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The idea for this publication came about as an extension of the exhibition Juergen Teller: Woo!, held at the Institute of Contemporary Arts in London in 2013. In the run-up to his show, Teller was invited to curate a selection of photographs in the ICA Fox Reading Room, a confined space located away from the main galleries. His initial plan was to cover an area of wall with "tear sheets"--proof pages relating to his commercial photography. As the project developed, Teller would eventually plaster the entire space with images spanning a 20-year period, including family portraits, magazine assignments, recent ad campaigns, landscapes and various personal projects. The combined effect of seeing his images juxtaposed like this, so they formed hitherto unforeseen relationships across time, would so inspire Teller that, during the course of his show, he would passionately launch himself into the production of this book. Setting itself apart from more conventional exhibition catalogues, Woo! brilliantly relays the raw impact of the original installation, unlocking a new and exciting dialogue across an impressive body of work.

The originator of the ACoA "Laundry Lists" gives an insider's view of the early days of the ACoA movement. Tony A. discusses what it means to be an adult child of an alcoholic parent and what the self-help group can do for its members. Includes stories, history and helpful information for the ACoA.

The master fashion photographer makes a gorgeous typology of the ultimate accessory“Friends of my girlfriend were asking me what kind of a photographer I am, what I photograph,” Juergen Teller says, apropos of his latest book. “I replied: ‘Actually, come to think of it, mostly handbags.’ I always like their astonished and disappointed faces! I realized through the 30 years of my career, I photographed a hell of a lot of handbags within my fashion work.”This enormous 600-page book of photographs of handbags depicts the accessory as you might imagine it through the lens of Teller, colorful and well lit, but nonetheless as you have never seen handbags before. Numerous models, actors and infamous individuals are featured here, including Michael Clark, Cindy Sherman, Kate Moss, Vivienne Westwood, Sofia Coppola, Tilda Swinton, John Malkovich and Victoria Beckham. Teller himself sees the book as akin to his 1999 volume Go-Sees, in its direct serial character.Demonstrating how Teller has reshaped the field of fashion photography since he first emerged in the 1990s, Handbags will delight the aficionado of contemporary fashion and of photography alike.Juergen Teller was born in Erlangen, Germany, in 1964. His work has been published in influential magazines such as Vogue, System, i-D, POP and Arena Homme+, and has been the subject of solo exhibitions, including those at the Institute of Contemporary Arts in London, the Fondation Cartier pour l’art contemporain in Paris and Martin-Gropius-Bau in Berlin. Teller won the prestigious Citibank Photography Prize in 2003, and from 2014 to 2019 held a professorship at the Akademie der Bildenden Künste Nürnberg. His books with Steidl include Louis XV (2005), Marc Jacobs Advertising, 1998–2009 (2009), Siegerflieger (2015) and The Master IV (2019).

The studio of photographer Juergen Teller, best known for his fashion pictures, is located in a tiny street in West London. And it is the front door of his studio that somehow seems to play the leading role in this book. During one year, from May 1998 to May 1999, Teller was visited by hundreds of girls, sent to him by agencies for a casting shoot. At the beginning of this book there was a simple idea that struck Teller: why not photograph all his young female visitors and turn the result into a convincing conceptual piece of art photography? The result is striking, sometimes funny, and makes us question the fashion industry and its world of models. We encounter girls, mostly around the age of 16 or 17, presenting themselves to the photographer in the hope of a great career. Sometimes they come alone, sometimes in groups, sometimes accompanied by their parents. Captured in different lights of the changing seasons, but always at the entrance of Teller's studio, the portraits seem to melt into one single portrait - that of the one and only model, whatever she might look like.

The master fashion photographer makes a gorgeous typology of the ultimate accessory“Friends of my girlfriend were asking me what kind of a photographer I am, what I photograph,” Juergen Teller says, apropos of his latest book. “I replied: ‘Actually, come to think of it, mostly handbags.’ I always like their astonished and disappointed faces! I realized through the 30 years of my career, I photographed a hell of a lot of handbags within my fashion work.”This enormous 600-page book of photographs of handbags depicts the accessory as you might imagine it through the lens of Teller, colorful and well lit, but nonetheless as you have never seen handbags before. Numerous models, actors and infamous individuals are featured here, including Michael Clark, Cindy Sherman, Kate Moss, Vivienne Westwood, Sofia Coppola, Tilda Swinton, John Malkovich and Victoria Beckham. Teller himself sees the book as akin to his 1999 volume Go-Sees, in its direct serial character.Demonstrating how Teller has reshaped the field of fashion photography since he first emerged in the 1990s, Handbags will delight the aficionado of contemporary fashion and of photography alike.Juergen Teller was born in Erlangen, Germany, in 1964. His work has been published in influential magazines such as Vogue, System, i-D, POP and Arena Homme+, and has been the subject of solo exhibitions, including those at the Institute of Contemporary Arts in London, the Fondation Cartier pour l’art contemporain in Paris and Martin-Gropius-Bau in Berlin. Teller won the prestigious Citibank Photography Prize in 2003, and from 2014 to 2019 held a professorship at the Akademie der Bildenden Künste Nürnberg. His books with Steidl include Louis XV (2005), Marc Jacobs Advertising, 1998–2009 (2009), Siegerflieger (2015) and The Master IV (2019).

Juergen Teller spent a year carrying out a study of the Reichsparteitagsgelande, the site of the notorious Nürnberg rallies, and a place he used to visit in his youth. The results are a series of meditative images of stone and flora, photographed over the four seasons of a year, in seed, bloom, demise, and, finally, dormant in the snow. It amounts to a study of mortality, the process of birth, growth and death. The book combines these works with self-portraits and family photographs through the same period, adding the perspective of the personal and quotidian life cycle to a site that has world-historical importance.

Unread book in perfect condition.

The spine is a little damaged... otherwise good condition

Juergen Teller spent a year carrying out a study of the Reichsparteitagsgelande, the site of the notorious Nürnberg rallies, and a place he used to visit in his youth. The results are a series of meditative images of stone and flora, photographed over the four seasons of a year, in seed, bloom, demise, and, finally, dormant in the snow. It amounts to a study of mortality, the process of birth, growth and death. The book combines these works with self-portraits and family photographs through the same period, adding the perspective of the personal and quotidian life cycle to a site that has world-historical importance.

Paperback. This is the newest book in Juergen Teller's original and beloved "Masters" series. Teller made his first Master in 2005 as an homage to anything and everything he believes is a master or masterful-be it punk rock icon Iggy Pop, actor Gillian Anderson, football manager Carlo Ancelotti, or even a simple vase of flowers - as well as a tongue-in-cheek recognition of himself as the master of his photographic identity. The concept was simple: to create an ongoing collection of humble books, each at the same small size, with no text and as little design as possible - an antithesis to the standard overblown coffee-table book.Like past volumes in the series, The Master V presents an unpredictable mix of Teller's eclectic photography: be it his unorthodox fashion work, still lifes, landscapes, portraits, or images that move between these genres. Featuring subjects including chess grand master Garry Kasparov, editor-in-chief of British Vogue Edward Enninful and fashion designer Demna Gvasalia, The Master V reveals some of the fascinating personalities most inspiring to Teller at this moment.I don't like taking a sly picture on the side. I like the direct approach. I want to be as honest to myself and the subject as possible. And I'm depending on their humanness to come through. - Juergen Teller Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Foremost among a generation of photographers operating between fashion photography and art photography, Juergen Teller (born 1964) brings his energized, life-loving brashness to family photographs, self-portraits and fashion shoots. Teller often provokes his subjects to extremes of expression, as critic Adrian Searle records in this, Teller’s newest monograph: “I kept wondering when he was going to get round to taking my photograph. The tension was unbearable. I felt like a girl on an unsuccessful date. The next thing I know he’s almost climbing over the table to get at me. There’s a camera in my face and he’s shooting picture after picture after picture, looming closer with each shot... There’s a gleam in his eye and a smile and there’s something relentless about his advances.” Teller applies this lust for encounter and complete involvement to the production of his books, and the beautifully printed Calves and Thighs is no exception: “I consider this catalogue a piece of my work,” he writes, having carefully determined the photographs (all new work), the authors and the design. Alongside Teller’s latest photographs, collaborators, friends and admirers such as Nobuyoshi Araki, Sadie Coles, Roni Horn, Marc Jacobs, Karl Lagerfeld, Helmut Lang, Charlotte Rampling, Adrian Searle, Gerhard Steidl, Neville Wakefield, Vivienne Westwood and Raquel Zimmermann pose questions to Teller about his process, his career and his life.

Unread book in perfect condition.

#1 New release in Christian History and Systematic Theology (May 2018)!Jürgen Moltmann is a theological iconoclast, ever confronting the status quo. Stephen D. Morrison examines Moltmann's unique theology in this clear and accessible study. It is the third book of Morrison's Plain English Series, written: "by a beginner, for beginners."This book studies each of Moltmann's major works of theology, including his most popular books (such as Theology of Hope, The Crucified God, and The Trinity and the Kingdom). Here we discuss Moltmann's groundbreaking proposals for eschatology, the Trinity, creation, and the suffering of God.

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Since the 1970s, photo and media artist Jürgen Klauke (born 1943) has consistently undermined standardized gender identities and behavior patterns through the use of his own body in his work. His most recent series describes the paranoid condition of today's world, translating it into an "Aesthetic Paranoia" that ranges from the minimalist to the excessive and occasionally surreal.

This is the German edition. One of the world's most sought-after photographers, Juergen Teller bridges the worlds of fashion, advertising, art, music and celebrity with an unmistakable mix of irony, honesty and anti-establishment flair. This magazine-style book, the catalogue to a major exhibition in his native Germany, captures Teller's visual universe to date. Employing portraiture, still-life and landscape photography, Teller's highly intuitive work exposes clichés, champions the everyday, and recasts traditional notions of beauty. Stripped of the glamor of the fashion world, his sitters often find themselves in unexpected, sometimes disturbing contexts where their true selves are revealed.Fascinated by his youth and upbringing, as well as by the role of the photographer today, autobiography is also a strong force in Teller's candid, often humorous, and inevitably endearing photos.

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