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Presents the story of the snowboard's invention: why there was a need for it, its design and testing, the science behind it, and its lasting impact. Additional features to aid comprehension include a table of contents, fact-filled captions, infographics, a glossary, sources for further research, a listing of source notes, and an introduction to the author.

Set against the backdrop of it's glorious 100-year history, Inventing Our Life: The Kibbutz Experiment reveals the heartbreak and hope of Israel's modern kibbutz movement as a new generation struggles to ensure it's survival. Through the lens of it's communal movement, director Toby Perl Freilich explores the modern history of Israel, from it's revolutionary settlers to the political upheaval that shook the socialist foundations of the state. We meet first, second and third generation members fr

W. W. Norton presents Inventing America, a balanced new survey of American history by four outstanding historians. The text uses the theme of innovation—the impulse in American history to "make it new"—to integrate the political, economic, social, and cultural dimensions of the American story. From the creation of a new nation and the invention of the corporation in the eighteenth century, through the vast changes wrought by early industry and the rise of cities in the nineteenth century, to the culture of jazz and the new nation-state of the twentieth century, the text draws together the many ways in which innovation—and its limits—have marked American history.

Examines the civil invention of a social problem throughout the 1980s and beyond: "black crime." This book explores the societal construction of "black-on-black"referring to the 1980s when violence among African American perpetrators and victims increased. Massive job losses, debased identities, and rampant physical decay made American blacks seem ripe for explosive behavior. Many people blamed black lifestyle, values, and culture. David Wilson shows how America imbued a process of violence with race and accepted it as one of the country's most vexing ills during the Reagan era and afterward. Based on statistics, ethnographies, anecdotal accounts, and national reportage the findings are hard to dispute. Wilson tells of prominent conservative and liberal writers, reporters and politicians who collectively nurtured this issue, then parlayed it into "truth" in the public mind. Mixing memoirs, critical geographical studies, and race theory, the book shows how vulnerable groups of society can become pawns in an acute process of racial demonization. And how, in America, this allowed blacks to be marginalized.

Does profound disagreement on the 'big questions' of origins, proof, the meaning of life and our place in the universe mean that faith and science must be constantly at war? Here Oxford University's Professor of Science and Religion argues that both worldviews can coexist peacefully and shares his personal journey to a faith enriched by scientific understanding; identifies errors in atheists' criticism of religion; and suggests that even apparently irreconcilable views about Darwinism can be mutually enriching.

Through an exploration of the literacy practices of undergraduate Chinese international students in the United States and China, Inventing the World Grant University demonstrates the ways in which literacies, mobilities, and transnational identities are constructed and enacted across institutional and geographic borders.Steven Fraiberg, Xiqiao Wang, and Xiaoye You develop a mobile literacies framework for studying undergraduate Chinese international students enrolling at Western institutions, whose numbers have increased in recent years. Focusing on the literacy practices of these students at Michigan State University and at Sinoway International Education Summer School in China, Fraiberg, Wang, and You draw on a range of mobile methods to map the travel of languages, identities, ideologies, pedagogies, literacies, and underground economies across continents. Case studies of administrators’, teachers’, and students’ everyday literacy practices provide insight into the material and social structures shaping and shaped by a globalizing educational landscape.Advocating an expansion of focus from translingualism to transliteracy and from single-site analyses to multi-site approaches, this volume situates local classroom practices in the context of the world grant university. Inventing the World Grant University contributes to scholarship in mobility, literacy, spatial theory, transnationalism, and disciplinary enculturation. It further offers insight into the opportunities and challenges of enacting culturally relevant pedagogies.

In a single short book as elegant as it is wise, Ian Buruma makes sense of the most fateful span of Japan’s history, the period that saw as dramatic a transformation as any country has ever known. In the course of little more than a hundred years from the day Commodore Matthew Perry arrived in his black ships, this insular, preindustrial realm mutated into an expansive military dictatorship that essentially supplanted the British, French, Dutch, and American empires in Asia before plunging to utter ruin, eventually emerging under American tutelage as a pseudo-Western-style democracy and economic dynamo.What explains the seismic changes that thrust this small island nation so violently onto the world stage? In part, Ian Buruma argues, the story is one of a newly united nation that felt it must play catch-up to the established Western powers, just as Germany and Italy did, a process that involved, in addition to outward colonial expansion, internal cultural consolidation and the manufacturing of a shared heritage. But Japan has always been both particularly open to the importation of good ideas and particularly prickly about keeping their influence quarantined, a bipolar disorder that would have dramatic consequences and that continues to this day. If one book is to be read in order to understand why the Japanese seem so impossibly strange to many Americans, Inventing Japan is surely it.

Focusing on the lives and work of five writers of the late-19th and early-20th century who are best remembered for their remarkable books for children, this is a study of Edward Lear, Lewis Carroll, J.M. Barrie, Kenneth Grahame and A.A. Milne. It examines their personal reasons for writing fantasy works that have found lasting appeal with children and adults, and also the cult of childhood in late-Victorian society that provided the background for their writing. Includes an epilogue looking at the "Harry Potter" phenomenon.

In the wake of expanding commercial voyages, many people in early modern Europe became curious about the plants and minerals around them and began to compile catalogs of them. Drawing on cultural, social and environmental history, as well as the histories of science and medicine, this book argues that, amidst a growing reaction against exotic imports -- whether medieval spices like cinnamon or new American arrivals like chocolate and tobacco -- learned physicians began to urge their readers to discover their own "indigenous" natural worlds. In response, compilers of local inventories created numerous ways of itemizing nature, from local floras and regional mineralogies to efforts to write the natural histories of entire territories. Tracing the fate of such efforts, the book provides new insight into the historical trajectory of such key concepts as indigeneity and local knowledge.

Pain is a pervasive subject in our culture—especially as something to be combatted and conquered. One need only open a magazine or turn on the radio or television to become aware of this fact. But is the widespread interest in pain merely a passing fad or does it reflect the emergence of a new relationship between pain and medicine?  Inventing Pain Medicine explores the current state of pain medicine against the background of its historical development. Based on extensive field research, Isabelle Baszanger’s study outlines the first tentative steps to control pain taken in the last years of World War II when a young American anesthesiologist, John J. Bonica, made alleviating the pain of wounded soldiers his mission. Baszanger traces Bonica’s protracted pioneering struggle for recognition of pain as worthy of medical attention in itself, for a definition of pain as more than a diagnostic tool,  including differentiation of types of pain and modes of treatment, and for the establishment of specialized multidisciplinary pain clinics.Baszanger also provides an in-depth comparative analysis of the divergent approaches toward pain and its treatment at two clinics in France today, taking into account her observations at consultation sessions as well as many interviews with physicians, clinic staff, and patients. Her ethnographic inquiries are always anchored in socio-historical reflections on the social and conceptual transformations that were necessary to make the invention of pain medicine possible.A pathbreaking effort, this book goes a long way to explain why sufferers of chronic pain had to wait until the end of the twentieth century to find physicians and clinics specializing in the alleviation of their condition.

In the wake of World War II, Americans developed an unusually deep and all-encompassing national unity, as postwar affluence and the Cold War combined to naturally produce a remarkable level of agreement about the nation's core values. Or so the story has long been told. Inventing the "American Way" challenges this vision of inevitable consensus. Americans, as Wendy Wall argues in this innovative book, were united, not so much by identical beliefs, as by a shared conviction that a distinctive "American Way" existed and that the affirmation of such common ground was essential to the future of the nation. Moreover, the roots of consensus politics lie not in the Cold War era, but in the turbulent decade that preceded U.S. entry into World War II. The social and economic chaos of the Depression years alarmed a diverse array of groups, as did the rise of two "alien" ideologies: fascism and communism. In this context, Americans of divergent backgrounds and beliefs seized on the notion of a unifying "American Way" and sought to convince their fellow citizens of its merits. Wall traces the competing efforts of business groups, politicians, leftist intellectuals, interfaith proponents, civil rights activists, and many others over nearly three decades to shape public understandings of the "American Way." Along the way, she explores the politics behind cultural productions ranging from The Adventures of Superman to the Freedom Train that circled the nation in the late 1940s. She highlights the intense debate that erupted over the term "democracy" after World War II, and identifies the origins of phrases such as "free enterprise" and the "Judeo-Christian tradition" that remain central to American political life. By uncovering the culture wars of the mid-twentieth century, this book sheds new light on a period that proved pivotal for American national identity and that remains the unspoken backdrop for debates over multiculturalism, national unity, and public values today.

Between 1890 and 1920 over one-third of the peasants of Mount Lebanon left their villages and traveled to the Americas. This book traces the journeys of these villagers from the ranks of the peasantry into a middle class of their own making. Inventing Home delves into the stories of these travels, shedding much needed light on the impact of emigration and immigration in the development of modernity. It focuses on a critical period in the social history of Lebanon--the "long peace" between the uprising of 1860 and the beginning of the French mandate in 1920. The book explores in depth the phenomena of return emigration, the questioning and changing of gender roles, and the rise of the middle class. Exploring new areas in the history of Lebanon, Inventing Home asks how new notions of gender, family, and class were articulated and how a local "modernity" was invented in the process.Akram Khater maps the jagged and uncertain paths that the fellahin from Mount Lebanon carved through time and space in their attempt to control their future and their destinies. His study offers a significant contribution to the literature on the Middle East, as well as a new perspective on women and on gender issues in the context of developing modernity in the region.

This second volume in Kevin Starr's passionate and ambitious cultural history of the Golden State focuses on the turn-of-the-century years and the emergence of Southern California as a regional culture in its own right. "How hauntingly beautiful, how replete with lost possibilities, seems that Southern California of two and three generations ago, now that a dramatically diferent society has emerged in its place," writes Starr.As he recreates the "lost California," Starr examines the rich variety of elements that figured in the growth of the Southern California way of life: the Spanish/Mexican roots, the fertile land, the Mediterranean-like climate, the special styles in architecture, the rise of Hollywood. He ives us a broad array of engaging (and often eccentric) characters: from Harrision Gray Otis to Helen Hunt Jackson to Cecil B. DeMille. Whether discussing the growth of winemaking or the burgeoning of reform movements, Starr keeps his central theme in sharp focus: how Californians defined their identity to themselves and to the nation."A delightful and extremely thorough chronicle of a state that is almost a mythical kingdom."--St. Louis Post-Dispatch"An excellent book...vividly written, thoroughly researched, rich in details and alive with interesting, and sometimes incredible people."--Los Angeles Times

In 1912, in several European cities, a handful of artists--Vasily Kandinsky, Frantisek Kupka, Francis Picabia and Robert Delaunay--presented the first abstract pictures to the public. Inventing Abstraction, published to accompany an exhibition at The Museum of Modern Art, celebrates the centennial of this bold new type of artwork. It traces the development of abstraction as it moved through a network of modern artists, from Marsden Hartley and Marcel Duchamp to Piet Mondrian and Kazimir Malevich, sweeping across nations and across media. This richly illustrated publication covers a wide range of artistic production--including paintings, drawings, books, sculptures, film, photography, sound poetry, atonal music and non-narrative dance--to draw a cross-media portrait of these watershed years. An introductory essay by Leah Dickerman, Curator in the Museum’s Department of Painting and Sculpture, is followed by focused studies of key groups of works, events and critical issues in abstraction’s early history by renowned scholars from a variety of fields.

This enlightening and thought-provoking look at New York City’s postwar art scene focuses on the galleries and the artists that helped transform American art. While the achievements of New York City’s most renowned postwar artists―de Kooning, Pollock, Rothko, Franz Kline― have been studied in depth, a large cadre of lesser-known but influential artists came of age between 1952 and 1965. Also understudied are the early, experimental works by more well- known figures such as Mark di Suvero, Jim Dine, Dan Flavin, and Claes Oldenburg. Focusing on innovative artist-run galleries, this book invites readers to reevaluate the period―uncovering its diversity, creativity, and nuances, and tracing the spaces’ influence during the decades that followed. Inventing Downtown charts the development of artist-run galleries in Lower Manhattan from the early 1950s to the mid-1960s, showing how the area’s multicultural spirit played a major role in shaping the artworks exhibited there. The book explores 14 key spaces in which styles such as Pop, Minimalism, and performance and installation art thrived. Excerpts from 33 revealing interviews with artists, critics, and dealers, conducted by Billy Klüver and Julie Martin, offer unique personal insight into the era’s creative milieu. Taken together, the book’s essays and interviews provide a distinctly new assessment of how downtown New York’s fertile environment nurtured an innovative art scene.

Bitcoin may well be the greatest invention of our time, and most people have no idea what it is, or how it works. Walking through its invention step by step, this short two hour read is critical before you invest. No technical expertise required! Read it, then share it with your loved ones. "Having read virtually every Bitcoin explainer, I believe it’s the best from-scratch introduction to Bitcoin, requiring no prior knowledge at all. I will be referring newcomers to it from now on." - Nic Carter, Castle Island Ventures“It was much quicker and easier to understand than I expected [...] After reading it I sold some of my alts for more bitcoin. I’m on the edge of becoming a maximalist because of you.” - Nako Mbelle, Around The Coin Podcast"Inventing Bitcoin's been getting buzz recently for good reason. @skwp wrote possibly the easiest, most informative intro to Bitcoin."- @cryptograffiti, Crypto Artist

Published more than a decade ago, Inventing Ruritania has become a standard study of the West's attitude toward the Balkans -- the "Wild East" of Europe. With its Western and Oriental influences, the Balkans have both attracted and repelled outsiders, offering a tantalizing alternative to familiar society. Completely different from "us" yet exactly what "we" used to be, the Balkans have particularly provided Western European and American writers and filmmakers with a wealth of images, characters, and ideas. In her prodigiously researched volume, Vesna Goldsworthy explores the entertainment industry's lucrative exploitation of Balkan history and geography and its affect on Western conceptions of the region. She traces the national, religious, and sexual fears foreign observers project onto Balkan lands and the use of Balkan archetypes. The work of an Anglo-Serbian writer and former BBC journalist turned academic, Inventing Ruritania maps an imaginary geography that has had pa

A treasure hunt for the hidden meaning of the symbols that appear on the most revered national icon.With gorgeous four-color reproductions of an amazing array of art from diverse cultures and eras, Inventing the American Flag explores the symbolism of the national flag and investigates why the founding fathers chose the images they did to represent the new nation. Looking at the flag from an art-historical background, Inventing the American Flag is radically different from the patriotic-tract, antiquarian-records and Masonic-mystery approaches with which this topic is usually treated. Henry W. Moeller weaves together seemingly disparate strands of history to offer a new understanding of the forces that contributed to the thirteen-star flag.

Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.1

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