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Theodor Adorno was no stranger to controversy. In The Jargon of Authenticity he gives full expression to his hostility to the language employed by certain existentialist thinkers such as Martin Heidegger. With his customary alertness to the uses and abuses of language, he calls into question the jargon, or 'aura', as his colleague Walter Benjamin described it, which clouded existentialists' thought. He argued that its use undermined the very message for meaning and liberation that it sought to make authentic. Moreover, such language - claiming to address the issue of freedom - signally failed to reveal the lack of freedom inherent in the capitalist context in which it was written. Instead, along with the jargon of the advertising jingle, it attributed value to the satisfaction of immediate desire. Alerting his readers to the connection between ideology and language, Adorno's frank and open challenge to directness, and the avoidance of language that 'gives itself over either to the market, to balderdash, or to the predominating vulgarity', is as timely today as it ever has been.

Part essay, part discursive dictionary, this is an account and critique of the presence of jargon in our culture, speech and literature. It explores the varieties of language coloured by shop-talk, vogue words, 'buzz words', slang, hackneyed phraseology and hard pressed metaphors; the origins of jargon in literary, journalisitc, commercial and technical settings; and changes in useage and attitudes to useage over time. It incorporates a selective and sometimes satirical 'devil's dictionary' of jargon today.

Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 0.66

Book by Stockley, Corinne, Watts, Lisa

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.91

Drawing on fieldwork and archival research, Drechsel presents a grammatical, sociolinguistic, and ethnohistorical study of Mobilian Jargon, a Muskogean-based American Indian pidgin of the Mississippi valley. Though linguistic and extralinguistic evidence points to Mobilian Jargon's pre-Columbian origin, it was primarily spoken between 1700 and the mid-twentieth century, when it functioned as a lingua franca among linguistically diverse southeastern Native American groups, and in contact between these groups and non-Indians. Drechsel's study questions the universality of some concepts developed in pidgin and creole linguistics, and carries significant implications for the ethnology of Native American peoples, and for the history of North America.

Drawing on fieldwork and archival research, Drechsel presents a grammatical, sociolinguistic, and ethnohistorical study of Mobilian Jargon, a Muskogean-based American Indian pidgin of the Mississippi valley. Though linguistic and extralinguistic evidence points to Mobilian Jargon's pre-Columbian origin, it was primarily spoken between 1700 and the mid-twentieth century, when it functioned as a lingua franca among linguistically diverse southeastern Native American groups, and in contact between these groups and non-Indians. Drechsel's study questions the universality of some concepts developed in pidgin and creole linguistics, and carries significant implications for the ethnology of Native American peoples, and for the history of North America.

The first monograph of Lyle Bonge's nude, landscape and street photography, with gorgeous reproductions. Photographs by Bonge; introduction by A. D. Coleman; afterword by Jonathan Williams. Unpaginated; 69 full-page duo-toned plates; 10.5 x 11.25 inches.

Theatre, like every profession, has adapted the English language to suit its own special needs. So, anyone wishing to work in theatre, do business with it or just understand its mysteries, needs some knowledge of theatrespeak. This glossary explains the common words and phrases that are used in normal conversation between actors, directors, designers, technicians and managers. All entries represent the author's own understanding of what the words mean and reflect his use of them. Although working in theatre for nearly fifty years and trying to teach the subject for nearly as long, Francis Reid has never undertaken any formal theatre studies. Consequently, it is quite probable that his personal vocabulary has acquired not just minor inaccuracies but major misconceptions. Furthermore, since theatre is a people industry, it is inevitable that some of the entries may be coloured by personal experiences and opinions.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 1.05

The Social Science Jargon Buster tackles the most confusing concepts in the social sciences in an easy-to-understand, erudite, and witty way. Zina O′Leary brings impressive clarity and insight to even the most complex terms. This practical, down-to-earth dictionary helps students new to the social sciences gain a thorough understanding of the key terms. Each entry includes a concise core definition, a more detailed explanation, and an introduction to the associated debates and controversies. In addition, the book includes a useful outline of the practical application of each term, as well as a list of key figures and recommendations for further reading.

In the 1990s, the American workplace is undergoing right-sizing, restructuring, downsizing, empowerment, and paradigm shifts! In other words, fewer people are attempting to do more tasks. Business buzzwords help convey ideas, issues, or responses. Business jargon is communication shorthand, but people need to correctly interpret this shorthand, which requires a common understanding. American business people too frequently assume new individuals in their organization and their professional counterparts around the world understand business jargon. This book is a practical reference for students, managers, and international business people trying to comprehend the fast-paced buzzword-laden language used by business people in the United States.Consider the headline, Blue Chips Hit New High As Fed Rate Session Looms. Any American business person concerned with interest rates would know that it means the stock prices of large, well-established U.S. businesses have risen higher than ever before and the Open Market Committee of the Federal Reserve Board will consider whether to raise interest rates. But would a student or a foreign business person understand the headline? The use of jargon, like any specialized language, excludes people who do not comprehend it. This book helps people to understand the business jargon used in the United States and, in the process, improve business communication.

Ralph Eugene Meatyard was an American photographer who lived in Lexington, Kentucky. His most famous works involved masks, worn by posing people, or ordinary objects. While he lived his work was shown and collected by major museums, published in important art magazines, and regarded by his peers as among the most original and disturbing imagery ever created with a camera. He exhibited with such well-known and diverse photographers as Edward Weston and Ansel Adams. But by the late 1970s, his photographs seemed consigned to appear mainly in exhibitions of "southern" art. In the last decade, however, thanks in part to European critics, Meatyard's work has reemerged, and the depth of its genius and its contributions to photography have begun to be understood and appreciated. Everything about Meatyard's art ran counter to the usual and expected patterns. He was an optician, happily married, a father of three, president of the PTA, and coach of a boy's baseball team. His images had nothing to do with the gritty "street photography" of the east coast or the romantic view camera realism of the west coast. Meatyard took Fox Talbot's "pencil of nature" and drew calligraphic images with the sun's reflection on a black void of water. However, where others used these experiments to expand the possibilities of form in photographs, Meatyard consistently applied breakthroughs in formal design to the exploration of ideas and emotions. Finally-and of great importance in the development of his aesthetic-Meatyard created a mode of "No-Focus" imagery that was distinctly his own. Meatyard's death in 1972, a week away from his 47th birthday, came at the height of the "photo boom." Therefore, it was left to friends and colleagues to complete an Aperture monograph on Meatyard and carry through with the publication of The Family Album of Lucybelle Crater which he had laid out and sequenced before his death.

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Solar power has become big business, with $131 billion invested in 2018, up from just $11.2 billion in 2004 but down from $171 billion in 2017 as unit costs fell. New installed capacity grew from 1.1GW in 2004 to about 107GW in 2018, a steady rise as solar begins to compete with fossil fuels on cost and to be built in nearly every country.This is a book for the solar workers of the future, a business book for those without a business or economics background and those simply curious about major shifts happening in the world energy economy. Key financial, economic and technical concepts are interspersed with the history of the first decade of cheap solar power, and the author's experience of being part of a successful startup in the clean energy sector.

A two-edged sword of reconciliation and betrayal, Chinook Jargon (aka Wawa) arose at the interface of "Indian" and "White" societies in the Pacific Northwest. Wawa's sources lie first in the language of the Chinookans who lived along the lower Columbia River, but also with the Nootkans of the outer coast of Vancouver Island. With the arrival of the fur trade, the French of the engages or voyageurs provided additional vocabulary and a set of viable cultural practices, a key element of which was marital bonding with Indian and metisse women. These women and their children were the first fluent speakers of Wawa.After several decades of contact, ensuing epidemics brought demographic collapse to the Chinookans. Within another decade the region was radically transformed by the Oregon Trail. Wawa had acquired its present shape, but lost its homeland. It became a diaspora language in which many communities seek some trace of their past. A previously unpublished glossary of Wawa circa 1825 is included as an appendix to this volume.Making Wawa will attract the attention of linguists, especially those involved in contact linguistics and the languages of the Pacific Northwest. It will also interest historians and other scholars interested in Native and gender studies, cross-cultural conflict, and transculturation.

From planning and development, to search engine optimization and promotion, this guide takes readers from novice to fully-fledged web designers. The book covers every stage with concise explanations, clear illustrations and plenty of useful and memorable tips along the way. Each chapter ends with a project to enable readers to practice their new skills and, by the end, have the confidence to produce a beautiful, dynamic, multi-page site.

Rare book of Ralph Eugene Meatyard photos.

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