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Ca. 75 Min. Laufzeit DVD; bislang unbekanntes Material gibt den Blick frei auf den privat scheuen, öffentlich jedoch stets provokant-provokativen Menschen & Künstler, das "Phänomen Kippenberger". Zu Wort kommen u.a. Angehörige der Familie sowie Freunde, Weggefährten & Bewunderer wie Diedrich Diedrichsen, Kasper König, Christoph Schlingensief etc. Gramm 200

Over the course of his 20-year career, Martin Kippenberger (1953–1997) cast himself alternately as hard-drinking carouser and confrontational art-world jester, thrusting these personae to the forefront of his prodigious creativity. He was also very much a player in the international art world of the 1970s right up until his death in 1997, commissioning work from artists such as Jeff Koons and Mike Kelley, and acting as unofficial ringleader to a generation of German artists. Written by the artist’s sister, Susanne Kippenberger, and now available in paperback, this first English-language biography draws both from personal memories of their shared childhood and exhaustive interviews with Kippenberger’s extended family of friends and colleagues in the art world. Kippenberger gives insight into the psychology and drive behind this playful and provocative artist. Reviewing the hardcover edition in The New York Times, Roberta Smith wrote: “Ms. Kippenberger provides wonderful thumbnail portraits of the many key figures in her brother’s life, while using their reminiscences to create a finely diced composite oral history that makes palpable both his charming and his repellent sides.”

The first individual exhibition of the German artist Martin Kippenberger (Dortmund 1953 ? Vienna 1997) at a Spanish museum displays a total of one hundred paintings, sculptures and drawings. The works are selected from two of the finest collections of the artist's work in the world: those of publisher Benedikt Taschen and fellow-artist Albert Oehlen. Kippenberger's art has been posthumously exhibited at several of the most important artistic events of the last few decades, including the Documenta X in Kassel, Germany; the Skulptur in M?nster, Germany; the Kunsthalle in Basel, Switzerland; and, most recently, museum shows in Karlsruhe, Germany, Vienna, Austria and Eindhoven, the Netherlands.

The first individual exhibition of the German artist Martin Kippenberger (Dortmund 1953 ? Vienna 1997) at a Spanish museum displays a total of one hundred paintings, sculptures and drawings. The works are selected from two of the finest collections of the artist's work in the world: those of publisher Benedikt Taschen and fellow-artist Albert Oehlen. Kippenberger's art has been posthumously exhibited at several of the most important artistic events of the last few decades, including the Documenta X in Kassel, Germany; the Skulptur in M?nster, Germany; the Kunsthalle in Basel, Switzerland; and, most recently, museum shows in Karlsruhe, Germany, Vienna, Austria and Eindhoven, the Netherlands.

Softcover, 144 pages, in English; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Major General Sir Howard Karl Kippenberger, KBE, CB, DSO and Bar, ED, was an exceptional New Zealander and one of the truly great military commanders of World War Two. Here Glyn Harper examines his formative years, including his WW1 experiences, and shows how they influenced his style of leadership and performances on the battlefield. Beginning with the ill-fated Greek expedition of 1941 and the disaster in Crete, the book covers events in North Africa and the Italian Campaign. Known affectionately by the men as Kip, his military career ended abruptly when he stepped on a mine at Monte Cassino and lost both feet. However that wasn't the end of his story, and he led an interesting and significant career post-war. First published in hardback in in 1997, Glyn Harper's book has become a deserving classic and is now available in a new format.

Published on the occasion of an exhibition at the San Francisco Museum of Modern Art.

Exhibition: New York, Skarstedt Gallery, 2014. 124 pages, illustrated throughout in colour. Hardback 25 x 31cms.

Martin Kippenberger's trickster aesthetic was aided and abetted by the owners of his famed Berlin hangout, the Paris Bar. One proprietor, Michael Würthle, provided Kippenberger with a place to make art at his family's house on the island of Syros, Greece; the other, Reinald Nohal, owned a summer retreat in Canada's Yukon Territory, which the artist visited. In those two remote locations, Kippenberger conceived his worldwide subway network, Metro-Net, and built the first two entrances, should anyone decide to do the rest of the underground excavation and construction. The Bermuda Triangle documents in detail the planning and execution of this piece by the late high-art prankster, and reproduces the varied, accomplished, sometimes hilarious and devastatingly human drawings from the 80s and 90s, mostly on hotel stationery, from Würthle's collection. Its witty design is one Kippenberger would certainly have appreciated, its two volumes accompanied by a 'guerilla marketing kit' of two posters and an “I [heart] Kippenberger” bumper sticker, all contained in a cardboard box that converts to a display stand.

Martin Kippenberger (1953–1997) is one of the most important German artists of the last two decades. He decisively shaped the image of art in the postmodern era. His wit, his unrestrained creative urge, and the resulting work assured him a prominent position within the contemporary art scene during his lifetime. He now occupies an important place in art historical consideration today. Martin Kippenberger's attitude and understanding of his role as an artist has become a model for future generations. Drawings, posters, collages, multiples, artist’s books, photographs, music, paintings, sculptures, and expansive installations–Kippenberger's work encompasses all media of 20th century art. Perhaps the slogan I love No waiting, which he presented to Günther Förg's camera, reveals everything about the artist, the era some 30 years ago, and our own former youth. Did he already tell us that we should yearn for the zeitgeist embodied so uniquely by his art?

Book is in Used-Good condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain limited notes and highlighting. 2.31

Martin Kippenberger's premature death in 1997 at the age of 43 brought to an end one of the most prolific and controversial careers in 20th-century art. While some critics dismissed the German painter and sculptor as a showman, others hailed him as the greatest artist of his era. His personal history and bad-boy image have often obscured the importance of his work; this book shows that his legacy has influenced generations of artists. Essays examine the themes underlying Kippenberger's work, including Socialist Realism and kitsch; self portraiture and myth; punk and anti-romanticism; and exile and homelessness. A new translation of Kippenberger's final interview ensures his own idiosyncratic voice is present.

Martin Kippenberger's trickster aesthetic was aided and abetted by the owners of his famed Berlin hangout, the Paris Bar. One proprietor, Michael Würthle, provided Kippenberger with a place to make art at his family's house on the island of Syros, Greece; the other, Reinald Nohal, owned a summer retreat in Canada's Yukon Territory, which the artist visited. In those two remote locations, Kippenberger conceived his worldwide subway network, Metro-Net, and built the first two entrances, should anyone decide to do the rest of the underground excavation and construction. The Bermuda Triangle documents in detail the planning and execution of this piece by the late high-art prankster, and reproduces the varied, accomplished, sometimes hilarious and devastatingly human drawings from the 80s and 90s, mostly on hotel stationery, from Würthle's collection. Its witty design is one Kippenberger would certainly have appreciated, its two volumes accompanied by a 'guerilla marketing kit' of two posters and an “I [heart] Kippenberger” bumper sticker, all contained in a cardboard box that converts to a display stand.

text in english and two others

LIKE NEW/UNREAD!!! Text is Clean and Unmarked! Has a small black line or red dot on the bottom/exterior edge of pages.

Works spanning the legendary and prolific artist's twenty-year career, including many of his self-portraits, paintings, sculptures, works on paper, installations, and exhibition posters.

Painter Christopher Wool has written, “Some of the best stand-up performance I ever saw was Martin [Kippenberger] telling jokes in the back of some bar or restaurant.” Which is not to dismiss the legendary German artist, who was at the forefront of the much-storied Cologne art scene of the early 1990s--Kippenberger, who died in 1997, used humor like a laser, to illuminate power structures and taboos. One of the most important artists of the twentieth century, he not only worked in a variety of media--painting, sculpture, books and multiples--but, taking a cue from Joseph Beuys, actively tried to conceive new possibilities on which to model an art practice. This volume, published for an exhibition at Austria’s acclaimed Kunsthaus Graz, includes incisive essays by curator and critic Daniel Birnbaum and linguist and writer Martin Prinzhorn, which examine the softer, more utopian side of the artist.

New Book. Shipped from UK. Established seller since 2000.

Martin Kippenberger died in 1997 at the young age of 44. Nach Kippenberger--after Kippenberger--collects together various essays which pave the way for an understanding of his work after the fact, for the next generation. Essayists include Eva Meyer-Hermann, Anke Kempkes and Manfred Hermes, and more than 250 images illustrate Kippenberger's life and work.

128 S. : Illustr.; 20 cm; kart. Gutes Exemplar; Einband stw. berieben u. etwas "schiefgelesen"; Seiten minimal nachgedunkelt; sehr geringe Anstreichungen. - Martin Kippenberger (* 25. Februar 1953 in Dortmund; 7. März 1997 in Wien) war ein deutscher Maler, Installationskünstler, Performancekünstler, Bildhauer und Fotograf. . (wiki) // " Erster verbesserter Papiertiger, der die Wiederholung nicht scheut - Markus Lüpertz zu künstlerisch schlechtem Gewissen: Ein Künstler darf niemals etwas Nützliches tun, Spülen und Schrebergarten, er darf tagelang Scheiße oder nichts machen, denn das nährt das künstlerische schlechte Gewissen. Mit schlechtem Gewissen arbeitet man am besten. (Stimmt natürlich nicht unbedingt.) / Zweiter verbesserter Papiertiger, der die Wiederholung nicht scheut - Der Gourmosoph ist Feinschmeckerdarsteller (eine beliebte Variante des Existenzdarstellers). / Dritter verbesserter Papiertiger, der die Wiederholung nicht scheut - Wenn Sie mal wieder unter ausländischem Fön stehen und die Zeit nicht wissen zu komprimieren und Einkäufe-tätigen für was Nützliches halten, dann kaufen Sie, wenn Sie was besonders Originelles wollen, z.B. Rhum phantasia für jemand anderen, dann hat der nicht die Verantwortung zu tragen, und Sie selbst haben sich auch nicht belastet. (Natürlich kann man Blumen kaufen, aber vielleicht für eine Frau, die auf dem Weg nach Hause liegt, dann brauchen Sie die Blumen nicht so lange zu tragen.) / Vierter verbesserter Papiertiger, der die Wiederholung nicht scheut - Kippenbergers bessere Wissenschaft: Gefühl, Verstand, Erfahrung. / Vierter a verbesserter Papiertiger, der die Wiederholung nicht scheut- Stoned at home where we are, but for tomor-row no mercy for outside + siders. / Fünfter verbesserter Papiertiger, der die Wiederholung nicht scheut - Wer hat Dich denn heute morgen aufgezogen? " (Seite 4) ISBN 9783925911163 Sprache: Deutsch Gewicht in Gramm: 550