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Pages: 672 Language: Russian. Tom 1. Polet v nebesa Tom 2. Izmerenie veschej Tom 3. Iz doma vyshel chelovek Kto on, zagadochnyj Daniil Kharms, - naivnyj genij, master epatazha ili lukavyj mistifikator, tschatelno skryvavshij svoju, kak pisal Marshak, "klassicheskuju osnovu"? Kharmsa, kak odnogo iz samykh neordinarnykh i paradoksalnykh pisatelej XX stoletija, chitajut i izuchajut v Rossii i za rubezhom, odnako i po sej den ego raboty ostajutsja v chisle samykh udivitelnykh zagadok russkoj literatury. Besspornym ostaetsja neobyknovennyj talant avtora, a takzhe ego udivitelnaja nepokhozhest - nichego podobnogo ni v Rossii, ni za rubezhom ne bylo, net i vrjad li kogda-nibud budet. V tretij tom Sobranija sochinenij vkljucheny detskie stikhi, proza i dramaticheskie proizvedenija Daniila Kharmsa. "Kharms ne tolko pisatel, no i opredelennyj sposob povedenija, opredelennyj sposob shutit, reagirovat na okruzhajuschij mir - eto voshlo v sovremennuju kulturu ochen prochno. My dazhe pro kakie-to situatsii zhiznennye govorim: eto prosto Kharms, schityvaem ikh kak kharmsovskie. Eto to zhe samoe, chto s ljubym znachitelnym pisatelem". "Mir Kharmsa - eto esche i mir chuda, mir v kakom-to smysle skazochnyj; u Shvartsa eto osovremenennaja i dovolno strashnaja volshebnaja skazka, a u Kharmsa skazka nebyvalogo tipa, v kotoroj dejstvujut nebyvalye suschestva i razvorachivajutsja novye fabuly." "Menja interesuet tolko "chush"; tolko to, chto ne imeet nikakogo prakticheskogo smysla. Menja interesuet zhizn tolko v svoem nelepom projavlenii. Gerojstvo, pafos, udal, moral, gigienichnost, nravstvennost, umilenie i azart - nenavistnye dlja menja slova i chuvstva. No ja vpolne ponimaju i uvazhaju: vostorg i voskhischenie, vdokhnovenie i otchajanie, strast i sderzhannost, rasputstvo i tselomudrie, pechal i gore, radost i smekh". 9785389181779

In addition to his numerous works in prose and poetry for both children and adults, Daniil Kharms (1905-42), one of the founders of Russia’s “lost literature of the absurd,” wrote notebooks and a diary for most of his adult life. Published for the first time in recent years in Russian, these notebooks provide an intimate look at the daily life and struggles of one of the central figures of the literary avant-garde in Post-Revolutionary Leningrad. While Kharms’s stories have been translated and published in English, these diaries represents an invaluable source for English-language readers who, having already discovered Kharms in translation, desire to learn about the life and times of an avant-garde writer in the first decades of Soviet power.

OBERIU is an anthology of short works by three leading Russian absurdists: Alexander Vvedensky, Daniil Kharms, and Nikolai Zabolotsky. Between 1927 and 1930, the three made up the core of an avant-garde literary group called OBERIU (from an acronym standing for The Union of Real Art). It was a movement so artfully anarchic, and so quickly suppressed, that readers only began to discover its strange and singular brilliance three decades after it was extinguished—and then only in samizdat and émigré publications. Some called it the last of the Russian avant-garde, and others called it the first (and last) instance of Absurdism in Russia. Though difficulty to pigeon-hole, OBERIU and the pleasures of its poetry and prose are, with this volume, at long last fully open to English-speaking readers. Skillfully translated to preserve the weird charm of the originals, these poems and prose pieces display all the hilarity and tragedy, the illogical action and puppetlike violence and eroticism, and the hallucinatory intensity that brought down the wrath of the Soviet censors. Today they offer an uncanny reflection of the distorted reality they reject.

Book by O'Connor, Caitlin, Johnson, Joyce, Alissa Walser, Harvey Shapiro, Daniil Kharms, Susan Perry, Elliott Puckett, Liam Gillick, David Robbins, Thomas Beller, Robert Bingham, Daniel Pinchbeck

This is an all-round and accessible description of the Russian language and its historical, social, cultural context. It includes extracts representing the best of the language, by renowned writers such as Pushkin, Gogol', Dostoevsky, Tolstoy, Chekhov, Bulgakov, Mandel'shtam, and Kharms. Setting language learning in an entertaining, real, and enlightening real life framework, the book reveals what most readers want to know about Russian (but are usually too afraid to ask). Learn Russian will not teach you how to buy an ice-cream or ask directions to the Kremlin, but it will give you the opportunity to read some of Russia's greatest literature in the original along with learning something of Russia's rich culture and life.

A digital copy of "I am a Phenomenon Quite Out of the Ordinary" by Daniil Kharms. Download is immediately available upon purchase!

Book by Daniil Kharms, Alexander Vvedensky

A writer who defies categorization, Daniil Kharms has come to be regarded as an essential artist of the modernist avant-garde. His writing, which partakes of performance, narrative, poetry, and visual elements, was largely suppressed during his lifetime, which ended in a psychiatric ward where he starved to death during the siege of Leningrad. His work, which survived mostly in notebooks, can now be seen as one of the pillars of absurdist literature, most explicitly manifested in the 1920s and ’30s Soviet Union by the OBERIU group, which inherited the mantle of Russian futurism from such poets as Vladimir Mayakovsky and Velimir Khlebnikov. This selection of prose and poetry provides the most comprehensive portrait of the writer in English translation to date, revealing the arc of his career and including a particularly generous selection of his later work.