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« Il y a déjà près de quarante ans, en 1970, Roland Barthes dessinait quelques Mythologies modernes. Mais l'on sait qu'il n'existe rien de constant si ce n'est le changement ! D'où la nécessité de dresser les contours de nos idolâtries postmodernes. En se souvenant que l'essentielle fonction du mythe est bien de faire flamboyer l'âme obscure du monde ! »Michel Maffesoli.Reprenant le principe d'une sorte de dictionnaire miparodique, mi-savant, mélangeant figures de l'actualité et concepts philosophique, Michel Maffesoli dresse un portrait à contre-courant de notre société dominée par l'obsession de la communication, de la transparence et de l'égalité.

"[Mitchell] undertakes to explore the nature of images by comparing them with words, or, more precisely, by looking at them from the viewpoint of verbal language. . . . The most lucid exposition of the subject I have ever read."—Rudolf Arnheim, Times Literary Supplement

Unread book in perfect condition.

In Studies in Iconology, the themes and concepts of Renaissance art are analysed and related to both classical and medieval tendencies.

A neutral reconsideration of the physical structure of the west portals of Chartres and of the theological basis of its iconography in Holy Writ and effective patristic dogma.

For now more than half a century, scholars of the history of Western art have become familiar with the idea that art is embedded in a social and cultural context which imbues it with meaning and as such may be viewed as a source which generates knowledge concerning this context; this again may result in a better understanding of the artefact itself. This synthetic method of investigation, known under the name of 'iconology, ' has proved to be of great value in the research of the history of culture. The present book is an essay in which the 'classical age' of India is studied by exploring textual as well as archaeological sources that relate to the kingdom of the Vākāṭakas, the southern neighbours of the Guptas in the fourth and fifth centuries AD.A great number of inscriptions and Hindu sculptures have been discovered and published during the last two decades. Among these inscriptions the one found in the Kevala-Narasiṃha Temple on Ramtek Hill (Rāmagiri) deserves special mention as it throws a flood of light on the political history of the Vākāṭakas and their relationship with the Guptas. This book draws on the new sculptural and epigraphical evidence in presenting a history of the Vākāṭaka kingdom. The (Hindu) sculptures found in the eastern Vākāṭaka realm are brought together for the first time in an illustrated catalogue, their findspots are surveyed, their iconography is studied and their link with Ajanta is pointed out.

Neuware - Nachdrucke von Aufsätzen zu Problemen der chinesischen Archäologie und Forschungsarbeiten zur Bedeutung der frühchinesischen Bronzen für Magie und Religion aus den Jahren 1951-1988.Prof. Dr. Eleanor von Erdberg lived, studied, taught, and lectured extensively in Gennany, the United States, and East Asia. She is considered an expert in the field of Far Eastern art. Her main interests were Chinese archaeology and Asian architecture. Her research has led her into a great variety of subjects, ranging from Chinoiserie garden buildings to Chinese ritual vessels and Japanese tea bowls.Like many of her fellow scholars surveying their work of a lifetime, Eleanor von Erdberg fondly believes that not all of her earlier publications are now obsolete. She has selected five essays, written in English between 1951 and 1988, for reprinting, hoping that they may continue to stand the test of time.A Terminology of Chinese Bronze DecorationAnimal Images on Chinese Ritual Bronzes - Which Were Eligible T' ao-T' ieh and TaoA Hu with Pictorial DecorationVestiges of Bronze Age Styles in Early Chinese Buddhist ArtDie 'Bronze-Terminologie' erschien erstmals 1957 in Monumenta Serica.

Since the late fourteenth century, European artists created an extensive body of images, in paintings, prints, drawings, sculptures, and other media, about the horrors of disease and death, as well as hope and salvation. This interdisciplinary study on disease in metaphysical context is the first general overview of plague art written from an art-historical standpoint. The book selects masterpieces created by Raphael, Titian, Tintoretto, Rubens, Van Dyck, and Poussin, and includes minor works dating from the fourteenth to twentieth centuries. It highlights the most important innovative artistic works that originated during the Renaissance and the Catholic Reformation. This study of the changing iconographic patterns and their iconological interpretations opens a window to the past.

Olson contributes to the existing scholarship on art history, rhetoric, and American studies by identifying and describing almost 400 images representing America between 1754 and 1784, and more importantly, by studying the role of these images in British and American culture. With 56 b&w plates, beautifully reproduced on glossy stock. Annotation copyright Book News, Inc. Portland, Or.

The role of architecture within the French Reformed tradition has been of recent scholarly interest, seen in the work of Hélène Guicharnaud, Catharine Randall, Andrew Spicer, and others. Few, however, have explored in depth the relationship between Reformed theology and architectural forms. This thesis explores the roots of Reformed aesthetics, set against the background of late medieval church architecture. The work of Serlio is demonstrably important in the spreading of the ideas of Vitruvius, indicating the influence of classical Roman building on French Reformed architecture. There follows an examination of five important Huguenot architects: Philibert de l'Orme, Bernard Palissy, Jacques-Androuet du Cerceau, Salomon de Brosse, and Jacques Perret. We then undergo a comparative examination of three churches: St. Pierre in Geneva, a medieval church overhauled by the Reformers; St. Gervais-St. Protais, a Parisian Catholic church whose façade was completed by the French Reformed architect Salomon de Brosse; and the temple at Charenton, a structure also designed and built by de Brosse. These three buildings reveal the contribution of Huguenot architecture, a distinct language that gave expression to Reformed theological ideas and helped bring about the renewal of classicism in France.

In a collection of related articles, the iconography of musical instruments in various artistic media is studied to reveal functions beyond the utilitarian, touching on their social and mythical associations

This work focuses on the rhetoric of the pictorial images Benjamin Franklin created to represent the British colonies that became the United States. Franklin designed at least one such image during each decade from the 1750s to the 1780s.

Aby M. Warburg (1866–1929) is recognized not only as one of the century’s preeminent art and Renaissance historians but also as a founder of twentieth-century methods in iconology and cultural studies in general. Warburg’s 1923 lecture, first published in German in 1988 and now available in the first complete English translation, offers at once a window on his career, a formative statement of his cultural history of modernity, and a document in the ethnography of the American Southwest. This edition includes thirty-nine photographs, many of them originally presented as slides with the speech, and a rich interpretive essay by the translator.

This volume interrogates labels used in standard histories of the art of this period (baroque, rococo, neoclassicism, and Romanticism) and examines both established and recent art-historical methodologies, including formalism, iconology, spectatorship and reception, and identity and difference. Key topics include baroque Rome, Dutch paintings of the Golden Age, Georgian London, the Paris salon, and the impact of the discovery of the South Pacific.

Fragments presents one hundred and ten entries - from Acheiropoieton to Zwischenraum - that explore new insights and observations for research and criticism in art history, iconology and cultural anthropology. It offers a unique anthology of Barbara Baert's oeuvre. Each lemma bears the stamp of the author's personality and work, sometimes in the form of an encompassing explanation, sometimes a brief experimental musing, illustratied by iconic artefacts. This extraordinary glossary leverages the power of interdisciplinary research in art and human sciences, and invites the reader to consider the beauty of these disciplines by embracing multiple genres. Fragments is Barbara Baert's response to her being awarded the Belgian Francqui Prize Human Sciences 2016. This celebration book within the series Studies in Iconology is a token of gratitude and a sign of encouragement towards the desire of a deeper understanding of our artistic environments.

A collection of profiles, essays, source listings, and photographs provide an in-depth review of the expressions, iconology, and ethic of the "cool," presenting a panoramic overview of American pop culture from the fifties to the present

Deeply influenced by studies of female iconology, the medieval, the subconscious, and hybrid bodies, Faith Wilding’s art is instantly recognizable. In keeping with Wilding’s own artworks, this book is a bricolage: memoirs and watercolors sit alongside critical essays and family photographs to form an overall history of both Wilding’s life and works as well as the wider feminist art movement of the 1970s and beyond.   This collection spans fifty years of Wilding’s artistic production, feminist art pedagogy, and participation in, and organizing of, feminist art collectives, such as the Feminist Art Program, Womanhouse, Womanspace Gallery, and the Woman’s Building. Featuring contributions from scholars and artists, including Amelia Jones, the book is the first of its kind to celebrate the career of an artist who helped shape the feminist art of today. Intimate, philosophical, and insightful, Faith Wilding’s Fearful Symmetries is a beautiful book intended for artists, scholars, and a broader audience. 

This comprehensive volume brings together a team of distinguished scholars to create a wide-ranging introduction to patristic authors and their contributions to not only theology and spirituality, but to philosophy, ecclesiology, linguistics, hagiography, liturgics, homiletics, iconology, and other fields. Challenges accepted definitions of patristics and the patristic period – in particular questioning the Western framework in which the field has traditionally been constructed Includes the work of authors who wrote in languages other than Latin and Greek, including those within the Coptic, Armenian, Syriac, and Arabic Christian traditions Examines the reception history of prominent as well as lesser-known figures, debating the role of each, and exploring why many have undergone periods of revived interest Offers synthetic accounts of a number of topics central to patristic studies, including scripture, scholasticism, and the Reformation Demonstrates the continuing role of these writings in enriching and inspiring our understanding of Christianity

This comprehensive volume brings together a team of distinguished scholars to create a wide-ranging introduction to patristic authors and their contributions to not only theology and spirituality, but to philosophy, ecclesiology, linguistics, hagiography, liturgics, homiletics, iconology, and other fields. Challenges accepted definitions of patristics and the patristic period – in particular questioning the Western framework in which the field has traditionally been constructed Includes the work of authors who wrote in languages other than Latin and Greek, including those within the Coptic, Armenian, Syriac, and Arabic Christian traditions Examines the reception history of prominent as well as lesser-known figures, debating the role of each, and exploring why many have undergone periods of revived interest Offers synthetic accounts of a number of topics central to patristic studies, including scripture, scholasticism, and the Reformation Demonstrates the continuing role of these writings in enriching and inspiring our understanding of Christianity

Deeply influenced by studies of female iconology, the medieval, the subconscious, and hybrid bodies, Faith Wilding’s art is instantly recognizable. In keeping with Wilding’s own artworks, this book is a bricolage: memoirs and watercolors sit alongside critical essays and family photographs to form an overall history of both Wilding’s life and works as well as the wider feminist art movement of the 1970s and beyond.   This collection spans fifty years of Wilding’s artistic production, feminist art pedagogy, and participation in, and organizing of, feminist art collectives, such as the Feminist Art Program, Womanhouse, Womanspace Gallery, and the Woman’s Building. Featuring contributions from scholars and artists, including Amelia Jones, the book is the first of its kind to celebrate the career of an artist who helped shape the feminist art of today. Intimate, philosophical, and insightful, Faith Wilding’s Fearful Symmetries is a beautiful book intended for artists, scholars, and a broader audience.