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Possibly Alfred Hitchcock's most popular and elaborate film, North by Northwest follows advertising executive Roger Thornhill's frantic cross-country race to free himself from a false murder charge and a mistaken identity pursuit by foreign spies. In a series of lively, self-contained chapters geared to both film buffs and casual viewers, the book explores all of the structural and thematic elements that combine to make this one of the master of suspense's most remarkable achievements. Hitchcock, Cary Grant, Hitchcock's favorite production team and a perfect cast including James Mason and Eva Marie Saint are celebrated at the height of their creative talents.

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Alfred Hitchcock Mystery is a literary publication focusing on mystery, crime fiction and suspense stories. Continuously in print since 1956, the magazine features every subgenre of mystery fiction. Each issue contains short mystery fiction stories, book reviews, a mysterious photo contest, and a puzzle. You will receive 6 physical issues, in a year, each of which counts as a double issue. Alfred Hitchcock Mystery Magazine Subscription, 12 Issues, Literary Magazine Subscriptions magazines.com

This new issue of the Hitchcock Annual contains studies of Hitchcock and theater, Hitchcock's atheology, and the filmmaker's influence on the stalker genre. It features analyses of Rear Window and Gus Van Sant's shot-by-shot remake of Psycho, a dossier of To Catch a Thief, and an early essay by Hitchcock himself. The Hitchcock Annual will be published every spring, beginning in 2011 with Volume 17.

An influential, chronological analysis of Hitchcock's first forty-four films, from Number Thirteen (1922) to The Wrong Man (1957), focuses on the recurrent motif of the exchange and on the growth of a unified body of work

This new edition of A Hitchcock Reader aims to preserve what has been so satisfying and successful in the first edition: a comprehensive anthology that may be used as a critical text in introductory or advanced film courses, while also satisfying Hitchcock scholars by representing the rich variety of critical responses to the director's films over the years. a total of 20 of Hitchcock’s films are discussed in depth - many others are considered in passing section introductions by the editors that contextualize the essays and the films they discuss well-researched bibliographic references, which will allow readers to broaden the scope of their study of Alfred Hitchcock

A Hitchcock Reader grew out of the editors' desire for a comprehensive and critical text in courses devoted to the director's films. This updated edition should also satisfy general readers and scholars by providing a range of thought-provoking essays that reflect the history of film criticism and theory over the past thirty years.

Hitchcock's "Psycho" (Film Classics Library) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

Novela(82-31) Espasa. Encuadernación en tapa Blanda. Toro, Guillermo del. 23 cm. HitchcockTapa deslucida.Tapa ilustrada. Pags.285.Volúmenes.

Hitchcock at Work is a comprehensive, behind-the-scenes examination of the work of 'The Master of Suspense', Alfred Hitchcock (1899-1980).Film expert Bill Krohn looks beyond the usual anecdotal sources about Hitchcock, paying unprecedented attention to the director's personal papers and the archives of the film studios he worked for. The result is a major reassessment of the working methods of the director, one which explores many of the myths - often promulgated by Hitchcock himself - that have warped previous criticism. Hitchcock at Work is fully illustrated with film stills, shots taken on set, storyboards and annotated film scripts. There is also a complete filmography.'Of all the books on the Master, Bill Krohn's is quite the most splendid and involving. Given the kind of breathtaking visual treatment that is the hallmark of the publisher Phaidon, keen and penetrating text is matched by images that do full justice to the remarkable pictorial qualities of Hitchcock's films. Absolutely essential.' (News International Genre Hotline)'The most useful book I've read recently about Alfred Hitchcock + I bought it last year, at first sight mainly for the pictures - rare, unusual and immaculately reproduced in colour and monochrome - and then found it telling me more than I had ever known about the behind-the-scenes Hitch + a real contribution to primary scholarship.' (Alexander Walker, Evening Standard)

Hitchcock Annual: Volume 20 contains essays on Hitchcock and C. A. Lejeune; Easy Virtue in context; the West coast setting of and cultural anxiety in The Birds; Hitchcockian aspects of Balachander's The Doll; and Kent Jones's Hitchcock/Truffaut. It also contains an index of the Hitchcock Annual, volumes 1-20.

Five of Hitchcock's most significant films were unavailable to the public for as long as two decades before their release in 1983-84. This highly readable volume collects the most important essays written about Hitchcock and the rereleased films since that time. Covering the entire range of contemporary film criticism and theory, these studies demonstrate Hitchcock's centrality to an understanding of how culture shapes film and how film shapes, and even creates culture.

Hitchcock at Work is a comprehensive, behind-the-scenes examination of the work of 'The Master of Suspense', Alfred Hitchcock (1899-1980).Film expert Bill Krohn looks beyond the usual anecdotal sources about Hitchcock, paying unprecedented attention to the director's personal papers and the archives of the film studios he worked for. The result is a major reassessment of the working methods of the director, one which explores many of the myths - often promulgated by Hitchcock himself - that have warped previous criticism. Hitchcock at Work is fully illustrated with film stills, shots taken on set, storyboards and annotated film scripts. There is also a complete filmography.'Of all the books on the Master, Bill Krohn's is quite the most splendid and involving. Given the kind of breathtaking visual treatment that is the hallmark of the publisher Phaidon, keen and penetrating text is matched by images that do full justice to the remarkable pictorial qualities of Hitchcock's films. Absolutely essential.' (News International Genre Hotline)'The most useful book I've read recently about Alfred Hitchcock + I bought it last year, at first sight mainly for the pictures - rare, unusual and immaculately reproduced in colour and monochrome - and then found it telling me more than I had ever known about the behind-the-scenes Hitch + a real contribution to primary scholarship.' (Alexander Walker, Evening Standard)

In the process of providing the most extensive analysis of Alfred Hitchcock’s Rear Window to date, John Fawell also dismantles many myths and clichés about Hitchcock, particularly in regard to his attitude toward women.              Although Rear Window masquerades quite successfully as a piece of light entertainment, Fawell demonstrates just how complex the film really is. It is a film in which Hitchcock, the consummate virtuoso, was in full command of his technique. One of Hitchcock’s favorite films, Rear Window offered the ideal venue for the great director to fully use the tricks and ideas he acquired over his previous three decades of filmmaking. Yet technique alone did not make this classic film great; one of Hitchcock’s most personal films, Rear Window is characterized by great depth of feeling. It offers glimpses of a sensibility at odds with the image Hitchcock created for himself―that of the grand ghoul of cinema who mocks his audience with a slick and sadistic style. Though Hitchcock is often labeled a misanthrope and misogynist, Fawell finds evidence in Rear Window of a sympathy for the loneliness that leads to voyeurism and crime, as well as an empathy for the film’s women. Fawell emphasizesa more feeling, humane spirit than either Hitchcock’s critics have granted him or Hitchcock himself admitted to, and does so in a manner of interest to film scholars and general readers alike.    

When Hitchcock's Films was first published, it quickly became known as a new kind of book on film and as a necessary text in the growing body of Hitchcock criticism. This revised edition ofHitchcock's Films Revisited includes a substantial new preface in which Wood reveals his personal history as a critic--including his coming out as a gay man, his views on his previous critical work, and how his writings, his love of film, and his personal life and have remained deeply intertwined through the years. This revised edition also includes a new chapter onMarnie.

Includes Hitchcock and wartime Britain; Hitchcock and carnival; Hitchcock and fascism; essays on Murder!, Downhill, and Topaz; and reviews.