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Hardcover. Magical images that defy time from the grand master of conceptual photography.Through his expansive exploration of the possibilities of still images, the internationally renowned artist and photographer Hiroshi Sugimoto has created some of the most alluringly enigmatic photographs of our time; pictures that are meticulously crafted and deeply thought-provoking, familiar yet tantalisingly ambiguous.Hiroshi Sugimoto: Time Machine is a comprehensive survey of work produced over the past five decades, featuring selections from all of Sugimoto's major photographic series, as well as lesser-known works that illuminate his innovative, conceptually-driven approach to making pictures. Texts by a collection of international writers, artists and scholars - including Geoffrey Batchen, Edmund de Waal, Mami Kataoka, Ralph Rugoff, Lara Strongman and Margaret Wertheim - will highlight his work's philosophical yet playful inquiry into the nature of representation and art, our understanding of time and memory, and the paradoxical character of photography as a medium suited to both documenting and invention. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Unleash your musical potential with Hiroshi-Kono Violins a pinnacle of innovation and tradition. Crafted with meticulous precision, each instrume...

Here we have a Japanese made Tamura flamenco guitar dating all the way back to 1967. In very good condition for its age with only some small scratc...

HIROSHI TAMURA 'Venus 40' 1968 All Solid Japanese Handmade Flamenco Guitar, very rare model with tuning pegs. Tamura brothers were Japanese luth...

White sweatpants from Moncler Genius, the '7 Moncler Fragment Hiroshi Fujiwara' collection. Crafted from cotton, this pair is cinched with drawstrings at the waist and showcases a black graphic print and signature felt logo patch. It is complete with a two zip front pockets, two back slip pockets, logo embroidery and ribbed cuffs. Model's Measurements Height: 193cm Chest: 95cm Waist: 82cm Hips: 93cm Model is wearing size: M

White sweatpants from Moncler Genius, the '7 Moncler Fragment Hiroshi Fujiwara' collection. Crafted from cotton, this pair is cinched with drawstrings at the waist and showcases a black graphic print and signature felt logo patch. It is complete with a two zip front pockets, two back slip pockets, logo embroidery and ribbed cuffs. Model's Measurements Height: 193cm Chest: 95cm Waist: 82cm Hips: 93cm Model is wearing size: M

Beautiful, full sounding classical guitar with wonderful rich tone!Tamura was a master luthier who was best known for his Spanish style flamenco gu...

White sweatpants from Moncler Genius, the '7 Moncler Fragment Hiroshi Fujiwara' collection. Crafted from cotton, this pair is cinched with drawstrings at the waist and showcases a black graphic print and signature felt logo patch. It is complete with a two zip front pockets, two back slip pockets, logo embroidery and ribbed cuffs. Model's Measurements Height: 193cm Chest: 95cm Waist: 82cm Hips: 93cm Model is wearing size: M

Black ‘Fennel’ coat from Moncler Genius, the '7 Moncler Fragment Hiroshi Fujiwara' collection. Emblazoned with a signature logo patch on the shoulder, the brand's logo rendered in print and embroidery as well as a yellow flower patch on the cuff, this style features a two-way zip fastening, two flapped pockets with snaps, long sleeves with elasticated cuffs, a single back vent and a waist-cinching tie belt. Model's Measurements Height: 193cm Chest: 95cm Waist: 82cm Hips: 93cm Model is wearing size: 3

Black ‘Fennel’ coat from Moncler Genius, the '7 Moncler Fragment Hiroshi Fujiwara' collection. Emblazoned with a signature logo patch on the shoulder, the brand's logo rendered in print and embroidery as well as a yellow flower patch on the cuff, this style features a two-way zip fastening, two flapped pockets with snaps, long sleeves with elasticated cuffs, a single back vent and a waist-cinching tie belt. Model's Measurements Height: 193cm Chest: 95cm Waist: 82cm Hips: 93cm Model is wearing size: 3

Black ‘Fennel’ coat from Moncler Genius, the '7 Moncler Fragment Hiroshi Fujiwara' collection. Emblazoned with a signature logo patch on the shoulder, the brand's logo rendered in print and embroidery as well as a yellow flower patch on the cuff, this style features a two-way zip fastening, two flapped pockets with snaps, long sleeves with elasticated cuffs, a single back vent and a waist-cinching tie belt. Model's Measurements Height: 193cm Chest: 95cm Waist: 82cm Hips: 93cm Model is wearing size: 3

For sale is a Hiroshi Tamura Suisei (Comet) 30 1968 Flamenco Guitar in Very Good Condition!Made by the most awarded Japanese Luthier and one of the...

1970 Hiroshi Tamura P-60 Classical Guitar - Made In JapanLuthier SignedVintage Hiroshi Tamura P-60 - Made In Japan - Luthier BuiltUp for sale is a ...

Known for his long-exposure photographic series of empty movie theaters and drive-ins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of twentieth-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier's Chapel de Nütre Dame du Haut, and Tadao Ando's Church of Light in Osaka. The resulting black-and-white photographs, shot distinctly out of focus and from unusual angles, are not attempts at documentation but rather evocation--meant to isolate the buildings from their contexts, allowing them to exist as dreamlike, uninhabited ideals. Among the other buildings represented in the series are Philippe Starck's Asahi Breweries, Fumihiko Maki's Fujisawa Municipal Gymnasium, the United Nations Building, the Chrysler Building, Giuseppi Terragni's Santelia Monument Como, the World Trade Center, Mies van der Rohe's Seagram Building, Antonio Gaud''s Casa Batll* II, the 1922 Schindler House, and buildings by Frank Gehry, Frank Lloyd Wright, and many others in Europe, North America and Asia.

This lavish book is the only complete collection of the renowned Theaters series, in which Hiroshi Sugimoto opens his shutter as a film begins and closes it as it concludes. "Different movies give different brightnesses. If it's an optimistic story, I usually end up with a bright screen; if it's a sad story, it's a dark screen. Occult movie? Very dark."

The first monograph on the "godfather of streetwear," this book pays homage to Hiroshi Fujiwara's influence on contemporary fashion, music, and design. The most comprehensive book devoted to the extensive work of Hiroshi Fujiwara-a pioneer in streetwear, music, and art, and the ultimate arbiter of cool. Known internationally as one of the founding fathers of Tokyo's Harajuku scene, Fujiwara exerts a disproportionate influence over contemporary design culture. Having collaborated with the likes of Malcolm McLaren and Vivienne Westwood as a teenager in the early 1980s, he merged a seminal interest in punk with hip-hop and skate culture to become one of Japan's principal tastemakers. A musician and producer, Fujiwara is also one of the most prolific sneaker designers, and his kicks are some of the most sought-after collectibles. In addition to his very visible and long-standing collaborations with Nike, he has authored a number of fashion lines and is at the head of the Tokyo-based Fragment Design. Chronicling his reign as the arbiter of hip for more than thirty years, this book presents the breadth of his career, including sections on his highly sought-after artwork and graphics, sneakers, product design, and curated personal effects. With contributions by Sarah Lerfel and Ino Hidefumi, this graphically inspired book provides a unique glimpse into one of the most influential tastemakers of our time and is the perfect follow-up to Rizzoli's Pharrell: Places and Spaces I've Been.

This catalog, produced in conjunction with Sugimoto's upcoming exhibition at the Izu Photo Museum in Japan, documents this important artist's recent investigations on the science and the presentation of photography. Documenting in detail Sugimoto's architectural and landscape design of the new Izu Photo Museum, the book is at once a reinvention of the artist as architect, as it is an insightful guide to Sugimoto's interest in the earliest beginnings of photography. Instigated by the urging of his friend, Pop art icon Richard Hamilton, Sugimoto went to England to visit the museum of William Henry Fox Talbot, the inventor of the negative/positive photographic process. Finding common ground with Talbots' polymathic interests in art and science, this book details images from Sugimoto's Photogenic Drawing Talbot pieces, where Sugimoto reinterprets 15 unprinted negatives from Talbot's early studies, as well as 15 images from the artist's Lightning Field series. Includes text by critic Minoru Shimizu.

Hiroshi Sugimoto's images freeze time and space, revealing the workings of our own vision, slowing down the act of perception long enough that it becomes a palpable component of his work. His earliest photographs were images of decadent movie palaces built in the 20s and 30s. By timing the exposure of his photos to the exact length of the film being screened, he produced images that depict theater interiors bathed in the magical glare of an all-white screen: pure light. Next Sugimoto began a body of work that he continues to this day, photographing views of the sea from land, traveling around the world to make pictures that, despite their vastly different geographic origins, seem at first to be the same, with only slight variations. Their captions, however, confirm that each is of a different body of water: Caspian, Ligurian, Black. Other series include his out-of-focus impressions of landmark architectural monuments, wherein the Empire State Building, Le Corbusier's Chapel de Notre Dame du Haut, and Tadao Ando's Church of Light in Osaka, among others, are essentialized rather than documented. This volume presents a monographic retrospective of Hiroshi Sugimoto's complete body of work, including the projects described above and others. New, mostly unpublished images from his recent color work are featured: impressions of the impeccably proportioned shrine Sugimoto designed in Naoshima Island in Japan, as well as a series entitled Colors of Shadow. Specially commissioned essays by photography curators David Elliot and Kerry Brougher examine Sugimoto's work in depth, while an exhibition history and bibliography round out the volume.

The latest in Damiani and MW Editions' Sugimoto project collects his majestic images of classic modernist buildingsIn 1997, Hiroshi Sugimoto (born 1948) began a series of photographs of significant works of modernist architecture, intending “to trace the beginnings of our age via architecture.” One of the hallmarks of Sugimoto’s work is his technical mastery of the medium. He makes photographs exclusively with an 8 x 10" view camera, and his silver gelatin prints are renowned for their tonal range, total lack of grain, wealth of detail and overall optical precision. In making the Architecture photographs, however, he inverted his usual process: “Pushing out my old large-format camera’s focal length to twice-infinity ... I discovered that superlative architecture survives the onslaught of blurred photography. Thus I began erosion-testing architecture for durability, completely melting away many of the buildings in the process.”In this volume, which includes 19 previously unpublished images, the language of architectural modernism is distilled in photographs of Le Corbusier’s Villa Savoye, Mies van der Rohe’s Seagram Building and Frank Gehry’s Guggenheim Bilbao. By virtue of their blurriness and lack of color, the images strip down buildings to their essence, what we might imagine was the architect’s first, pure vision of form. The details of construction and imperfections that are a natural result of a massive, collaborative human undertaking are absent, and instead light and shadow define the forms of these buildings. The Architecture photographs continue the artist’s longstanding investigations of the passage of time and history. Are these monuments to human ingenuity and the power of the industrial age as eternal as they seem?

The meticulous practice of photographer Hiroshi Sugimoto (born 1948) is like that of a painter's. Inspired by Marcel Duchamp's obsession with the mechanics of space and the mathematical foundations of his works, such as "The Bride Stripped Bare by Her Bachelors, Even" (or "The Large Glass"), Sugimoto photographed nineteenth-century mathematical models from the collection at the Komaba Museum at the University of Tokyo, which also features the third and last authorized replica of Duchamp's "Large Glass." Like the models that Man Ray photographed in the 1930s at the Institut Henri Poincaré in Paris, these objects also require a visual understanding of complicated trigonometry functions. This is the first publication to compare and contrast Sugimoto's photographs of mathematical models with his own mathematical models―computer-controlled precision tools made of aluminum.