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HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

The Westinghouse Judd mini pendant light features a statement-making brushed nickel finish with a unique hand-blown clear glass shade. This pendant design blends well in traditional and vintage-style spaces. Brighten a hallway, bedroom, living room, or bathroom with sleek, subtle style. Create a cohesive look with matching fixtures from the Judd lighting collection. Westinghouse is a trusted, global brand. Westinghouse knows lighting and offers products with exceptional quality, reliability, and functionality. Product reference number 61300.

Westinghouse 8-in. Judd semi-flush mount light fixture brings modern-industrial style to your home. Matte black finish enriches the design, while clear seeded glass adds bright illumination. In addition, Judd's hand-blown glass shade adds a vintage look to modern and industrial-style spaces. This transitional ceiling fixture adds unique and inviting illumination to your hallway, foyer, living room, dining room, or bedroom. Westinghouse is a trusted, global brand. Westinghouse knows lighting and offers products with exceptional quality, reliability, and functionality. Product reference number 61312.

Judd six light semi flush fixture in Satin Brass has a futuristic design that creates a focal point with atomic shapes that make a statement. circular elements and mixed finishes, black and brass, take you on a journey through time. Perfect for mid-century modern, contemporary, and modern decors.

The Westinghouse 8-in. Judd semi-flush mount light fixture brings modern-industrial style to your home. Champagne brass brings elegance to the design, while frosted glass adds bright illumination. In addition, Judd's hand-blown glass shade blends well in traditional and modern spaces. This transitional ceiling fixture adds unique and inviting illumination to your hallway, foyer, living room, dining room, or bedroom. Westinghouse is a trusted, global brand. Westinghouse knows lighting and offers products with exceptional quality, reliability, and functionality. Product reference number 61311.

Elevate your style with the Carhartt Wip Judd Pant 89 wide trousers for men.

Elevate your style with the Carhartt Wip Judd Pant 89 wide trousers for men.

Elevate your style with these Dsquared 2 Judd DQ 0338 Sunglasses for men. Designed in a size 62/15/125, these sunglasses feature a sleek brown and blue color combination. Perfect for adding a touch of sophistication to any outfit.

Trading Places present a reissue of Judd's self-titled album, originally released in 1970. Alsatian wunderkind Mark Wirtz led many successful pop music projects during the 1960s and '70s, especially during his long tenure at Abbey Road. A gifted painter, musician and actor, Wirtz's college band was signed to EMI as Mark Rogers and the Marksmen, while Wirtz was still attending the RADA in London; by 1965 he was producing music independently and became an in-house producer at Abbey Road in 1967, w

The work of Donald Judd, one of the most significant American artists of the postwar period, has come to define Minimalist art, a label to which the artist strongly objected. The unaffected, straightforward quality of Judd’s work demonstrates his strong interest in color, form, material, and space. Wanting to create works that could assume a direct material and physical presence without recourse to grand philosophical statements, Judd eschewed classical ideals of representational sculpture and created works that relied on clear, definite objects. Donald Judd: Cor-ten represents the first-ever focused examination of Judd’s works in Cor-ten steel, which he began to produce in earnest in 1989 and would continue to elaborate on until his death in 1994. Cor-ten is an alloy that makes steel more resistant to corrosion, and eliminates the need for paint. With its distinctive red-brown patina, Cor-ten afforded Judd a new medium for exploring the relationship between surface and volume, as well as color and form. Prior to 1989, Judd executed a handful of works in Cor-ten primarily as outdoor commissions or site-specific works. This volume is produced on the occasion of the 2015 exhibition at David Zwirner, New York. Designed in close collaboration with Flavin Judd and Judd Foundation, Donald Judd: Cor-ten sheds new light on a body of work that represents the culmination of three decades of aesthetic output and underscores the mastery and control over material and space that characterizes Judd’s practice as a whole.

Book by Donald Judd, Rudi Fuchs, Richard Shiff

Judd Foundation, Marfa & Mack. New York & Marfa. 2024. First edition. Hardback, oblong octavo; magenta cloth-bound flexi-boards, black card sleeve. 463 pages. Illustrated throughout with colour photos and b&w line drawings. English. 155x230mm. 1.1kg. Fine. A catalogue of the furniture designs of the American artist and designer Donald Judd, many created for his spaces in New York and Marfa. Judd's form-led furniture, designed between 1970 and 1992, is illustrated with technical line drawings and photographs of the pieces in situ. Notes on materials, dimensions and constructions are also included. Two essays by Judd and and an interview are reproduced. Beaux Books specialises in fine and rare books on art and culture in the 20th and 21st centuries. We welcome questions about our books and we are happy to provide any extra images. Buy with confidence from an experienced bookseller.

This fully illustrated catalogue was published on the occasion of the artist’s solo exhibition at the Ikon Gallery, Birmingham, England, in 2010 (which traveled to the Pinakothek der Moderne, Munich, in 2011). The exhibition features Judd’s furniture and related drawings, including chairs, beds, shelves, desks, and tables made from solid wood, metal, and ply. Amongst the works on view are a number of prototypes, including early examples the artist constructed himself, such as Bookshelves (1968) and Children’s Desk (1977), which are rarely shown outside of Judd’s adopted home of Marfa, Texas. This bilingual catalogue (English and German) also includes texts by the artist and design critic Alex Coles.

Rothko, best known for his late work, is shown in the experimental phase that lead up to it. In his "multiforms," his early surrealism veers toward the more spacious planes of his classical work.

Exhibition at The Pace Gallery NY Feb-Mar 2011, foreword by Marianne Stockebrand, 18pp, color plates, checklist of exhibition (30 pieces), afterword by Douglas Baxter

With hundreds of pages of new and previously unpublished essays, notes, and letters, Donald Judd Writings is the most comprehensive collection of the artist’s writings assembled to date. This timely publication includes Judd’s best-known essays, as well as little-known texts previously published in limited editions. Moreover, this new collection also includes unpublished college essays and hundreds of never-before-seen notes, a critical but unknown part of Judd’s writing practice. Judd’s earliest published writing, consisting largely of art reviews for hire, defined the terms of art criticism in the 1960s, but his essays as an undergraduate at Columbia University in New York, published here for the first time, contain the seeds of his later writing, and allow readers to trace the development of his critical style. The writings that followed Judd’s early reviews are no less significant art-historically, but have been relegated to smaller publications and have remained largely unavailable until now. The largest addition of newly available material is Judd’s unpublished notes—transcribed from his handwritten accounts of and reactions to subjects ranging from the politics of his time, to the literary texts he admired most. In these intimate reflections we see Judd’s thinking at his least mediated—a mind continuing to grapple with questions of its moment, thinking them through, changing positions, and demonstrating the intensity of thought that continues to make Judd such a formidable presence in contemporary visual art. Edited by the artist’s son, Judd Foundation curator and co-president Flavin Judd, and Judd Foundation archivist Caitlin Murray, this volume finally provides readers with the full extent of Donald Judd’s influence on contemporary art, art history, and art criticism.

Like no other sculptor today, Donald Judd has informed our understanding of art and its relationship to space. The Panoramas Gallery organized his first solo exhibition in 1957, at a time in which he was still focused on painting, yet moving from the flat picture plane towards the third dimension. His cadmium red pictures cut through with stripes or incisions led the viewer to perceive space as self-evident. From there Judd moved toward a complete abandonment of painting, recognizing, in the early 60s, that "actual space is intrinsically more powerful and specific than paint on a flat surface." His switch from painting to sculpture was coincident with a growing interest in architecture and in industrial processes and materials, such as galvanized steel, concrete, plywood, and aluminum, which he used to create large, hollow, Minimalist sculptures. Documented here for the first time is this very crucial development, from the early work of the 1950s to 1968, the point at which Judd's artistic vocabulary reached its complete formation. Numerous works, including previously unrecorded paintings, sculptures, sketches, and works on paper, appear here alongside unpublished documents and texts by Judd himself.

In shrink wrap. Looks like an interesting title!

A very good copy of the first edition hardcover in jacket (jacket has light wear and nick to spine; finger-smudges to text foredge and a few pages). Text in English and German.

The work of Donald Judd, one of the most significant American artists of the postwar period, has come to define Minimalist art, a label to which the artist strongly objected. The unaffected, straightforward quality of Judd’s work demonstrates his strong interest in color, form, material, and space. Wanting to create works that could assume a direct material and physical presence without recourse to grand philosophical statements, Judd eschewed classical ideals of representational sculpture and created works that relied on clear, definite objects. Donald Judd: Cor-ten represents the first-ever focused examination of Judd’s works in Cor-ten steel, which he began to produce in earnest in 1989 and would continue to elaborate on until his death in 1994. Cor-ten is an alloy that makes steel more resistant to corrosion, and eliminates the need for paint. With its distinctive red-brown patina, Cor-ten afforded Judd a new medium for exploring the relationship between surface and volume, as well as color and form. Prior to 1989, Judd executed a handful of works in Cor-ten primarily as outdoor commissions or site-specific works. This volume is produced on the occasion of the 2015 exhibition at David Zwirner, New York. Designed in close collaboration with Flavin Judd and Judd Foundation, Donald Judd: Cor-ten sheds new light on a body of work that represents the culmination of three decades of aesthetic output and underscores the mastery and control over material and space that characterizes Judd’s practice as a whole.