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Like New condition. Great condition, but not exactly fully crisp. The book may have been opened and read, but there are no defects to the book, jacket or pages. 2.73

Book is in NEW condition. 3.09

Book is in NEW condition. 2.73

Schirmer/Mosel, Mnchen, 2005. 272 berwiegend bebilderte S., Pappband mit Schutzumschlag, quart, (Ecken etwas bestoen) - sonst gutes Exemplar / Mit einem Essay von Umberto Eco -

80 Seiten, ca. 30 ganzseitige Photographien von Museumsräumen/ full-page photographs of museum spaces. Essay by Gregorio Magnani, "Unaufdringliche Fotografie/ Unassuming Photography" (German and English). Erschienen anlässlich einer Ausstellung im Portikus Frankfurt am Main, Sommer 1992.

Candida Höfer creates meticulously composed images of public and institutional spaces marked with the richness of human activity, yet largely devoid of human presence. Whether a photograph of a national library or a lounge at Volkswagen's headquarters, Höfer's images ask us to conduct distanced, disengaged examinations through the windows she creates. The collected images present a universe wholly constructed by human intention, unearthing patterns of order and logic imposed on these spaces by their absent creators and inhabitants. The Architecture of Absence examines Höfer's oeuvre and its relationship to the work of other noted students of renowned professors Bernd and Hilla Becher.

The German city of Weimar, home to illustrious Renaissance and Baroque artists such as Cranach and Bach, became a major place of pilgrimage in the 18th century. With her famous library and with distinguished literary circles, Duchess Anna Amalia laid the foundations for the flourishing of literary expression in the city. Her son, Duke Karl August, called Herder, Goethe and Schiller to his court. With them, Weimar became the center of German intellectual life, the "city of poets and thinkers"--a reputation Weimar has nurtured to the present day. For her libraries project, Candida Hofer photographed the Duchess Anna Amalia Library in 2004. Shortly afterwards it fell victim to a fire. In summer 2006, she focused on historic interior spaces: the Goethe National Museum, the Residential Palace and other castles, as well as various theaters. Hofer's photographic style perfectly captures Weimar's special aura. Her strictly composed pictures seem to contain the spirit of the Enlightenment.

Candida Höfer’s works have something timeless about them, and opera is perhaps the most timeless cultural delight. Having dedicated a photographic series to the cathedrals of knowledge that are libraries, Höfer in her most recent cycle captures opera houses, the palaces of performing arts. Höfer’s earlier pictures of public spaces―libraries, lecture halls, museums, meeting rooms―forever devoid of people, made us sense the presence of those absent. Her opera photographs take us one step beyond: empty foyers, orchestras, stages, wings, and boxes make us imagine both theprotagonists―performers and audience―and the fictitious figures, plots, and places that populate these venues during a night at the opera. In her most recent publication Candida Höfer portrays two Paris opera houses that are exemplary for their age and time: the neoclassicist Palais Garnier (1875), original Phantom of the Opera site, and the modern-style Opéra Bastille (1989).

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 3.09

This striking book shows the world's most beautiful libraries through Candida Höfer's mesmerizing photographs.No one photographs spaces quite like Candida Höfer and no one has captured better the majesty, stillness, and eloquence of libraries. Traveling around the world, Höfer shows the exquisite beauty to be found in order, repetition, and form--rows of books, lines of desks, soaring shelves, and even stacks of paper create patterns that are both hypnotic and soothing. Photographed with a large-format camera and a small aperture, these razor-sharp images of the Pierpont Morgan Library in New York, the Escorial in Spain, Villa Medici in Rome, the Hamburg University library, the Bibliotheque Nationale de France in Paris, and the Museo Archeologico in Madrid, to name a few, communicate more than just the superb architecture. Glowing with subtle color and natural light, Höfer's photographs, while devoid of people, shimmer with life and remind us again and again that libraries are more than just repositories for books. Umberto Eco's essay about his own attachment to libraries is the perfect introduction to an otherwise wordless, but sublimely reverent journey.

This striking book shows the world's most beautiful libraries through Candida Höfer's mesmerizing photographs.No one photographs spaces quite like Candida Höfer and no one has captured better the majesty, stillness, and eloquence of libraries. Traveling around the world, Höfer shows the exquisite beauty to be found in order, repetition, and form--rows of books, lines of desks, soaring shelves, and even stacks of paper create patterns that are both hypnotic and soothing. Photographed with a large-format camera and a small aperture, these razor-sharp images of the Pierpont Morgan Library in New York, the Escorial in Spain, Villa Medici in Rome, the Hamburg University library, the Bibliotheque Nationale de France in Paris, and the Museo Archeologico in Madrid, to name a few, communicate more than just the superb architecture. Glowing with subtle color and natural light, Höfer's photographs, while devoid of people, shimmer with life and remind us again and again that libraries are more than just repositories for books. Umberto Eco's essay about his own attachment to libraries is the perfect introduction to an otherwise wordless, but sublimely reverent journey.

First edition, first printing. Hardcover. Photographically illustrated paper-covered boards, no dust jacket as issued. 128 pp., with 26 four-color plates and numerous black and white illustrations. 11 1/4 x 9 1/2 inches. Includes texts (in German) by Sonja Claser, Ludger Derenthal, Gerlinde Geisler, Roman Ronald Gerhold, Kai-Uwe Hemken, Simone Holt, Daniel Marzona, Monika Steinhauser, Annette Urban, Markus Weckesser and biographical notes.

112 S. Hardcover. Gr. 8°. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: deu

Advocacy Practice for Social Justice teaches readers how to understand the advocacy process, how to be an advocate, and how to help others advocate for themselves. Professor Hoefer argues that an ethical responsibility of all social workers is integrating social work advocacy into their practice and outlines a step-by-step process for planning and executing advocacy within a generalist practice.

Candida Höfer’s works have something timeless about them, and opera is perhaps the most timeless cultural delight. Having dedicated a photographic series to the cathedrals of knowledge that are libraries, Höfer in her most recent cycle captures opera houses, the palaces of performing arts. Höfer’s earlier pictures of public spaces―libraries, lecture halls, museums, meeting rooms―forever devoid of people, made us sense the presence of those absent. Her opera photographs take us one step beyond: empty foyers, orchestras, stages, wings, and boxes make us imagine both theprotagonists―performers and audience―and the fictitious figures, plots, and places that populate these venues during a night at the opera. In her most recent publication Candida Höfer portrays two Paris opera houses that are exemplary for their age and time: the neoclassicist Palais Garnier (1875), original Phantom of the Opera site, and the modern-style Opéra Bastille (1989).

"For me, this exhibition provides occasion for introspection: without regard to time, motifs, and forms of presentation, I attempt to determine the common thread of the visual memory that has always been my guide." Born in 1944 and Bernd Becher’s first female student at the Kunstakademie Düsseldorf, Candida Höfer is one of the greats of international photography. The new art center Artipelag in Stockholm, which will open its doors on June 3, is presenting a large-scale retrospective of Höfer’s work that spans her early series, such as Liverpool and Turks in Germany, as well as Rodin’s The Burghers of Calais, her photographs of libraries and public spaces, and her most recent series on the Neues Museum in Berlin. The multilingual exhibition catalog (German/English/Swedish) is richly illustrated and includes an essay by psychologist and publicist F. W. Heubach and an introduction by Bo Nilsson.

Her first major retrospective. Candida Höfer, born in 1944, documents public buildings and urban environments. An early Becher student, Höfer depicts them without their visitors, thus capturing the intensity and intimacy of human occupation by the very absence of people. This monograph is the first comprehensive survey of her work to date.

Developing Nonprofit and Human Service Leaders comprehensively prepares students with the skills to successfully manage human service organizations. Authors Larry D. Watson and Richard Hoefer explore core managerial competencies tailored

Current economic and social forces are creating a society with less equality, justice and opportunity for all but the privileged few. Social workers are called upon by their code of ethics to counteract these trends and actively work to achieve social justice. Hoefer's empirically based, step by step approach demonstrates how to integrate advocacy for social justice into everyday social work practice. The book shows through anecdotes, case studies, examples, and the author's own personal experiences, exactly how advocacy can be conducted with successful outcomes. Each chapter builds upon the previous to provide a concise yet detailed blueprint for conducting successful advocacy.The previous two editions of this book have been used and admired by professors and students alike. Students value its clarity and praise the book for opening their eyes to what they often believed was "the scary and bad" world of politics and policy. After reading the book, they are motivated to become advocates for social justice because they understand how to do so. If you want to empower your students to effect changes in laws, regulations, and other types of policy at all levels, you will find this text the perfect resource to do so.

Title: Petroleum ... Together with the occurrence and uses of natural gas. Edited chiefly from the German of Prof. Hans Hoefer and Dr. Alexander Veith, by W. T. Brannt ... Illustrated, etc. (Based upon "Das Erdoel und seine Verwandten," von Prof. H. Hoefer, and "Das Erdoel und seine Verarbeitung," von Dr. A. Veith.).Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The GEOLOGY collection includes books from the British Library digitised by Microsoft. The works in this collection contain a number of maps, charts, and tables from the 16th to the 19th centuries documenting geological features of the natural world. Also contained are textbooks and early scientific studies that catalogue and chronicle the human stance toward water and land use. Readers will further enjoy early historical maps of rivers and shorelines demonstrating the artistry of journeymen, cartographers, and illustrators. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:++++ British Library Brannt, William Theodore; Hoefer, Hanns; Veith, Alexander; 1895. xxvii. 715 p. ; 8º. 7105.dd.2.