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Ferdinand Hodler’s emotionally loaded landscapes and ritualized portraits were among the earliest harbingers of Expressionist painting in Europe, and a key bridge between the idioms of late-nineteenth-century Symbolism, Realism and modernist Expressionism. Published for a major 2012 exhibition at New York’s Neue Galerie, this volume gathers a selection of Hodler’s best-loved work: his famous late paintings, in which figures are heavily stylized and landscapes are pared down to simple effects of mood and color; his outstanding works on paper; and the much-acclaimed, extremely moving series of works chronicling the illness and early death of the artist’s lover, Valentine Godé-Darel. A documentary section reproduces letters, sketchbooks and photographs that illuminate the relationship between Hodler and Godé-Darel. Central to this publication is the role that series and variations play throughout Hodler’s oeuvre--most famously in his groups of figures arranged in ritualized poses, a style to which he gave the name “Parallelism.” This volume reveals Hodler both as a painter of great emotional intensity and as a crucial progenitor of the Expressionist worldview.Ferdinand Hodler (1835–1918) was born in Bern, Switzerland. By the time Hodler was eight years old, he had lost his father and two younger brothers to tuberculosis; his mother and remaining siblings would also succumb to the disease, instilling in the artist a heightened sense of mortality. The Vienna Secession’s 1903 exhibition of his work, for which Josef Hofmann built the galleries, was decisive for Expressionist painters such as Emil Nolde and particularly Ernst Ludwig Kirchner, who later made a woodcut portrait of Hodler in homage to his influence.

Ferdinand Hodler (1853-1918) is one of the most important Swiss painters. His work, influenced by Realism and Symbolism, was and is widely shown all over Europe and prefigured art nouveau and modernist abstraction. His landscape paintings remain the most vital part of his oeuvre to this day. This book shows around 70 of his most beautiful and important landscape paintings and examines the importance of landscape in the creative development of this seminal Swiss painter. In his beginnings, Hodler was influenced by the late Romantics and French landscape painting. He later developed his own quietly monumental style. In the last two decades of his life, he created a landscape oeuvre counting among the major achievements of modern European painting. An indispensable introduction to the work of this often neglected Swiss master.

Examines the development of the career of the Swiss painter, Ferdinand Hodler, and analyzes the artistry and symbolism of a representative sampling of his major works

Ferdinand Hodler (1853-1918) is one of the most important Swiss painters. His work, influenced by Realism and Symbolism, was and is widely shown all over Europe and prefigured art nouveau and modernist abstraction. His landscape paintings remain the most vital part of his oeuvre to this day. This book shows around 70 of his most beautiful and important landscape paintings and examines the importance of landscape in the creative development of this seminal Swiss painter. In his beginnings, Hodler was influenced by the late Romantics and French landscape painting. He later developed his own quietly monumental style. In the last two decades of his life, he created a landscape oeuvre counting among the major achievements of modern European painting. An indispensable introduction to the work of this often neglected Swiss master.

Ferdinand Hodler’s emotionally loaded landscapes and ritualized portraits were among the earliest harbingers of Expressionist painting in Europe, and a key bridge between the idioms of late-nineteenth-century Symbolism, Realism and modernist Expressionism. Published for a major 2012 exhibition at New York’s Neue Galerie, this volume gathers a selection of Hodler’s best-loved work: his famous late paintings, in which figures are heavily stylized and landscapes are pared down to simple effects of mood and color; his outstanding works on paper; and the much-acclaimed, extremely moving series of works chronicling the illness and early death of the artist’s lover, Valentine Godé-Darel. A documentary section reproduces letters, sketchbooks and photographs that illuminate the relationship between Hodler and Godé-Darel. Central to this publication is the role that series and variations play throughout Hodler’s oeuvre--most famously in his groups of figures arranged in ritualized poses, a style to which he gave the name “Parallelism.” This volume reveals Hodler both as a painter of great emotional intensity and as a crucial progenitor of the Expressionist worldview.Ferdinand Hodler (1835–1918) was born in Bern, Switzerland. By the time Hodler was eight years old, he had lost his father and two younger brothers to tuberculosis; his mother and remaining siblings would also succumb to the disease, instilling in the artist a heightened sense of mortality. The Vienna Secession’s 1903 exhibition of his work, for which Josef Hofmann built the galleries, was decisive for Expressionist painters such as Emil Nolde and particularly Ernst Ludwig Kirchner, who later made a woodcut portrait of Hodler in homage to his influence.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.79

84 pages. 8.50x8.50x0.20 inches. In Stock.

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Neu -Der Schweizer Maler Ferdinand Hodler (1853-1918) - Vertreter des Jugendstils und Symbolismus - gilt als eine der bedeutenden Protagonisten der Moderne um 1900 und Impulsgeber für nachfolgende Generationen. Wie kaum ein anderer Künstler prägte er das kulturelle Selbstverständnis seines Heimatlandes und nach wie vor hält sich sein Ruf als »Nationalkünstler«. Sein Oeuvre mit Porträts und Selbstporträts, den schlanken, symbolhaften Figuren, den unvergleichlichen Berglandschaften und monumentalen Wandgemälden hat bis heute nichts an seiner Faszination eingebüßt. Der umfangreiche Band rückt das formale, kulturelle und politische Wirken des Künstlers in ein differenziertes Licht und lädt zeitgenössische Künstlerinnen und Künstler zu einem kritischen, analytischen Dialog mit dieser unangefochtenen Autorität ein. (Text dt., engl.) 304 pp. Deutsch, Englisch

Examines the development of the career of the Swiss painter, Ferdinand Hodler, and analyzes the artistry and symbolism of a representative sampling of his major works

Neu -Die Sammlung Hahnloser entstand im frühen 20. Jahrhundert im engen freundschaftlichen Austausch zwischen dem Sammlerpaar Arthur und Hedy Hahnloser-Bühler und ihren berühmten Künstlerfreunden. Mit rund 120 Hauptwerken gibt das Buch einen Überblick über diese international einzigartige Sammlung der Schweizer und Französischen Moderne und berücksichtigt dabei auch ihren kulturpolitisch vorbildhaften Aspekt. Der Katalog beleuchtet den engen Kontakt der Sammler zu befreundeten Künstlern wie Pierre Bonnard, Ferdinand Hodler, Henri Matisse und Félix Vallotton. Unbekannte Aspekte aus dem Leben der Künstler, ihres Schaffens sowie der Motivation und Leidenschaft der Sammler selbst werden vermittelt. Heute befinden sich Teile der Sammlung zum einen größtenteils im Besitz der Erben, zum anderen als Schenkungen in den Kunstmuseen Bern und Winterthur. (Text engl.) 288 pp. Englisch

HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Marius Borgeaud compte parmi les artistes suisses les plus emblématiques de sa génération avec Ferdinand Hodler et Félix Vallotton. C’est à l’âge de 40 ans, après avoir dilapidé sa fortune que Borgeaud commence la peinture. Il fera alors ses classes à l’Atelier Cormon et à La Grande Chaumière. D’abord lié au mouvement impressionniste, il ne tardera pas à suivre sa propre voie, loin de toute école picturale.La centaine d’œuvres reproduites permettra au public de se glisser dans l’intimité de l’atelier du peintre grâce à des œuvres de contemporains, d’amis, mais aussi de modèles tels Francis Picabia, Camille Pissarro, le Douanier Rousseau et, surtout, Félix Vallotton.Marius Borgeaud meurt à Paris en 1924, laissant un œuvre riche de quelque 300 tableaux. Un ouvrage  publié en coédition avec la Fondation de l’Hermitage, Lausanne, où se tiendra l’exposition éponyme du 26 juin au 25 octobre 2015.

Known chiefly for his role as a teacher of the leading Impressionists, Charles Gleyre (1806-1874) won great acclaim for his own paintings at home in Switzerland and abroad, eventually gaining recognition as the most eminent Swiss painter between Fuseli and Hodler. Gleyre can now be seen as a highly original artist working in a late romantic-classical vein. In these two volumes, William Hauptman presents the first detailed account of the artist's life and work since Clément's study in 1878, and the first catalogue raisonné of his paintings, drawings, and water colors. One of his aims is to explore the importance of Gleyre's art and influence in nineteenth-century France and Switzerland.Drawing on recently discovered documents, letters, and sketchbooks, Hauptman provides new information on Gleyre's extensive voyage to the Middle East, his unorthodox attitudes toward his own paintings and their exhibition, the originality of his major works for French and Swiss patrons, and his unconventional teaching career that spanned twenty-five years. The author pays particular attention to never- before-published material, including journals and diaries of friends and colleagues with whom Gleyre worked and traveled, and sketches Gleyre made for his American patron, John Lowell, Jr. Together these volumes examine and illustrate more than fifteen hundred works, ranging chronologically from Gleyre's youthful portraits and figure studies of 1825 to his last painting, said to have been retouched on the day of his death. The result is a rare, significant overview of a little-known artist whose work merits greater attention.

Marius Borgeaud compte parmi les artistes suisses les plus emblématiques de sa génération avec Ferdinand Hodler et Félix Vallotton. C’est à l’âge de 40 ans, après avoir dilapidé sa fortune que Borgeaud commence la peinture. Il fera alors ses classes à l’Atelier Cormon et à La Grande Chaumière. D’abord lié au mouvement impressionniste, il ne tardera pas à suivre sa propre voie, loin de toute école picturale.La centaine d’œuvres reproduites permettra au public de se glisser dans l’intimité de l’atelier du peintre grâce à des œuvres de contemporains, d’amis, mais aussi de modèles tels Francis Picabia, Camille Pissarro, le Douanier Rousseau et, surtout, Félix Vallotton.Marius Borgeaud meurt à Paris en 1924, laissant un œuvre riche de quelque 300 tableaux. Un ouvrage  publié en coédition avec la Fondation de l’Hermitage, Lausanne, où se tiendra l’exposition éponyme du 26 juin au 25 octobre 2015.

Z : 24 x 29 cm, 232 pages - L'époustouflante modernité de l'oeuvre d'Emmenegger est mise en évidence par le biais d'une centaine de tableaux, qui dialoguent avec des peintures de ses mentors, amis et contemporains Cuno Amiet, Arnold Böcklin, Giovanni Giacometti, Ferdinand Hodler, Félix Vallotton et Robert Zünd. Le parcours est également ponctué d'oeuvres d'artistes contemporain·e·s inspiré·e·s par son travail : Caroline Bachmann, Stefan Banz, Michel Grillet, Alois Lichtsteiner, Nicolas Party et Albrecht Schnider. À découvrir dans les salles et dans le parc de l'Hermitage, la carte blanche confiée à l'ECAL/Ecole cantonale d'art de Lausanne, mettant en résonance l'oeuvre d'Emmenegger avec les travaux de photographes de la nouvelle génération.

Hodler, Thomas W., Schretter, Howard A.