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This second volume of the catalogue of the oil paintings of Alexej von Jawlensky covers the artist's superbly exciting middle period, from his enforced departure from Munich in 1914 up to 1933, when the Nazis banned his work from exhibition. All 833 works discussed are illustrated - 340 of them in color.During World War I Jawlensky's painting underwent a radical change. In the series ""Variations on an Abstract Theme"" he stylized the view from his windows - a small garden, path, lake, mountains beyond - to a culmination of total intensity. He increasingly regarded the human face as the sign of an inner vision. The latter series ""mystical heads,"" ""Faces of the Saviour,"" and ""Abstract Heads"" pulsate with color and seem to express the combined forces of architecture, music, sculpture and dance.Introductory matter includes an essay by Angelica Jawlensky on the artist's serial painting, and unpublished correspondance with Kandinsky, Schmidt-Rottluff and Emmy Scheyer.

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Used. Very Good conditions. May have soft reading marks and name of the previous owner.

Focusing on one of the lesser known Expressionist artists of the Blue Rider movement, this richly illustrated book presents the colorful paintings of Alexei Jawlensky. Alexei Jawlensky (1864–1941) was Russian, but lived in Germany much of his life and obtained German citizenship in 1934. He was a friend of Vasily Kandinsky, who he met in Munich when studying painting with Anton Azbè, and had close ties to the German Expressionist artists. This book illustrates how the artist was influenced, apart from the German Expressionists, by the art of Vincent van Gogh, Paul Gauguin, Paul Cézanne, Henri Matisse and the Fauves, and by Ferdinand Hodler. The book presents the chronological and thematic development of Jawlensky’s art from early figure painting to landscapes and from still lives to the late iconic portraits and fascinating meditations.

New Book. Shipped from UK. Established seller since 2000.

Madrid. 29 cm. 151 p. il. col. Encuadernación en tapa blanda de editorial ilustrada. Exposiciones. Fundación Juan March .. Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario. ISBN: 84-7075-436-X

Like New condition. Great condition, but not exactly fully crisp. The book may have been opened and read, but there are no defects to the book, jacket or pages. 4.3

In 1924 Galka Scheyer brought the work of four fellow avant-garde artists-The Blue Four- from Germany to America. This beautiful book discusses Scheyer`s promotion of modern art in the United States, documents her friendships with the four artists, and reproduces hundreds of their works.

This is a collection of work housed in the Lenbachhaus in Munich of the artist's group, The Blue Rider, which became a symbol of revolution in modern art in the early 20th century. Their preoccupation was with abstraction, the forces and laws of nature, primitive art, and the role of colour. The work of Vassily Kadinsky, Franz Marc and Paul Klee have since become avant-garde icons known throughout the world. The Lenbachhaus possesses the world's finest collection of works by these artists and this volume brings together some 120 highlights.

Adolf Erbslöh is one of the most important representatives of Classic Modernism. As a cofounder of the “Neue Künstlervereinigung München” he was in close correspondence with the artists of the “Blauer Reiter” including Alexej Jawlensky, Wassily Kandinsky, Gabriele Münter and Franz Marc. This lavishly illustrated volume includes for the first time all the paintings by this outstanding artist.

One of the three Hessian state museums, the Museum Wiesbaden holds first-rate collections in the fields of art and natural history and houses the most important collection of works by Russian painter Alexej von Jawlensky in the world. Celebrating the centenary of the completion of the building housing the museum, this lavishly illustrated volume provides the first-ever introduction to the museum’s wide-ranging collections, which span from the Middle Ages to contemporary art, with an emphasis on the art of the nineteenth and twentieth centuries.             Arranged chronologically, essays from curators Jorg Daur, Peter Forster, Alexander Klar, and Roman Zieglgänsberger offer a detailed glimpse into the museum’s natural history collections and three art departments: Old Master Art, Classic Modernism, and Modern and Contemporary Art. Containing over two hundred color illustrations, The Art Collections not only gives readers a taste of the extraordinary works on display at the Museum Wiesbaden, but also delivers a spectacular overview of more than eight hundred years of art history.

This volume features major works by Kandinsky and other members of the Blue Rider group, including August Macke, Gabriele Munter, Alexej von Jawlensky, David Burliuk and Albert Bloch.

Adolf Erbslöh is one of the most important representatives of Classic Modernism. As a cofounder of the “Neue Künstlervereinigung München” he was in close correspondence with the artists of the “Blauer Reiter” including Alexej Jawlensky, Wassily Kandinsky, Gabriele Münter and Franz Marc. This lavishly illustrated volume includes for the first time all the paintings by this outstanding artist.

One of the three Hessian state museums, the Museum Wiesbaden holds first-rate collections in the fields of art and natural history and houses the most important collection of works by Russian painter Alexej von Jawlensky in the world. Celebrating the centenary of the completion of the building housing the museum, this lavishly illustrated volume provides the first-ever introduction to the museum’s wide-ranging collections, which span from the Middle Ages to contemporary art, with an emphasis on the art of the nineteenth and twentieth centuries.             Arranged chronologically, essays from curators Jorg Daur, Peter Forster, Alexander Klar, and Roman Zieglgänsberger offer a detailed glimpse into the museum’s natural history collections and three art departments: Old Master Art, Classic Modernism, and Modern and Contemporary Art. Containing over two hundred color illustrations, The Art Collections not only gives readers a taste of the extraordinary works on display at the Museum Wiesbaden, but also delivers a spectacular overview of more than eight hundred years of art history.