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Part autobiography and part social history: the acclaimed director’s filmmaking process revealed through his private sketchbooks Legendary filmmaker Derek Jarman recorded his life and work in highly detailed sketchbooks. Encompassing both the private and the professional, these offer a personal view into the life and career of a highly influential filmmaker and artist. Drawn from the collection of handmade books that Jarman gave to the British Film Institute shortly before his death in 1994, Derek Jarman’s Sketchbooks showcases the most insightful and beautiful pages. Each of the original volumes is composed of drawings, photographs, and cuttings; pressed flowers are set beside scrawled ideas, and carefully penned poems accompany typed and edited working scripts. These once-private books are an intimate pictorial record of the detailed planning and research and the creative and emotional engagement behind every scene in Jarman’s films. 200 color illustrations

Brighten up any room with this ready to hang art print. Your artwork is printed on North American Semi Gloss Artisan canvas, then stretched and mounted to a 2 in. thick hand stained black wood frame. Arrives at your door complete with an easy to use self-levelling hanging kit. Color: Neutral.

A collection of essays explores the artist and filmmaker's life, including his written work, theatrical design, sexuality, and art films.

Part autobiography and part social history: the acclaimed director’s filmmaking process revealed through his private sketchbooks Legendary filmmaker Derek Jarman recorded his life and work in highly detailed sketchbooks. Encompassing both the private and the professional, these offer a personal view into the life and career of a highly influential filmmaker and artist. Drawn from the collection of handmade books that Jarman gave to the British Film Institute shortly before his death in 1994, Derek Jarman’s Sketchbooks showcases the most insightful and beautiful pages. Each of the original volumes is composed of drawings, photographs, and cuttings; pressed flowers are set beside scrawled ideas, and carefully penned poems accompany typed and edited working scripts. These once-private books are an intimate pictorial record of the detailed planning and research and the creative and emotional engagement behind every scene in Jarman’s films. 200 color illustrations

Brutal Beauty presents Isaac Julien's refreshing vision of Derek Jarman as a true Renaissance man--a painter, director, activist, diarist and gardener--whose infectiously prolific range of enterprises belies a consistent preoccupation with liberated sexual politics and the defiance of inherited mores.

Large paperback in very good condition. Book is near fine except for some age toning, as is common with this title.

Derek Jarman created his own garden in the flat, bleak expanse of shingle that faces the nuclear power station in Dungeness, Kent. A passionate gardener from childhood, he combined his painter's eye, his horticultural expertise and his ecological convictions to produce a landscape which mixed the flint, shells and driftwood of Dungeness; sculptures made from stones; the area's indigenous plants; and shrubs and flowers introduced by Jarman himself. This book, the last he ever wrote, is his own record of how this garden evolved, from its beginnings in 1985 to the day of his death in 1994.

Moderate edge and corner wear; scuffing. Slight curl to corners of front wrap. Light marks on leaf edges as well as a remainder mark on bottom leaf edge. (12)

A selection of stills from Derek Jarman’s many short Super 8 films, curated and commented on by some of the most important names in contemporary cinema Derek Jarman was one of most influential filmmakers of the late twentieth century, transcending the avant-garde to make cult feature films such as Jubilee (1978) and Caravaggio (1986). He was a painter before venturing into the world of film, and a painter's mentality permeates all his work, particularly his experiments in Super 8 film. The Super 8s show Jarman at his most visually courageous and creative, using rich color and bold compositions, and experimenting with techniques such as superimposition and the use of prisms and filters. When Jarman died, he left his entire collection of ninety-two Super 8s to James Mackay, who has spent the last twenty years archiving, restoring, and digitizing them. Here, Mackay presents stills from these works, selected by artists and filmmakers who have engaged with or been influenced by Jarman. This remarkable body of work contains some of the most evocative images from the filmmaker’s entire career, accompanied by insightful commentaries from contributors such as Gus Van Sant, Tacita Dean, and Isaac Julien. 780 illustrations

The freewheeling life and career of this activist independent filmmaker is chronicled here, with details about his drug use, his art school experience at the Slade, his sexual life, and his groundbreaking work as the director of Caravaggio, Sebastiane, and other great films.

The freewheeling life and career of this activist independent filmmaker is chronicled here, with details about his drug use, his art school experience at the Slade, his sexual life, and his groundbreaking work as the director of Caravaggio, Sebastiane, and other great films.

Derek Jarman's film "Wittgenstein" articulates the themes of this major 20th-century philosopher. Channel Four television commissioned literary critic Terry Eagleton to write a television play which was eventually filmed by Derek Jarman. This illustrated book includes both the original screenplay and Jarman's very different shooting script. It also contains reflections on Wittgenstein, film and the problems of biography by both Derek Jarman and Terry Eagleton.

21 x 19cm 32pp stitched blue wrappers. Edition of 3000 copies. Produced by Broadcasting Support Services to accompany Blue - a film by Derek Jarman first shown on Channel 4 and simultaneously broadcast on Radio 3 in September 1993.

Book is in NEW condition. 1.16

Derek Jarman's film "Wittgenstein" articulates the themes of this major 20th-century philosopher. Channel Four television commissioned literary critic Terry Eagleton to write a television play which was eventually filmed by Derek Jarman. This illustrated book includes both the original screenplay and Jarman's very different shooting script. It also contains reflections on Wittgenstein, film and the problems of biography by both Derek Jarman and Terry Eagleton.

With all the heated debates around religion and homosexuality today, it might be hard to see the two as anything but antagonistic. But in this book, Dominic Janes reveals the opposite: Catholic forms of Christianity, he explains, played a key role in the evolution of the culture and visual expression of homosexuality and male same-sex desire in the nineteenth and twentieth centuries. He explores this relationship through the idea of queer martyrdom―closeted queer servitude to Christ―a concept that allowed a certain degree of latitude for the development of same-sex desire.             Janes finds the beginnings of queer martyrdom in the nineteenth-century Church of England and the controversies over Cardinal John Henry Newman’s sexuality. He then considers how liturgical expression of queer desire in the Victorian Eucharist provided inspiration for artists looking to communicate their own feelings of sexual deviance. After looking at Victorian monasteries as queer families, he analyzes how the Biblical story of David and Jonathan could be used to create forms of same-sex partnerships. Finally, he delves into how artists and writers employed ecclesiastical material culture to further queer self-expression, concluding with studies of Oscar Wilde and Derek Jarman that illustrate both the limitations and ongoing significance of Christianity as an inspiration for expressions of homoerotic desire. Providing historical context to help us reevaluate the current furor over homosexuality in the Church, this fascinating book brings to light the myriad ways that modern churches and openly gay men and women can learn from the wealth of each other’s cultural and spiritual experience.

This 4 DVD set boasts 2 of Jarman's most accomplished arthouse features (Caravaggio and Wittgenstein) and 2 of his most personal and avant-garde works (Blue and the Angelic Conversation).

Limited edition vinyl LP pressing. We Are On The Edge: A 50th Anniversary Celebration is not only a commemoration of a half-century of magical music making, but also a loving tribute to the band's three original members who have passed: Lester Bowie, Malachi Favors, and most recently, Joseph Jarman. The group converged in Ann Arbor in October 16-20, 2018 for five days of rehearsals and recording. The sheer breadth of the ensemble's collective expression is staggering, ranging from Mitchell's art

Cage & Aviary Bryony Jarman-Pinto - LP 5060609660444

Excerpt from History and Genealogies of the Families of Miller, Woods, Harris, Wallace, Maupin, Oldham, Kavanaugh, and Brown: Illustrated, With Interspersions of Notes of the Families of Dabney, Reid, Martin, Broaddus, Gentry, Jarman, Jameson, Ballard, Mullins, Michie, Moberley, Covington, Browning, Duncan, Yancey and OthersPart V. The Maupin Family. Part VI. The Oldham Family. Part VII. The Kavanaugh Famil Part VIII. The Brown Family.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.