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Book by Michael Wilde, Heike Ising-Alms, Esther Tisa-Francini

Color illustrated wraps with black letterings, 110 pp, profusely illustrated in mostly color. Catalog of an exhibition at the Kunsthalle in Emden, Stiftung Henri und Eske Nannen, Feb. 1-Apr. 13, 1997; the Von der Heydt-Museum Wuppertal in der Kunsthalle Barmen im Haus der Jugend, Apr. 20-June 1, 1997; and the Daniel-Pöppelmann-Haus Herford, June 14-Aug. 10, 1997. Includes bibliographical references (pages 109-110). VG (corners bumped, light shelfwear)

Computer Analysis Methods for Power Systems by G.T. Heydt

Jung and the Monotheisms provides an exploration of some of the essential aspects of Judaism, Christianity and Islam. Leading Jungian analysts, theologians and scholars - including Baroness Vera von der Heydt, Ann Belford Ulanov and Murray Stein - bring to bear psychological, religious and historical perspectives in an attempt to uncover the nature and psychology of the three monotheisms. The editor, Joel Ryce-Menuhin, is especially concerned to bring both the essential and comparative elements of the religious psychology of Islam to the attention of the contemporary reader and to provide a forum for an increased dialogue between the three monotheisms.

4°. 33,5 x 27 cm. 479 Seiten. Original-Halbleinenband. 1. Auflage. Buchhandelsausgabe. Katalog zur Ausstellung im Von der Heydt-Museum, Wuppertal, 19.04. - 14.08.2016. Mit zahlreichen Abbildungen. Sehr gutes Exemplar. Sprache: deutsch.

Includes such contents as: Preface (J Marvin Spiegelman); How I Do It (Baroness Vera von der Heydt); How I Do Analysis (Michael Fordham, MRCP, MD); How I Do It (Gustav Dreifuss, Dr Phil); Therapy: How I Do It (Arwind Vasavada, Dr Litt); How I Do It (Dr Med Fritz Beyme, FMH); and, Autobiographical Notes & Contact with Jung.

Computer Analysis Methods for Power Systems by G.T. Heydt

Austen'sUnbecomingConjunctions is a contemporary study of all Jane Austen's writings focusing on her representation of women, sexuality, the material objects, and linguistic patterns by which this sexuality was expressed. Heydt-Stevenson demonstrates the subtle, vulgar, and humorous ways Austen uses human bodies, objects, and activities (fashion, jewelry, crafts, popular literature, travel and tourism, money, and courtship rituals) to convey sexuality and sexual appetites. Through the sexual subtext, Heydt-Stevenson proposes, Austen satirized contemporary sexual hypocrisy; overcame the stereotypes of women authors as sexually inhibited, sheltered, or repressed; and addressed as sophisticated and worldly an audience as Byron's. Thus through her careful reading of all the Austen texts in light of the language of eroticism, both traditional and contemporary, Heydt-Stevenson re-evaluates Austen's audience, the novels, and her role as a writer.

Austen'sUnbecomingConjunctions is a contemporary study of all Jane Austen's writings focusing on her representation of women, sexuality, the material objects, and linguistic patterns by which this sexuality was expressed. Heydt-Stevenson demonstrates the subtle, vulgar, and humorous ways Austen uses human bodies, objects, and activities (fashion, jewelry, crafts, popular literature, travel and tourism, money, and courtship rituals) to convey sexuality and sexual appetites. Through the sexual subtext, Heydt-Stevenson proposes, Austen satirized contemporary sexual hypocrisy; overcame the stereotypes of women authors as sexually inhibited, sheltered, or repressed; and addressed as sophisticated and worldly an audience as Byron's. Thus through her careful reading of all the Austen texts in light of the language of eroticism, both traditional and contemporary, Heydt-Stevenson re-evaluates Austen's audience, the novels, and her role as a writer.

With contributions by Ross Barrett, Michelle DuBois, Judith Hoos Fox, Sandra Grindlay, Stephanie Mayer Heydt, Anna Lee Kamplain, Kevin Moore, Virginia Raguin, Melissa Renn, Kerry Schauber, and Miriam Stewart This handsome book is the first to appear in a series of three volumes that will catalogue Harvard University’s distinguished collection of American paintings. It documents nearly 500 paintings, watercolors, pastels, and stained-glass windows many of which have never been published before by artists born between 1826 and 1856. The book features works by Albert Bierstadt, Winslow Homer, John La Farge, John Singer Sargent, J. A. M. Whistler, and Sarah Wyman Whitman, along with numerous less-known but important artists. Entries that draw on new research and scholarship accompany the works. Included is an introduction by Theodore Stebbins, Jr., outlining Harvard’s collecting history and an essay by Virginia Raguin introducing Harvard’s Memorial Hall and its twenty-one masterworks in stained glass. Also included are eighty-three works by Charles Herbert Moore, artist, educator, and the Fogg Art Museum’s first director.

Book by Augusto Vitale, Erich Neumann, Murray Stein, James Hillman, Vera von der Heydt