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What makes a tale worth telling? When is a detail significant and when extraneous? And how much irrelevant detail can a reader take in stride? This book addresses tellability by looking at texts that raise the question themselves, works by Chekhov, Zoshchenko, and Gogol.

Four unnamed people who look and sound a lot like Albert Einstein, Marilyn Monroe, Joe DiMaggio, and Joseph McCarthy converge in one New York City hotel room for this compelling, visually inventive adaptation of Terry Johnsons play, from director Nicolas Roeg (WALKABOUT, THE MAN WHO FELL TO EARTH). with a combination of whimsy and dread, Roeg creates a fun-house-mirror picture of cold war America that questions the nature of celebrity and plays on a society's simmering nuclear fears. NSIGNIFICAN

Insignificance Jim Orourke - LP 781484020219

Four unnamed people who look and sound a lot like Albert Einstein, Marilyn Monroe, Joe DiMaggio, and Joseph McCarthy converge in one New York City hotel room for this compelling, visually inventive adaptation of Terry Johnsons play, from director Nicolas Roeg (WALKABOUT, THE MAN WHO FELL TO EARTH). with a combination of whimsy and dread, Roeg creates a fun-house-mirror picture of cold war America that questions the nature of celebrity and plays on a societys simmering nuclear fears. NSIGNIFICANC

From the internationally acclaimed, bestselling author of The Unbearable Lightness of Being, an unexpected and enchanting novel—the culmination of his life's work.Casting light on the most serious of problems and at the same time saying not one serious sentence; being fascinated by the reality of the contemporary world and at the same time completely avoiding realism—that’s The Festival of Insignificance. Readers who know Milan Kundera’s earlier books know that the wish to incorporate an element of the “unserious” in a novel is not at all unexpected of him. In Immortality, Goethe and Hemingway stroll through several chapters together talking and laughing. And in Slowness, Vera, the author’s wife, says to her husband: “you’ve often told me you meant to write a book one day that would have not a single serious word in it...I warn you: watch out. Your enemies are lying in wait.”Now, far from watching out, Kundera is finally and fully realizing his old aesthetic dream in this novel that we could easily view as a summation of his whole work. A strange sort of summation. Strange sort of epilogue. Strange sort of laughter, inspired by our time, which is comical because it has lost all sense of humor. What more can we say? Nothing. Just read.

This book shows how, after the fall of the Berlin Wall in 1989, the Gospel of the free market became the only world-religion of universal validity. The belief that all value needs to be quantifiable was extended to human beings, whose value became dependent on their rating on the various ranking-scales in the global infotainment system.

Unread book in perfect condition.

Cornelius Castoriadis (1922-1997) was a philosopher, social critic, political activist, practicing psychoanalyst and professional economist. His work is widely recognized as one of the most singular and important contributions to twentieth-century thought.In this collection of interviews, Castoriadis discusses some of his most important ideas with leading figures in the disciplines that play such a crucial part in his philosophical work: poetry, psychoanalysis, biology and mathematics. Available in English for the first time, these interviews provide a concise and accessible introduction to his work as a whole, allowing him to draw on the astounding breadth of his knowledge (ranging from political theory and sociology to ontology and the philosophy of science). They also render Castoriadis' cutting, polemical and entertaining style while displaying the originality and clarity of his primary concepts. Intellectually provoking, this timely collection shows how Castoriadis' polemics are sharp and riveting, his conceptual manoeuvres rigorous and original, and his passion inspiring. This is an excellent introduction to one of Europe's most important intellectuals.

A fine unread 1st impression in a fine dustwrapper. Translated from the French by Linda Asher.

It’s a tired but true cliché that every American Vice President is just a heartbeat away from the most powerful job in the world — a job they’ve often never really interviewed for. Who are these people? Over more than 200 years, the American voters have sent a platoon of rogues, cowards, drunks, featherweights, doddering geriatrics, bigots, and atrocious spellers to Washington D.C. to sit one bullet, cerebral hemorrhage, or case of pneumonia away from the highest office in the land. Veeps tells the sordid, head-scratching, perversely-entertaining stories of these men we’ve chosen to ride shotgun in the biggest rig in democracy, without ever seriously considering the possibility that they might have to take the wheel.

Limited vinyl LP pressing. 2015 album from the Australian electronic trio. "It's about it being bigger than yourself," says Art vs Science's Jim Finn of their epic album Off The Edge Of The Earth And Into Forever, Forever. "About appreciating the insignificance of life, and so appreciating life more - stepping away from the mundanity of everyday existence and looking at the bigger picture." Grand words for a trio of Sydney dance-pop nerds. But as Art vs Science - Finn, keyboardist and co-vocalis

In The Age of Defeat, the third volume of the Outsider Cycle, Colin Wilson introduces his New Existentialism as the basis for the revolution in thought that we need to bring about; a revolt against insignificance and ordinariness. The New Existentialism is a practical and strong-willed philosophy that will renew the concept of Man as hero. It emphasises the extraordinary in us.The Age of Defeat examines the loss of the hero in Western culture and the implications of that loss for humanity. When it was written in the middle of the 20th century, it was the idea of the hero that was endangered. Today it is Man, his identity and his masculinity, who is verging on extinction. The concept of Man is one of the most ambiguous and puzzling in our culture. It might be a good moment to remember what to be a Man used to imply.

This ground-breaking study traces the fortunes of one of Ireland's wealthiest regions between 1630 and 1830. South Munster's strengths were its agricultural resources and its prime Atlantic location, and the rise of the city of Cork from insignificance to international importance was critical in the exploitation of this wealth as well as being symbolic of a new commercial order. Cork's wholesale hinterland embraced much of Kerry, Waterford and Co. Cork itself, and the study examines the whole of the region. "Old world colony" traces how rural society and farming evolved, and surveys the world of landowners and of the marginalized, of wealthy merchants and the teeming masses of the towns. It seeks to integrate what is usually set apart - social, economic and political history - in a fresh and unfamiliar panorama of material and public life across the heartlands of 'the Hidden Ireland' from the era of civil war and expropriation in the seventeenth century to the era of Catholic resurgence in the 1820s. Colonization and commerce transformed the region, but change came at a price. Many of the problems of pre-Famine Ireland - gross income inequality and land scarcity - were precociously evident in South Munster. This study therefore sets the more familiar landmarks of the nineteenth century - agrarian conflict, structural poverty, and the collapse of food supply - in a new and more complex historical framework.

The Divorce Satyrique is an anonymous biographical sketch of Marguerite de Valois. Although a proclaimed satire, the document was accepted as historical fact and it single-handedly spawned the myth of the Reine Margot. Despite her political and historical insignificance, this account immortalized Marguerite de Valois as an exceptionally frivolous and hedonistic woman. From manuscript sources, Robert J. Sealy. S.J. proves that a critical incident in the Divorce is purely fictional. By distilling fiction from fact, the author lays the groundwork for future analysis of the text and of its historical impact.

"As the Father has sent me, I am sending you" (John 20:21). With the reality of broad-scale secularization in the West and the attendant cloud of insignificance hanging over the church, is there any hope for the re-evangelization of the West? In this comprehensive theology of mission, Ross Hastings directs the fretful gaze of the church to the trinitarian commission of John 20. There we find Jesus granting peace to his disciples by breathing his Spirit on them. He formed them into his community of shalom, the new humanity. Leaving their locked room, these "sent ones" went out to participate in God's own ongoing mission to the world. Hastings tackles the dual challenges of isolation from and accommodation to the surrounding culture. Building on the works of David Bosch, Lesslie Newbigin, Christopher Wright and Darrell Guder, the author offers a particularly theological defence of the missional church. He corrects numerous dichotomies that hinder the church. He is particularly concerned to emphasize that the missional church is as gathered, both the deep church, deep in its eucharistic, liturgical, preaching, and communal life, and as scattered, it is the wide church, in which the whole people of God are missional in fulfilling not just the Great Commission and Great Commandment, but through their work and domestic lives, the cultural mandate, the bringing in of the new creation. This comprehensive theology of mission opens possibilities for renewal of faithful effort as we join in Christ's mission to the world.

During the Second World War, the Congress of Industrial Organizations in Canada grew from a handful of members to more than a quarter-million and from political insignificance to a position of influence in the emergence of the welfare state. What was it about the "good war" that brought about this phenomenal growth? And how did this coming of age during the war affect the emerging CIO?Labour Goes to War analyzes the organizing strategies of the CIO during the war to show that both economic and cultural forces were behind its explosive growth. Labour shortages gave workers greater power in the workplace and increased their militancy. But workers' patriotism, their ties to those on active service, memories of the First World War, and allegiance to the "people's war" also contributed to the CIO's growth - and to what it claimed for workers. At the same time, union organizers and workers influenced one another as the war changed lives, opinions, expectations - and notions of women's rights.Drawing on an impressive array of archival material, Wendy Cuthbertson illuminates this complex wartime context. Her analysis shows how the war changed lives, opinions, and expectations. She also shows how the complex, often contradictory, motives of workers during this period left the Canadian labour movement with an ambivalent progressive/conservative legacy.

This Element introduces the concept of institutional weakness, arguing that weakness or strength is a function of the extent to which an institution actually matters to social, economic or political outcomes. It then presents a typology of three forms of institutional weakness: insignificance, in which rules are complied with but do not affect the way actors behave; non-compliance, in which state elites either choose not to enforce the rules or fail to gain societal cooperation with them; and instability, in which the rules are changed at an unusually high rate. The Element then examines the sources of institutional weakness.

A book that defines color” for the intermediary grade child, using brief rhythmic text, a glossary of terms, and more than 60 photographs in full color. The significance and the insignificance of color are brought out in rich imaginative treatment, based on scientific data. A book which can teach an important lesson in social studies.

On December 26, 2004, giant tsunami waves destroyed communities around the Indian Ocean, from Indonesia to Kenya. Beyond the horrific death toll, this wall of water brought a telling reminder of the interconnectedness of the many countries on the ocean rim, and the insignificance of national boundaries. A Hundred Horizons takes us to these shores, in a brilliant reinterpretation of how culture developed and history was made at the height of the British raj. Between 1850 and 1950, the Indian Ocean teemed with people, commodities, and ideas: pilgrims and armies, commerce and labor, the politics of Mahatma Gandhi and the poetry of Rabindranath Tagore were all linked in surprising ways. Sugata Bose finds in these intricate social and economic webs evidence of the interdependence of the peoples of the lands beyond the horizon, from the Middle East to East Africa to Southeast Asia. In following this narrative, we discover that our usual ways of looking at history--through the lens of nationalism or globalization--are not adequate. The national ideal did not simply give way to inevitable globalization in the late twentieth century, as is often supposed; Bose reveals instead the vital importance of an intermediate historical space, where interregional geographic entities like the Indian Ocean rim foster nationalist identities and goals yet simultaneously facilitate interaction among communities. A Hundred Horizons merges statistics and myth, history and poetry, in a remarkable reconstruction of how a region's culture, economy, politics, and imagination are woven together in time and place.

There is some compelling purity about UG – some way in which he captures a kind of longing that we all seem to have for a genuinely wise human being. No one in the history of the world has had the courage to blast authority the way he has, and yet no one has stared at one's own insignificance as boldly in the eye.