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Ernst Ludwig Kirchner painted city life as a joyous, bustling pageant, a sophisticated swirl of desiring bodies and colorful urbanity, giving Germany an energetic iconography for the glory days of modernity. One of the four founders of Die Brücke (The Bridge), Kirchner drew on German Renaissance art to conjure expressive exaggerations of face and posture, and brought to landscape painting a city-dweller's zest, imbuing tranquil scenery with riotous energy. Coinciding with a Kirchner retrospective at the Städel Museum--the first to be seen in Germany in 30 years--this massive volume surveys the artist's several creative phases and genres. It features the famous nudes made during the Die Brücke era, his classic scenes of frenetic Berlin city life and Swiss mountainscapes from Davos, along with lesser-known canvases, works on paper and sculpture. With essays by renowned art historians, this definitive monograph offers fresh perspective on the continued relevance of Kirchner.Born in Bavaria, Ernst Ludwig Kirchner (1880-1938) studied architecture in Dresden, where he met the young painter Fritz Beyl. With Beyl, Karl Schmidt-Rottluff and Erich Heckel, Kirchner founded the group known as Die Brücke. Casting aside the then-prevalent academic style of painting, Kirchner and his friends allied themselves with early Renaissance artists such as Albrecht Dürer, Matthias Grünewald and Cranach the Elder, and revived older media such as woodcut printing. Kirchner briefly saw army service in the First World War, but suffered a nervous breakdown and was discharged. In the interbellum years Kirchner's reputation grew enormously, until the Nazi regime branded his art degenerate: in 1937 over 600 of his works were sold or destroyed. In 1938, despairing of this destruction and the general political climate, Kirchner committed suicide.

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Ernst Ludwig Kirchner's years in Berlin mark his ascent to being considered Germany's foremost Expressionist artist. His works from this period abound with a new dynamism that mirrors the turbulent life and lifestyles of the capital. Dance, cabaret, circus, prostitutes and grandiose cityscapes are the dominating topics and belong to the key works of German 20th-century art. German text.

A radical innovator, a pioneer of new artistic form   German expressionist painter and graphic artist Ernst Ludwig Kirchner (1880-1938), co-founder of the Brücke movement, produced some of the most outstanding woodcuts and powerful expressionist works of the 20th century. Tragically, he committed suicide after having his work condemned as "degenerate" by the Nazis.   About the Series: Each book in TASCHEN’s Basic Art Series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 colour illustrations with explanatory captions

Ernst Ludwig Kirchner (1880-1938) was a founder member and leading light of the group of modernist artists known as "Die Bruecke". This book traces his career.

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Paperback. A revealing examination of how mental illness informs and connects the highly charged work of Edvard Munch and Ernst Ludwig Kirchner The Norwegian artist Edvard Munch (18631944) and the German artist Ernst Ludwig Kirchner (18801938) are considered modernist visionaries. They were also pioneering printmakers, eschewing the mastery of one technique for experimentation across many. Born a generation apart, they worked in an expressionist mode, in which they did not simply replicate what they saw but rather filtered everything through their own imagination and memories. Exploiting the perceptual and emotional power of color and abstraction for creative expression, they portrayed what they perceived to be a fragmented, harrowing reality; both artists endured bouts of anxiety and depression, battled substance abuse, and received psychiatric care. Featuring never-before-published prints from the collection of Nelson Blitz Jr. and Catherine Woodard, as well as etchings, lithographs, and hand-colored woodcuts from select public and private collections across the United States, this volume puts these two giants of Expressionism in a dialogue that foregrounds issues of mental health and offers a fresh approach that blends art history and the history of medical treatment. The included essays examine the artistic affinities and divergences in their printmaking and the ways in which they used shadows to imagine pathologized psychological and psychiatric experiences in their art. Distributed for the Yale University Art Gallery Exhibition Schedule: Yale University Art Gallery (February 16June 23, 2024) A revealing examination of how mental illness informs and connects the highly charged work of Edvard Munch and Ernst Ludwig Kirchner Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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The first substantial publication on Kirchner in English for thirty years, this catalogue accompanies the first major exhibition in Britain of this most brilliant and intense founder of the Die Brucke school. Presenting a focused display of the artist's best work from 1905-1915, his most creative and innovative period, a key theme of the book will be to consider how, perhaps of all the artists in the early modern period, Kirchner was most responsive to the underlying tension between nature and civilisation that fascinated his generation. This preoccupation culminates in the Berlin street scenes where Kirchner combines elegance with tribal rawness to reveal the potential wildness of the crowd. Containing essays by leading Kirchner and Die Brucke scholars, and impeccable reproductions of these too rarely seen works, this publication reaffirms not only Kirchner's importance within German Expressionism, but also his key position in early twentieth-century art.

Ernst Ludwig Kirchner (1880–1938) was one of the most important and colorful artistic personalities of the twentieth century, an icon of German Expressionism. To mark the hundredth anniversary of “Kirchner in Davos,” Thorsten Sadowsky presents here a compact artist monograph with rare archival material from throughout Kirchner’s career. Touching on Kirchner’s myriad struggles, works, and milestones—from the radicalism of the artists’ association “Die Brücke” (The Bridge), which Kirchner cofounded, and the restless expressiveness of his Berlin and Davos years, to his struggles with mental instability and anxiety, and the reviews of his own works he published under the pseudonym Louis de Marsalle—Sadowsky lucidly retraces the artist’s turbulent trajectory. This erudite monograph shows how Kirchner, though vacillating between self-doubt and egocentricity, created an incomparably multi-faceted oeuvre with a remarkable instinct for the trends and imbalances of his time. 

The German-born Expressionist artist Ernst Ludwig Kirchner (1880-1938) first came to Davos in 1917 on a rest cure. His body and mind devastated by the war, mountain life promised recovery and proved extremely fruitful artistically. If at first Kirchner met his new environment with the same nervous brushstrokes and perspectivist escalations found in his Berlin street scenes, his inner turmoil soon subsided, producing calmer and stronger bands of pigment and later an exalted experience of nature. New imagery resulted as well, going beyond Kirchner's primary focus on landscapes to include interiors and a series of self-portraits and figure paintings of rural neighbors. With its selection of paintings, works on paper, sculptures, photographs and tapestry from European and American private collections, this monograph shows how Kirchner, after Segantini and Hodler, became the third great painter of the Alps. Life in the Mountains finishes with works from the years 1925-26, when Kirchner returned to Germany, leaving his union with the natural life behind.

The first substantial publication on Kirchner in English for thirty years, this catalogue accompanies the first major exhibition in Britain of this most brilliant and intense founder of the Die Brucke school. Presenting a focused display of the artist's best work from 1905-1915, his most creative and innovative period, a key theme of the book will be to consider how, perhaps of all the artists in the early modern period, Kirchner was most responsive to the underlying tension between nature and civilisation that fascinated his generation. This preoccupation culminates in the Berlin street scenes where Kirchner combines elegance with tribal rawness to reveal the potential wildness of the crowd. Containing essays by leading Kirchner and Die Brucke scholars, and impeccable reproductions of these too rarely seen works, this publication reaffirms not only Kirchner's importance within German Expressionism, but also his key position in early twentieth-century art.

Widely considered one of the major works of Expressionist printmaking, this series of spectacular woodcuts by Ernst Ludwig Kirchner is presented for the first time in a comprehensive study, specifically designed to allow readers a full understanding of the artist’s achievement. Arguably the greatest of the German Expressionists, Ernst Ludwig Kirchner’s numerous paintings, sculptures, prints, and drawings are loved for their bold colors and dynamics. An admirer of Albrecht Dürer’s woodcuts, Kirchner sought to revitalize the technique for his generation, using a pictorial vocabulary that inspired other Expressionists. This volume presents one of Kirchner’s most important woodcuts series, based on the legend of Faust. Carved during a stay in a sanatorium near Frankfurt, these woodcuts reflect Kirchner’s own tortuous emotions as he tells the story of a man who sells his shadow to the devil. This gorgeous edition features several foldout pages that allow readers to compare and contrast each full-page segment. This book also explores Kirchner’s innovative printmaking technique, which involved sawed up plates stained in monotype style. Essays by Kirchner scholars discuss the series’s vital contribution to the artist’s oeuvre, while exploring his extraordinary use of color, line, and shape to tell a story that is at once universal and highly personal.

bilingual edition. 225 pages. 11.00x8.50x1.25 inches. In Stock.

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Explore the oeuvre of Ernst Ludwig Kirchner, one of the most important German Expressionist painters of the 20th century.Throughout his career, Ernst Ludwig Kirchner employed a highly inventive and original use of color. He favored novel applications of paint in unusual matte finishes. For Kirchner, color was of primary importance, coupled with technique and style. He was one of the leading Expressionist painters of the time and was one of the founding members of the Brücke. In his deeply personal depictions, he focused on the places where he lived and worked and his close friends and associates. This book, accompanying a major exhibition at the Neue Galerie New York, provides a visual survey of Kirchner's oeuvre and offers an in-depth analysis of different aspects of the artist's output. Essays by leading experts examine Kirchner's approach to color, his interest in the decorative arts, how electric light affected his treatment of color, the impact of Nietzsche on his work, and how he was profoundly changed by World War I. This book includes illustrations of nearly 40 paintings, 30 prints, as well as drawings, sketchbooks, photographs, and decorative work.

Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand mit leichten Lagerspuren, als Mängelexemplar gekennzeichnet -Seine letzten Lebensjahre, von 1917 bis 1938, verbrachte Ernst Ludwig Kirchner zur Erholung von einem psychischen Zusammenbruch in Davos. Unter dem überwältigenden Eindruck der Alpen schuf er farbgewaltige, visionäre Landschaften und malte den Alltag der Bauern. Anschaulich zeigt der Band die inspirierende Bedeutung der Bergwelt für Kirchners Spätwerk.Nach dem künstlerischen Einbruch in den Jahren des Ersten Weltkrieges kehrte Kirchner in Davos zu neuer schöpferischer Kraft zurück. In rund zwanzig Jahren gelang ihm eine radikale Neuerfindung seiner Kunst. Ausgehend von dem Gemälde 'Heimkehrende Ziegenherde' von 1920 aus der Fondazione Gabriele e Anna Braglia und anhand ausgewählter Werke aus dem Kirchner Museum in Davos und dem Ernst Ludwig Kircher Archiv in Wichtrach / Bern spürt der Band der malerischen und persönlichen Entwicklung Kirchners nach, die dieser unter dem Eindruck der Alpenlandschaft und ihrer Bewohner vollzog. 200 pp. Deutsch, Englisch, Italienisch