27 products were found matching your search for huizinga in 1 shops:

From 11 to 15 December 1972 a group of historians from many European countries assembled in Groningen to commemorate the centenary of Johan Huizinga's birth in that city on 7 December 1872. The conference was not intended simply as a tribute to the memory of a great historian but also as an attempt to assess the sig­ nificance of his work for the present generation. It was supported by generous grants from the Stichting oud-studentenfonds van 1906 at Groningen, the Gro­ ninger Universiteitsfonds, and the Ministry of Education and Science. We are pleased to be able to publish all the papers read at the conference, together with Dr. Jansonius's study of Huizinga's style, written for another occasion. The material is presented in a roughly chronological order. The first three papers, which examine Huizinga's intellectual and literary points of departure, are followed by another three dealing with The Waning of the Middle Ages. A special paper is de­ voted to Huizinga's Erasmian studies. The next three authors investigate the prob­ lems which preoccupied Huizinga during the 1930s. Three final papers examine general aspects of his work.

From 11 to 15 December 1972 a group of historians from many European countries assembled in Groningen to commemorate the centenary of Johan Huizinga's birth in that city on 7 December 1872. The conference was not intended simply as a tribute to the memory of a great historian but also as an attempt to assess the sig­ nificance of his work for the present generation. It was supported by generous grants from the Stichting oud-studentenfonds van 1906 at Groningen, the Gro­ ninger Universiteitsfonds, and the Ministry of Education and Science. We are pleased to be able to publish all the papers read at the conference, together with Dr. Jansonius's study of Huizinga's style, written for another occasion. The material is presented in a roughly chronological order. The first three papers, which examine Huizinga's intellectual and literary points of departure, are followed by another three dealing with The Waning of the Middle Ages. A special paper is de­ voted to Huizinga's Erasmian studies. The next three authors investigate the prob­ lems which preoccupied Huizinga during the 1930s. Three final papers examine general aspects of his work.

From 11 to 15 December 1972 a group of historians from many European countries assembled in Groningen to commemorate the centenary of Johan Huizinga's birth in that city on 7 December 1872. The conference was not intended simply as a tribute to the memory of a great historian but also as an attempt to assess the sig­ nificance of his work for the present generation. It was supported by generous grants from the Stichting oud-studentenfonds van 1906 at Groningen, the Gro­ ninger Universiteitsfonds, and the Ministry of Education and Science. We are pleased to be able to publish all the papers read at the conference, together with Dr. Jansonius's study of Huizinga's style, written for another occasion. The material is presented in a roughly chronological order. The first three papers, which examine Huizinga's intellectual and literary points of departure, are followed by another three dealing with The Waning of the Middle Ages. A special paper is de­ voted to Huizinga's Erasmian studies. The next three authors investigate the prob­ lems which preoccupied Huizinga during the 1930s. Three final papers examine general aspects of his work.

Strupp, C.: Johan Huizinga. Geschichtswissenschaft Als Kulturgeschichte. Goettingen, 2000, 352 P. Encuadernacion Original. Nuevo.

*Rereading Huizinga: Autumn of the Middle Ages, a Century Later* explores the legacy and historiographical impact of Johan Huizinga’s 1919 masterwork a century after its publication. Often considered one of the most successful books in medieval European history, its reception has varied over the last hundred years, popular with non-academic readers, and appraised more critically by fellow historians and those more generally in the field of medieval studies. There is broad consensus, however, about the work’s absolute centrality, and the authors of this volume assess the *Autumn of the Middle Ages* reception, afterlife, and continued vitality.

*Rereading Huizinga: Autumn of the Middle Ages, a Century Later* explores the legacy and historiographical impact of Johan Huizinga’s 1919 masterwork a century after its publication. Often considered one of the most successful books in medieval European history, its reception has varied over the last hundred years, popular with non-academic readers, and appraised more critically by fellow historians and those more generally in the field of medieval studies. There is broad consensus, however, about the work’s absolute centrality, and the authors of this volume assess the *Autumn of the Middle Ages* reception, afterlife, and continued vitality.

New Book. Shipped from UK. Established seller since 2000.

In Homo Ludens, the classic evaluation of play that has become a “must-read” for those in game design, Dutch philosopher Johan Huizinga defines play as the central activity in flourishing societies. Like civilization, play requires structure and participants willing to create within limits. Starting with Plato, Huizinga traces the contribution of Homo Ludens, or “Man the player” through Medieval Times, the Renaissance, and into our modern civilization. Huizinga defines play against a rich theoretical background, using cross-cultural examples from the humanities, business, and politics. Homo Ludens defines play for generations to come. "A happier age than ours once made bold to call our species by the name of Homo Sapiens. In the course of time we have come to realize that we are not so reasonable after all as the Eighteenth Century with its worship of reason and naive optimism, though us; "hence moder fashion inclines to designate our species asHomo Faber: Man the Maker. But though faber may not be quite so dubious as sapiens it is, as a name specific of the human being, even less appropriate, seeing that many animals too are makers. There is a third function, howver, applicable to both human and animal life, and just as important as reasoning and making—namely, playing. it seems to me that next to Homo Faber, and perhaps on the same level as Homo Sapiens, Homo Ludens, Man the Player, deserves a place in our nomenclature. "—from the Foreward, by Johan Huizinga

La historia empieza en Sumer es un clásico de la historiografía moderna, un libro seminal que ocupa un lugar en pie de igualdad junto a otras obras que aúnan de forma incomparable amenidad y rigor, como Dioses, tumbas y sabios, de Ceram, la Historia de Roma de Montanelli o El otoño de la Edad Media de Huizinga. Publicada po

This volume is the first ever attempt to unite and translate some of the key texts which informed Johan Huizinga's famous study of the Burgundian court, The Waning of the Middle Ages, a work which has never gone out of print. It combines these texts with sources that Huizinga did not consider, those that illuminate the wider civic world that the Burgundian court inhabited and the dynamic interaction between court and city. Through these sources, and an introduction offering new perspectives on recent historiography, the book tests whether Huizinga's controversial vision of the period still stands. Covering subjects including ceremonial events, such as the spectacles and gargantuan banquets that made the Burgundian dukes the talk of Europe, the workings of the court, and jousting, archery and rhetoric competitions, the book will appeal to students of late medieval and early modern Europe and to those with wider interests in court culture, ritual and ceremony.

AN UNEXPECTED PROPOSAL Prudence Makepeace had a soft heart, so she gave up her own plans and instead escorted her godmother to Holland. Once there, Prudence found the country and the Dutch people charming, with one exception -- the overbearing Dr. Haso ter Brons Huizinga. Sparks flew whenever they met. But why should Prudence mind? After all, Haso was about to get married. Haso's wedding plans, though, weren't quite yet finalized. There was the small matter of his intended bride . . . --This text refers to an out of print or unavailable edition of this title.

Historian Johan Huizinga once described game playing as the motor of humanity's cultural development, predating art and literature. Since the late 20th century, Western society has undergone a "ludification," as the influence of game-playing has grown ever more prevalent. At the same time, new theories of postmodernism have emphasized the importance of interactive, playful behavior. Core concepts of postmodernism are evident in pen-and-paper role-playing, such as Dungeons and Dragons. Exploring the interrelationships among narrative, gameplay, players and society, the author raises questions regarding authority, agency and responsibility, and discusses the social potential of RPGs in the 21st century.

The Course of Civilizations is a masterful collection of essays by cultural historian Johan Huizinga on the Middle Ages, the Renaissance, and the concepts of history and culture. In his exceptionally creative approach to history—called “cultural history”—Huizinga gave primacy of place to social relations, from which a culture derives its formative ideas and thus its unique character. The essays in this volume cover a fascinating range of topics, including the task of the historian; the role of ideals in cultural evolution; nationalism and patriotism; realism and the Renaissance; and a series of biographical portraits. Delivered in Huizinga’s classic, approachable voice, they present a compelling, critical treatise on how historical periods realize their shape and meaning within the broader context of the course of civilizations.

The fifteenth century is more than any other the century of the persecution of witches. So wrote Johan Huizinga more than eighty years ago in his classic Autumn of the Middle Ages. Although Huizinga was correct in his observation, modern readers have tended to focus on the more spectacular witch-hunts of the sixteenth and seventeenth centuries. Nevertheless, it was during the late Middle Ages that the full stereotype of demonic witchcraft developed in Europe, and this is the subject of Battling Demons.At the heart of the story is Johannes Nider (d. 1438), a Dominican theologian and reformer who alternately persecuted heretics and negotiated with them—a man who was by far the most important church authority to write on witchcraft in the early fifteenth century. Nider was a major source for the infamous Malleus maleficarum, or Hammer of Witches (1486), the manual of choice for witch-hunters in late medieval Europe. Today Nider's reputation rests squarely on his witchcraft writings, but in his own day he was better known as a leader of the reform movement within the Dominican order and as a writer of important tracts on numerous other aspects of late medieval religiosity, including heresy and lay piety. Battling Demons places Nider in this wider context, showing that for late medieval thinkers, witchcraft was one facet of a much larger crisis plaguing Christian society. As the only English-language study to focus exclusively on the rise of witchcraft in the early fifteenth century, Battling Demons will be important to students and scholars of the history of magic and witchcraft and medieval religious history.

In the Shadow of Tomorrow, first published in 1936, is a commanding analysis of the Western world in the midst of modernity. Johan Huizinga, best known for his landmark studies The Waning of the Middle Ages and Homo Ludens, confronts the anxieties and afflictions of his time—the destruction and disease of war, the decay of art and culture, the emergent spiritual apathy of a world grown weary of itself. Huizinga writes, “Everywhere there are doubts as to the solidity of our social structure, vague fears of the imminent future, a feeling that our civilization is on the way to ruin. They are not merely the shapeless anxieties which beset us in the small hours of the night when the flame of life burns low.”Prophetic and powerful, In the Shadow of Tomorrow is a highly valuable, historically significant treatment of the cultural deterioration in the decades prior to World War II. For, in examining the “modern distemper,” Huizinga provides a cogent diagnosis and remedy that still warrant attention today.

2016 Reprint of 1924 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. Huizinga had an aesthetic approach to history, where art and spectacle played an important part. This is his most famous work, wherein he here reinterpreted the Late Middle Ages as a period of pessimism and decadence rather than rebirth. "The Waning of the Middle Ages" is his masterpiece, a study of the forms of life of fifteenth-century France and Burgundy, based upon his critical reading of aesthetic and philological sources normally overlooked by the working historian. Huizinga attempted to do for the late medieval North what his acknowledged master, Jacob Burckhardt, had done for the Italian Renaissance.

In Homo Ludens, Johan Huizinga defines play as the central activity in flourishing societies. He identifies five characteristics of play: it is free; it is not “ordinary” or “real” life; it is distinct from “ordinary” life both as to locality and duration; it creates order; it is connected with no material interest, and from it no profit can be gained. With cross-cultural examples from the humanities, business, and politics, Huizinga examines play in all its diverse guises—as it relates to language, law, war, knowledge, poetry, myth, philosophy, art, and much more. As he writes, “Civilization is, in its earliest phases, played. It does not come from play like a baby detaching itself from the womb: it arises in and as play, and never leaves it.” Starting with Plato, Huizinga traces the contribution of “man the player” through the Middle Ages, the Renaissance, and early modern world. With an eye for our own times he writes: “In American politics [play] is even more evident. Long before the two-party system had reduced itself to two gigantic teams whose political differences were hardly discernible to an outsider, electioneering in America had developed into a kind of national sport.” With its remarkable historical sweep, Homo Ludens defines play for generations to come. “A fascinating account of ‘man the player’ and the contribution of play to civilization.”—Harper’s “A writer with a sharp and powerful intelligence, helped by a gift of expression and exposition which is very rare, Huizinga assembles and interprets one of the most fundamental elements of human culture: the instinct for play. Reading this volume, one suddenly discovers how profoundly the achievements in law, science, poverty, war, philosophy, and in the arts, are nourished by the instinct of play.”—Roger Caillois, editor of Diogenes

La historia empieza en Sumer es un clásico de la historiografía moderna, un libro seminal que ocupa un lugar en pie de igualdad junto a otras obras que aúnan de forma incomparable amenidad y rigor, como Dioses, tumbas y sabios, de Ceram, la Historia de Roma de Montanelli o El otoño de la Edad Media de Huizinga. Publicada po

Historian Johan Huizinga once described game playing as the motor of humanity's cultural development, predating art and literature. Since the late 20th century, Western society has undergone a "ludification," as the influence of game-playing has grown ever more prevalent. At the same time, new theories of postmodernism have emphasized the importance of interactive, playful behavior. Core concepts of postmodernism are evident in pen-and-paper role-playing, such as Dungeons and Dragons. Exploring the interrelationships among narrative, gameplay, players and society, the author raises questions regarding authority, agency and responsibility, and discusses the social potential of RPGs in the 21st century.

The Middle Ages: Neither the best of times nor the worst of times. The Waning of the Middle Ages is cultural historian Johan Huizinga’s fascinating examination of late medieval society. Huizinga paints a portrait of the conventions and customs of life in the fourteenth and fifteenth centuries as they reflect an autumnal waning—herfsttij—of the Middle Ages’ ideals. Considering theology and mysticism, politics and statesmanship, poetry and painting, marriage and love, Huizinga presents this period in France and the Netherlands as a death of an age, born of intellectual and cultural exhaustion, rather than the dawn of the Renaissance. In this light, the end of the Middle Ages becomes apparent as the logical conclusion of the old, rather than the genesis of the new.