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These concerts feature Pinchas Zukerman, Isaac Stern, Itzhak Perlman, Shlomo Mintz, Henryk Szeryng, Ivry Gitlis, Ida Haendel and Zubin Mehta with the Israel Philharmonic, performing the works of Vivaldi, Tchaikovsky, Mozart, Bach, Handel, Mendelssohn.

Violinist Joanna Madroszkiewicz and pianist Paul Gulda perform compositional works by Chopin arranged by Sarasate, Hubermann, Auer, and Cerne.

The compelling biography of the violinist who founded the Palestine Symphony Orchestra and saved hundreds of people from Hitler—as seen in Josh Aronson’s documentary Orchestra of Exiles.“The true artist does not create art as an end in itself. He creates art for human beings. Humanity is the goal.”—Bronislaw HubermanAt fourteen, Bronislaw Huberman played the Brahms Violin Concerto in Vienna— winning high praise from the composer himself, who was there. Instantly famous, Huberman began touring all over the world and received invitations to play for royalty across Europe. But after witnessing the tragedy of World War I, he committed his phenomenal talent and celebrity to aid humanity.After studying at the Sorbonne in Paris, Huberman joined the ranks of Sigmund Freud and Albert Einstein in calling for peace through the Pan European Movement. But when hope for their noble vision was destroyed by the rise of Nazism, Huberman began a crusade that would become his greatest legacy—the creation, in 1936, of the Palestine Symphony, which twelve years later became the Israel Philharmonic Orchestra.In creating this world-level orchestra, Huberman miraculously arranged for the very best Jewish musicians and their families to emigrate from Nazi-threatened territories. His tireless campaigning for the project—including a marathon fundraising concert tour across America—ultimately saved nearly a thousand Jews from the approaching Holocaust. Inviting the great Arturo Toscanini to conduct the orchestra’s first concert, Huberman’s clarion call of art over cruelty was heard around the world. His story contains estraordinary adventures, riches and royalty, politicians and broken promises, losses and triumphs. Against near impossible obstacles, Huberman refused to give up on his dream to create a unique and life-saving orchestra of exiles which was one of the great cultural achievements of the 20th century.Includes Photographs

Mediante esta coleccion de ensayos y de su introduccion, Ariana Huberman y Alejandro Meter se san propuesto participar activamente en los debates que proponen los estudios del Holocausto, los diversos abordajes a la memoria familiar, colectiva, traumatica y a la representacion de la judeidad desde Latinoamerica. Y agregan seguidamente: Los rituales del cuestionamiento y del relato en el ejercicio de la memoria que estan en la base de la tradicion judia hacen imposible la consolidacion de una categoria cultural judia. Hablar de una categoria cultural judia es insostenible porque el judio no puede pertenecer enteramente a ninguna categoria, su identidad es errante y elusiva. Sin embargo, creemos que es importante pensar en modos de judeidad que transitan la literatura y cultura judeolatinoamericana, sea escrita por judios o no. De este modo, desde el fondo de su introduccion se instalan en el debate en torno a categorias, particularmente sobre el creciente corpus de la literatura judialatinoamericana en sus multiples variantes, acepciones y tendencias, asi como sobre sus origenes y posibles derivaciones dentro del estatuto literario. Saul Sosnowski

Amy Huberman (Striking Out, The Clinic) created, wrote, and stars in this quirky, life-affirming Irish comedy with a satisfyingly filthy sense of humor (The Irish Times). Routine-loving Joy is having a tough time after a messy breakup with her live-in boyfriend, Aidan (Lochlann O'Mearain, Love and Friendship). Then a promotion forces her to step out of her comfort zone as she replaces her network's star vlogger, the Happy Hunter. The job sends Joy to unusual places where people find bliss: wrest

Amy Huberman, Rory Keenan, Emmet Byrne. Solicitor Tara Rafferty abruptly leaves the powerful law firm she works for when she learns her fianc Eric, also a lawyer there, is cheating on her. She boldly opens up her own practice and is instantly faced with serious issues threatening her success. One employee has betrayed her, another is in jail and her new cases pit her against her former colleagues. 6 episodes on 2 DVDs. 2018/color/5 hrs., 26 min/NR/widescreen.

For Georges Didi-Huberman, artist James Turrell is an inventor of impossible spaces and unthinkable sites, of aporias, of fables. Creator of some of the most fascinating works of the late twentieth and early twenty-first century, Turrell uses as his medium the most elemental material of sight and art: light. One crucial aspect of his work is the fabulation of place and vision with its foundation deep in history. Didi-Huberman takes the reader on a journey between the impossible limit of the horizon and the arrival into a site of reverie and light, from the story of Exodus to the Pala d’Oro of San Marco’s Basilica in Venice, through art history and the origins of religious worship, finally plunging into Turrell’s cadmium dust and light, into the Painted Desert of his installation Roden Crater. For the esteemed art historian, Turrell’s artistic practice becomes the equivalent of walking along endless pathways in the desert, in “minuscule cathedrals where man discovers himself walking in color.”

Qualitative data is unsurpassable for richness of detail, explanatory power, and intuitive 'undeniability' -- but can the data be described as scientific? Qualitative researchers are badly in need of systematic methods for drawing conclusions; for testing them; and for communicating them. Miles and Huberman have designed a practical sourcebook in which strong emphasis is placed on innovative types of data display, including charts, graphs, matrices and networks. Forty nine specific methods of data display and analysis are described, explained, and illustrated, with helpful suggestions for the user.

Publié la première fois en 1982, l'Invention de l'hystérie était épuisé depuis plusieurs années. Les Éditions Macula sont heureuses de vous annoncer la parution de cette nouvelle édition, revue, corrigée et enrichie d’une postface de Georges Didi-Huberman, « Des images et des maux », de 40 pages. Ce livre raconte et interroge les pratiques qui se firent jour à la Salpêtrière, du temps de Charcot, autour de l'hystérie.À travers les procédures cliniques et expérimentales, à travers l'hypnose et les « présentations » de malades en crise (les célèbres « leçons du mardi »), on découvre l'espèce de théâtralité stupéfiante, excessive, du corps hystérique. On la découvre ici à travers les images photographiques qui nous en sont restées, celles des publications, aujourd'hui rarissimes, de l'Iconographie photographique de la Salpêtrière.Freud fut le témoin de tout cela, et son témoignage devint la confrontation d'une écoute toute nouvelle de l'hystérie avec ce spectacle de l'hystérie que Charcot mettait en œuvre. Témoignage qui nous raconte les débuts de la psychanalyse sous l'angle du problème de l'image.

For Georges Didi-Huberman, artist James Turrell is an inventor of impossible spaces and unthinkable sites, of aporias, of fables. Creator of some of the most fascinating works of the late twentieth and early twenty-first century, Turrell uses as his medium the most elemental material of sight and art: light. One crucial aspect of his work is the fabulation of place and vision with its foundation deep in history. Didi-Huberman takes the reader on a journey between the impossible limit of the horizon and the arrival into a site of reverie and light, from the story of Exodus to the Pala d’Oro of San Marco’s Basilica in Venice, through art history and the origins of religious worship, finally plunging into Turrell’s cadmium dust and light, into the Painted Desert of his installation Roden Crater. For the esteemed art historian, Turrell’s artistic practice becomes the equivalent of walking along endless pathways in the desert, in “minuscule cathedrals where man discovers himself walking in color.”

The New Lives of Teachers examines the varied, often demanding commitments on teachers’ lives today as they attempt to pursue careers in primary and secondary education. Building upon Huberman’s classic study, it probes not only teachers’ everyday lives, but also the ways in which they negotiate the pitfalls of professional development and the different life and work ‘scenarios’ that challenge their sense of identity, well-being and effectiveness. The authors provide a new evidence-based framework to investigate and understand teachers’ lives. Using a range of contemporary examples of teaching, they demonstrate that it is the relative success with which teachers manage various personal, work and external policy challenges that is a key factor in the satisfaction, commitment, well-being and effectiveness of teachers in different contexts and at different times in their work and lives. The positive and negative influences upon career and professional development and the influences of school leadership, culture, colleagues and conditions are also shown to be profound and relate directly to teacher retention and the work-life balance agenda. The implications of these insights for teaching quality and teacher retention are discussed. This book will be of special interest to teachers, teachers’ associations, policy makers, school leaders, and teacher educators, and should also be of interest to students on postgraduate courses.

In "The Education of Desire", Harvey J. Kaye returns to the study of Marxist history and social thought. Examining the works of such intellectuals, writers, and scholars as Antonio Gramsci, Christopher Hill, George Rude, V.G. Kiernan, E.P. Thompson, Leo Huberman, and John Berger, Kaye reveals the contributions which these figures have made to historical study and political theory, and which they might yet make to the reformation and reinvigoration of radical-democratic and socialist history and politics. Kaye addresses the much-debated question of the role of intellectuals in the making of history and social change, and insists upon the necessity of continuing to ask classical and fundamental Marxist questions about exploitation, oppression, and struggle.

When the French edition of Confronting Images appeared in 1990, it won immediate acclaim because of its far-reaching arguments about the structure of images and the histories ascribed to them by scholars and critics working in the tradition of Vasari and Panofsky. According to Didi-Huberman, visual representation has an “underside” in which seemingly intelligible forms lose their clarity and defy rational understanding. Art historians, he goes on to contend, have failed to engage this underside, where images harbor limits and contradictions, because their discipline is based upon the assumption that visual representation is made up of legible signs and lends itself to rational scholarly cognition epitomized in the “science of iconology.” To escape from this cul-de-sac, Didi-Huberman suggests that art historians look to Freud’s concept of the “dreamwork,” not for a code of interpretation, but rather to begin to think of representation as a mobile process that often involves substitution and contradiction. Confronting Images also offers brilliant, historically grounded readings of images ranging from the Shroud of Turin to Vermeer’s Lacemaker.

The Third Edition of Miles & Huberman′s classic research methods text is updated and streamlined by Johnny Saldaña, author of The Coding Manual for Qualitative Researchers. Several of the data display strategies from previous editions are now presented in re-envisioned and reorganized formats to enhance reader accessibility and comprehension. The Third Edition’s presentation of the fundamentals of research design and data management is followed by five distinct methods of analysis: exploring, describing, ordering, explaining, and predicting. Miles and Huberman′s original research studies are profiled and accompanied with new examples from Saldaña′s recent qualitative work. The book′s most celebrated chapter, "Drawing and Verifying Conclusions," is retained and revised, and the chapter on report writing has been greatly expanded, and is now called "Writing About Qualitative Research." Comprehensive and authoritative, Qualitative Data Analysis has been elegantly revised for a new generation of qualitative researchers.

The Third Edition of Miles & Huberman′s classic research methods text is updated and streamlined by Johnny Saldaña, author of The Coding Manual for Qualitative Researchers. Several of the data display strategies from previous editions are now presented in re-envisioned and reorganized formats to enhance reader accessibility and comprehension. The Third Edition’s presentation of the fundamentals of research design and data management is followed by five distinct methods of analysis: exploring, describing, ordering, explaining, and predicting. Miles and Huberman′s original research studies are profiled and accompanied with new examples from Saldaña′s recent qualitative work. The book′s most celebrated chapter, "Drawing and Verifying Conclusions," is retained and revised, and the chapter on report writing has been greatly expanded, and is now called "Writing About Qualitative Research." Comprehensive and authoritative, Qualitative Data Analysis has been elegantly revised for a new generation of qualitative researchers.

Amy Huberman, Brahm Gallagher, Emmet Byrne. A beautiful young attorney takes a bold step after she learns that her fiance, a fellow attorney at the firm, is cheating on her. She breaks away from him and the firm and opens her own law office. Her new challenges get very interesting when she takes on cases that find her on the opposing side of her former associates. 4 episodes. 2017/color/3 hrs., 34 min/NR/widescreen.

Amy Huberman (Striking Out, The Clinic) created, wrote, and stars in this quirky, life-affirming Irish comedy with a satisfyingly filthy sense of humor (The Irish Times). Routine-loving Joy is having a tough time after a messy breakup with her live-in boyfriend, Aidan (Lochlann O'Mearin, Love & Friendship). Then a promotion forces her to step out of her comfort zone as she replaces her networks star vlogger, the Happy Hunter. The job sends Joy to unusual places where people find bliss: wres

This introduction to socialist thought is by two men perhaps better qualified than any other Americans to have written it. Leo Huberman and Paul Sweezy, founding editors and publishers of the independent socialist magazine Monthly Review, built an impressive reputation as keen observers, acute analysts, and lucid writers on the world and domestic scenes. In this book, they present in clear and direct language the basic elements of the socialist critique of capitalist society.

Mediante esta coleccion de ensayos y de su introduccion, Ariana Huberman y Alejandro Meter se san propuesto participar activamente en los debates que proponen los estudios del Holocausto, los diversos abordajes a la memoria familiar, colectiva, traumatica y a la representacion de la judeidad desde Latinoamerica. Y agregan seguidamente: Los rituales del cuestionamiento y del relato en el ejercicio de la memoria que estan en la base de la tradicion judia hacen imposible la consolidacion de una categoria cultural judia. Hablar de una categoria cultural judia es insostenible porque el judio no puede pertenecer enteramente a ninguna categoria, su identidad es errante y elusiva. Sin embargo, creemos que es importante pensar en modos de judeidad que transitan la literatura y cultura judeolatinoamericana, sea escrita por judios o no. De este modo, desde el fondo de su introduccion se instalan en el debate en torno a categorias, particularmente sobre el creciente corpus de la literatura judialatinoamericana en sus multiples variantes, acepciones y tendencias, asi como sobre sus origenes y posibles derivaciones dentro del estatuto literario. Saul Sosnowski