–1968) established himself as Berlin’s most innovative graphic designer of the Weimar period. While he was initially associated with the Dada movement, his affiliations with the communist party and the rise of Nazism eventually led him to change his approach, shifting his artistic output to spreading messages and fighting political opponents. Dissecting and reassembling press images with great verve and humor, Heartfield created photomontages that aimed to reveal the bitter truths of contemporary politics to a mass audience. Oscillating between innovative graphic design, agitation, and political propaganda, Heartfield was, quite literally, cutting-edge. This lavishly illustrated volume draws on the rich collection of Heartfield’s work found in of the Akademie der Künste’s archives, given to the museum by Heartfield himself. In this book we see the full scope of Heartfield’s artistic output, and we get insight into some lesser-known aspects of his oeuvre, such as his theater designs. In addition, a plethora of archival material illuminates Heartfield’s ideas, biography, and creative network, while statements on his work by contemporary artists and thinkers raise crucial questions about the function of political art and “fake news.” The resulting volume reveals the artist firmly embedded in his own time even as his work has particular resonance in our own.
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John Heartfield. [first edition]
Vendor: Abebooks.com Price: 27.00 $A heavy volume that will require additional postage for destinations outside of the USA (GR) R
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John Heartfield.
Vendor: Abebooks.com Price: 73.89 $Buy with confidence! Book is in new, never-used condition 4.4
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John Heartfield
Vendor: Abebooks.com Price: 40.32 $Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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John Heartfield: Aiz-VI 1930-38 (English and German Edition)
Vendor: Abebooks.com Price: 176.88 $John Heartfield and George Grotz began experimenting with photomontage, a term coined by the Berlin Dadaists, in 1915. Heartfield developed photomontage into a powerful satirical tool he was to use throughout his career. This is the catalogue raisonée for his best-known body of work, published between 1930 and 1938 in the magazine Arbeiter-Illustrierte Zeitung (Workers' Ullustrated Paper, renamed Volks Illustrierte from 1936 to 1938). Extensive text and plate notes by David Evans. Edited by Anna Lundgren. Conceived and published by Kent Fine Art, Inc., 1992
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John Heartfield
Vendor: Abebooks.com Price: 73.97 $Buy with confidence! Book is in new, never-used condition 5.35
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John Heartfield
Vendor: Abebooks.com Price: 3.29 $With designs for book jackets, magazines, and political pamphlets, John Heartfield (1891–1968) established himself as Berlin’s most innovative graphic designer of the Weimar period. While he was initially associated with the Dada movement, his affiliations with the communist party and the rise of Nazism eventually led him to change his approach, shifting his artistic output to spreading messages and fighting political opponents. Dissecting and reassembling press images with great verve and humor, Heartfield created photomontages that aimed to reveal the bitter truths of contemporary politics to a mass audience. Oscillating between innovative graphic design, agitation, and political propaganda, Heartfield was, quite literally, cutting-edge. This lavishly illustrated volume draws on the rich collection of Heartfield’s work found in of the Akademie der Künste’s archives, given to the museum by Heartfield himself. In this book we see the full scope of Heartfield’s artistic output, and we get insight into some lesser-known aspects of his oeuvre, such as his theater designs. In addition, a plethora of archival material illuminates Heartfield’s ideas, biography, and creative network, while statements on his work by contemporary artists and thinkers raise crucial questions about the function of political art and “fake news.” The resulting volume reveals the artist firmly embedded in his own time even as his work has particular resonance in our own.
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1991 1992 Heartfield Catalog & Price Lists
Vendor: Reverb.com Price: 39.99 $ (+6.00 $)Literature is in good condition with light wear. Some light creases but nothing major. Please see photos for condition. Cool piece of literature to...
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Generation Dada: The Berlin Avant-Garde and the First World War
Vendor: Abebooks.com Price: 5.35 $For the Berlin Dadaists, their identity as a collective―Club Dada, to members―was an integral part of their artistic practice. But the circumstances that brought together the likes of George Grosz, John Heartfield, Raoul Hausmann, and Johannes Baader―renamed Propaganda Marshall, Monteurdada, Dadasoph, and Oberdada within the organization―have remained largely unexamined until now. Drawing on extensive archival research, this book documents the group's beginnings in wartime Berlin and reveals how these relationships influenced its provocative acts, which were inextricably tied to the era's chaos and brutality. Studying how the Dadaists saw themselves as a new generation―in contrast to their pacifist forebears, the Expressionists―the book sheds light on key developments and events, such as the First International Dada Fair, held in Berlin in 1920. It also offers the first serious consideration of the group's role in constructing its own legacy, even as the works were deliberately rooted in the ephemeral.
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