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This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:8425215986

Premium Thick-Wrap Canvas entitled Surrounded by Sunflowers . Our proprietary canvas provides a classic and distinctive texture. It is acid free and specially developed for our giclee print platforms. Each print is produced with our own archival UV quality inks supporting a vibrant color gamut, while being scratch and fade resistant. Each premium canvas gallery wrap is finished with a closed back preventing dust collection inside the back of the wrap. The back includes a pre-installed, ready-to-hang sawtooth hardware. Color: Multi-Color.

Premium Thick-Wrap Canvas entitled Surrounded by Sunflowers . Our proprietary canvas provides a classic and distinctive texture. It is acid free and specially developed for our giclee print platforms. Each print is produced with our own archival UV quality inks supporting a vibrant color gamut, while being scratch and fade resistant. Each premium canvas gallery wrap is finished with a closed back preventing dust collection inside the back of the wrap. The back includes a pre-installed, ready-to-hang sawtooth hardware. Color: Multi-Color.

Premium Thick-Wrap Canvas entitled All My Friends. Our proprietary canvas provides a classic and distinctive texture. It is acid free and specially developed for our giclee print platforms. Each print is produced with our own archival UV quality inks supporting a vibrant color gamut, while being scratch and fade resistant. Each premium canvas gallery wrap is finished with a closed back preventing dust collection inside the back of the wrap. The back includes a pre-installed, ready-to-hang sawtooth hardware. Color: Multi-Color.

Premium Thick-Wrap Canvas entitled Barnyard Cow. Our proprietary canvas provides a classic and distinctive texture. It is acid free and specially developed for our giclee print platforms. Each print is produced with our own archival UV quality inks supporting a vibrant color gamut, while being scratch and fade resistant. Each premium canvas gallery wrap is finished with a closed back preventing dust collection inside the back of the wrap. The back includes a pre-installed, ready-to-hang sawtooth hardware. Color: Multi-Color.

Premium Thick-Wrap Canvas entitled Cow Jumps over the Moon. Our proprietary canvas provides a classic and distinctive texture. It is acid free and specially developed for our giclee print platforms. Each print is produced with our own archival UV quality inks supporting a vibrant color gamut, while being scratch and fade resistant. Each premium canvas gallery wrap is finished with a closed back preventing dust collection inside the back of the wrap. The back includes a pre-installed, ready-to-hang sawtooth hardware. Color: Multi-Color.

Throughout a dynamic life that has spanned the Great Depression through the dawn of the twenty-first century, Lowell Herrero has turned his passion for living into art. The work reproduced in these pages celebrates his lifelong enchantment with nature's beauty and fecundity and the deep human connection to it. Herrero's decades-long love affair with the Napa Valley has been the immediate inspiration for his earthy paintings. Yet these are imaginary landscapes created in his mind's eye from a lifetime of keen observation and experience. Herrero delights in farmers engaged in a variety of agricultural labor. He renders them bursting with life, overlarge, and content—extensions of the very soil they cultivate. Vineyards stretch into the distance as grape pickers enjoy lunch under a cloudless blue sky. Lavender harvesters bend to their task, and a field of rolled bales tells us the hard work of haying is at an end. Published on the occasion of his solo exhibition at the Napa Valley Museum in Yountville, California, Lowell Herrero presents 90 paintings that invite us to smile with pleasure at the inner vitality and plentitude of the landscape.

Throughout a dynamic life that has spanned the Great Depression through the dawn of the twenty-first century, Lowell Herrero has turned his passion for living into art. The work reproduced in these pages celebrates his lifelong enchantment with nature's beauty and fecundity and the deep human connection to it. Herrero's decades-long love affair with the Napa Valley has been the immediate inspiration for his earthy paintings. Yet these are imaginary landscapes created in his mind's eye from a lifetime of keen observation and experience. Herrero delights in farmers engaged in a variety of agricultural labor. He renders them bursting with life, overlarge, and content—extensions of the very soil they cultivate. Vineyards stretch into the distance as grape pickers enjoy lunch under a cloudless blue sky. Lavender harvesters bend to their task, and a field of rolled bales tells us the hard work of haying is at an end. Published on the occasion of his solo exhibition at the Napa Valley Museum in Yountville, California, Lowell Herrero presents 90 paintings that invite us to smile with pleasure at the inner vitality and plentitude of the landscape.

Casa del Herrero—House of the Blacksmith—stands today as one of the most fully developed and intact examples of Spanish Colonial Revival architecture. It was designed and built between 1922 and 1925 as a second house for George Fox Steedman, a St. Louis industrialist. Thought principally to be the work of George Washington Smith, the architect, Steedman himself generated many ideas during the initial design phase that were both a blessing and curse to Smith. Steedman’s vision prevailed, and throughout the decade following the house’s initial completion, he continued to rework both house and garden, engaging the architects Lutah Maria Riggs, Edwards, Plunkett & Howell, and Floyd Brewster, and garden designers Francis T. Underhill and Lockwood de Forest, Jr. The result today is the most magnificent of the California Spanish Colonial Revival-style houses now standing.

Casa del Herrero—House of the Blacksmith—stands today as one of the most fully developed and intact examples of Spanish Colonial Revival architecture. It was designed and built between 1922 and 1925 as a second house for George Fox Steedman, a St. Louis industrialist. Thought principally to be the work of George Washington Smith, the architect, Steedman himself generated many ideas during the initial design phase that were both a blessing and curse to Smith. Steedman’s vision prevailed, and throughout the decade following the house’s initial completion, he continued to rework both house and garden, engaging the architects Lutah Maria Riggs, Edwards, Plunkett & Howell, and Floyd Brewster, and garden designers Francis T. Underhill and Lockwood de Forest, Jr. The result today is the most magnificent of the California Spanish Colonial Revival-style houses now standing.

Iñaki Ábalos and Juan Herreros established the renowned architec­tural firm Ábalos & Herreros in Madrid in 1984. At the time, fol­lowing the end of the Franco regime, architects were valued more for their technical ability than for their contributions to theoretical research. In this context, Ábalos and Herreros’s melding of design with a range of publications and curatorial projects presented a remarkable challenge to assumptions about the role of an architect.In 2012, the Canadian Centre for Architecture obtained the Ábalos & Herreros archive, which contains documents related to more than 160 projects. The material comprises sketches, slides, models, col­lages, and drawings. The archive presents a compelling opportunity to reconstruct Ábalos and Herreros’s planning and design process. Each of the book’s three contributors—two of whom worked with Ábalos and Herreros—approaches the archive with specific questions, and their essays explore topics including the architects’ fascination with industrial architecture, their capacity to construct a hybrid materiality without recourse to building technology as language, and their innova­tive visions for landscape architecture.While many have written about the work of Ábalos and Herreros, previous books have been based mainly on their built projects and on­going research. Ábalos & Herreros Selected by Office Kersten Geers David Van Severen, Juan José Castellón and SO–IL is the first book to draw on the firm’s archive to offer a new take on this important architectural practice.

Iñaki Ábalos and Juan Herreros established the renowned architec­tural firm Ábalos & Herreros in Madrid in 1984. At the time, fol­lowing the end of the Franco regime, architects were valued more for their technical ability than for their contributions to theoretical research. In this context, Ábalos and Herreros’s melding of design with a range of publications and curatorial projects presented a remarkable challenge to assumptions about the role of an architect.In 2012, the Canadian Centre for Architecture obtained the Ábalos & Herreros archive, which contains documents related to more than 160 projects. The material comprises sketches, slides, models, col­lages, and drawings. The archive presents a compelling opportunity to reconstruct Ábalos and Herreros’s planning and design process. Each of the book’s three contributors—two of whom worked with Ábalos and Herreros—approaches the archive with specific questions, and their essays explore topics including the architects’ fascination with industrial architecture, their capacity to construct a hybrid materiality without recourse to building technology as language, and their innova­tive visions for landscape architecture.While many have written about the work of Ábalos and Herreros, previous books have been based mainly on their built projects and on­going research. Ábalos & Herreros Selected by Office Kersten Geers David Van Severen, Juan José Castellón and SO–IL is the first book to draw on the firm’s archive to offer a new take on this important architectural practice.

El Compendio conceptual de la Educación Social es una obra de consulta con más de quinientos términos con la finalidad de facilitar información puntual sobre aquellos conceptos más comunes en los distintos ámbitos de intervención de la Educación Social. La obra es fruto de un largo e intenso trabajo de revisión bibliográfic

Brindis de Guitarras in Homage to Falla CD a Guita Oscar Herrero & Carlos Oramas - CD 796279099646

Montero Herrero, S.: Augusto Y Las Aves. Las Aves En La Roma Del Principado: Prodigio, Exhibicion Y Consumo. 978-84-475-3171-4, Univ. de Barcelona, 2006. Nuevo 1135 Gr.

Los anillos de poder fueron forjados en antiguos tiempos por los herreros Elfos, y Sauron, el señor Oscuro, forjo el anillo Unico, pero en una ocación se lo quitaron...

Herrero Gil, M. D.: El Mundo de Los Negocios de Indias. Las Familias Alvarez Campana Y Llano San Gines En El Cadiz Del Siglo Xviii. 978-84-472-1491-4, Univ. de Sevilla, 2013. Nuevo 920 Gr.

: Madrid. 28 cm. 367 p. il. col. y n. Encuadernación en tapa blanda de editorial ilustrada. Preparación, estudio preliminar y catálogo por Alfonso E. Pérez Sánchez ; edición patrocinada por el Banco Herrero. Pintura. Madrid. Exposiciones. Pérez Sánchez, Alfonso E. 1935-2010. España. Ministerio de Cultura . Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario. ISBN: 8450529573 EAN: 9788450529579 Tipo: Libros Título: Carreño, Rizi, Herrera y la Pintura Madrileña de Su Tiempo Autor: Pérez Sánchez, Alfonso E. Editorial: Ministerio de Cultura y Deporte, Madrid

In this collection Oscar Herrero manages to take us into a complete flamenco dimension with a "torrent" of great musical ideas on his guitar. The original recording features Herrero, Victor Monge "Serranito," and David Tavares on flamenco guitar, and Carmen Linares and Gabriel Moreno on vocals. The transcriptions appear in notation and tablature with program notes for each piece.

Directed by Oscar Herrero. Starring Oscar Herrero.