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Original Dover (1982) publication of black-and-white drawings. Publisher's Note. Captions, including German and English titles, dates, medium, dimensions. 60 illustrations. 64pp. 81/4 x 111/8. Paperbound

This case of our artful colored pencil set features a detail from May Picture by Paul Klee (German, born Switzerland, 1879-1940), an original 1925 work in The Met collection. Known for linear, childlike imagery, abstracted forms and symbols, and an enthusiasm for color relationships, Paul Klee pursued a wide range of subjects during his long career, such as literature, music, poetry, and daily life. Klee was influenced by the Cubism of Pablo Picasso and Georges Braque, as well as his involvement with the German Expressionist group Der Blaue Reiter (The Blue Rider) and his lifelong friendship with fellow artist Wassily Kandinsky.

ART DESCRIPTION: This abstract piece from 1922 showcases a floral design with a unique pattern, using graphics to create a captivating image. The artwork's personality shines through its vibrant colors and intricate details, embodying the essence of autumn sunflowers. This Amanti Art canvas art print was created by Paul Klee and printed by Amanti Art in Madison WI. The canvas is stretched by hand and finished with a float frame. Individually made using traditional custom framing techniques, it has the quality you would expect from your local frame shop. Because of our attention to detail and focus on artistry, architects, interior designers, and homeowners alike choose this framed canvas artwork to create beautiful living spaces. Color: Sylvie Beaded Bronze.

ART DESCRIPTION: This abstract piece from 1922 showcases a floral design with a unique pattern, using graphics to create a captivating image. The artwork's personality shines through its vibrant colors and intricate details, embodying the essence of autumn sunflowers. This Amanti Art canvas art print was created by Paul Klee and printed by Amanti Art in Madison WI. The canvas is stretched by hand and finished with a float frame. Individually made using traditional custom framing techniques, it has the quality you would expect from your local frame shop. Because of our attention to detail and focus on artistry, architects, interior designers, and homeowners alike choose this framed canvas artwork to create beautiful living spaces. Color: Sylvie Beaded Bronze.

Brand from China: Feravin. Color: Set - Without Milky White Wig - Red & Black & White, Materials: 100% Polyester, Size: Dress: XS: Bust: 78-82cm, Waist: 64-68cm, Sleeve Length: 23.8cm, Total Length: 71cm S: Bust: 82-86cm, Waist: 68-72cm, Sleeve Length: 24.5cm, Total Length: 73cm M: Bust: 86-90cm, Waist: 72-76cm, Sleeve Length: 25cm, Total Length: 75cm L: Bust: 90-94cm, Waist: 76-80cm, Sleeve Length: 25.6cm, Total Length: 77cm XL: Bust: 94-98cm, Waist: 80-84cm, Sleeve Length: 26.2cm, Total Length: 79cm 2XL: Bust: 98-102cm, Waist: 84-88cm, Sleeve Length: 26.8cm, Total Length: 81cm 3XL: Bust: 102-106cm, Waist: 88-92cm, Sleeve Length: 27.4cm, Total Length: 83cm Pants: XS: Waist: 54-64cm, Total Length: 46cm S: Waist: 58-68cm, Total Length: 47cm M: Waist: 62-72cm, Total Length: 48cm L: Waist: 66-76cm, Total Length: 49cm XL: Waist: 70-80cm, Total Length: 50cm 2XL: Waist: 74-84cm, Total Length: 51cm 3XL: Waist: 78-88cm, Total Length: 52cm, Care: Hand Wash

Craft your own masterpiece with Scheepjes Merino Soft! This beautifully soft DK weight yarn with a subtle sheen is perfect for creating stylish, comfy and warm garments like sweaters, cardigans and shawls. Being made from a high-quality 50% Superwash Merino Wool, 25% Microfibre and 25% Acrylic blend, Merino Soft can also be used to craft striking projects that are durable and benefit from the easy care properties of acrylic. Thanks to the fine structure of the Merino wool fibre, enjoy the silky feel of this yarn as it keeps you cosy and warm throughout the changing seasons. Merino Soft is available in a wide range of gorgeous shades named after inspiring artists throughout history, and in numerous Merino Soft Brush colours featuring a striking painted fleck look. Tip: Pair Merino soft with its sister yarn, Scheepjes Whirl-Fine Art, to extend or complete your projects! Made from the same fibre qualities and weight as Merino Soft, Whirl Fine-Art offers crafters the opportunity to experiment endlessly with colour palettes and various projects, giving designs a wonderful dip-dyed appearance, contrasting sleeves or details in complimenting shades

Brand from China: Ayumu.Color: Set of 18 - Shirt & Pants & Waistband & Bow & Headdress & Socks & Cap & Wig - Black & White & Red, Materials: 100% Polyester, Size: Skirt: S: Total Length: 73cm, Sleeve Length: 24.4cm, Bust: 82-86cm, Waist: 68-72cm, Shoulder Width: 34cm M: Total Length: 75cm, Sleeve Length: 25cm, Bust: 86-90cm, Waist: 72-76cm, Shoulder Width: 35cm L: Total Length: 77cm, Sleeve Length: 25.6cm, Bust: 90-94cm, Waist: 76-80cm, Shoulder Width: 36cm XL: Total Length: 79cm, Sleeve Length: 26.2cm, Bust: 94-98cm, Waist: 80-84cm, Shoulder Width: 37cm 2XL: Total Length: 81cm, Sleeve Length: 26.8cm, Bust: 98-102cm, Waist: 84-88cm, Shoulder Width: 38cm 3XL: Total Length: 83cm, Sleeve Length: 27.4cm, Bust: 102-106cm, Waist: 88-92cm, Shoulder Width: 39cm Pants: S: Waist: 58-68cm, Total Length: 47cm M: Waist: 62-72cm, Total Length: 48cm L: Waist: 66-76cm, Total Length: 49cm XL: Waist: 70-80cm, Total Length: 50cm 2XL: Waist: 74-84cm, Total Length: 51cm 3XL: Waist: 78-88cm, Total Length: 52cm, Care: N/A

Gifts for art lovers, inspired by The Met collection. A prolific artist, writer, and teacher, Paul Klee (German, b. Switzerland, 1879-1940) was a distinctive force in 20th-century art. He made playful, inventive works characterized by a highly individual style of abstracted forms and symbols. The design on this stylish silk pocket square celebrates May Picture (1925), a painting on cardboard in the Museum's collection of modern and contemporary art. This work belongs to Klee's Magic Square series, derived from his 1914 Tunisian watercolors in which he fractured the landscape into squares.

A broad selection of representative color reproductions presented with individual analysis and supplemented with a brief biography

Douglas & McIntyre is proud to announce definitive, completely redesigned editions of Emily Carr’s seven enduring classic books. These are beautifully crafted keepsake editions of the literary world of Emily Carr, each with an introduction by a distinguished Canadian writer or authority on Emily Carr and her work.Emily Carr’s first book, published in 1941, was titled Klee Wyck ("Laughing One"), in honour of the name that the Native people of the west coast gave to her. This collection of twenty-one word sketches about Native people describes her visits and travels as she painted their totem poles and villages. Vital and direct, aware and poignant, it is as well regarded today as when it was first published in 1941 to instant and wide acclaim, winning the Governor General’s Award for Non-fiction. In print ever since, it has been read and loved by several generations of Canadians, and has also been translated into French and Japanese.Kathryn Bridge, who, as an archivist, has long been well acquainted with the work of Emily Carr, has written an absorbing introduction that places Klee Wyck and Emily Carr in historical and literary context and provides interesting new information.

New York. 21 cm. 122 pages : illustrations (part color). Encuadernación en tapa dura de editorial ilustrada. Idioma Inglés. Kandinsky / [text and design by the staff of Tokyo International Publishers]. Harcourt Brace Jovanovich masters of art series .. Este libro es de segunda mano y tiene o puede tener marcas y señales de su anterior propietario. ISBN: 0151472807

Klee Wyck is published by Fitzhenry and Whiteside.

There are artists whose métier is the observation or documentation of the world, and artists who set the world aside altogether to build their own visionary cosmology, designing its constituent parts from scratch as a personal mythology relayed in motifs. Paul Klee (1879-1940) was such an artist, as his aphorism "Art does not reproduce the visible, rather it makes visible" testifies, and The Klee Universe addresses his work from this perspective. In 1906, Klee noted in his diary, "All will be Klee," and in 1911, as the encyclopedist of his cosmos, he began to meticulously chronicle his works in a catalogue that, by the time he died, was to contain more than 9,000 items. Here, in the fashion of an Orbis Pictus or a Renaissance emblem book, Klee's oeuvre is made legible as a cogent entirety, in thematic units address: the human life cycle, from birth and childhood to sexual desire, parenthood and death; music, architecture, theater and religion; plants, animals and landscapes; and, finally, darker, destructive forces in the shape of war, fear and death. The Klee Universe reimagines the artist as a Renaissance man, an artist of great learning whose cosmos proves to be a coherent system of ideas and images.Paul Klee (1879-1940) was born and died in Switzerland, though he never obtained Swiss citizenship. Technically of German nationality, he taught at the Bauhaus from 1921 to 1926, alongside Wassily Kandinsky, Franz Marc and others. Seventeen of his works were included in the Nazi's infamous 1937 Munich exhibition of "degenerate art."

Oversized Soft Cover Book Still in Shrink Wrap. International Shipping Will Require Additional Charge. Bookseller Since 1995 (ul-3a-middle-r) Rareviewbooks

Original Dover (1982) publication of black-and-white drawings. Publisher's Note. Captions, including German and English titles, dates, medium, dimensions. 60 illustrations. 64pp. 81/4 x 111/8. Paperbound

May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 3.9

This catalog, for the first time, highlights the relationships and affinities between Swiss-German painter Paul Klee, a leading figure in twentieth-century art, and Fausto Melotti, an Italian artist whose name has become increasingly well known at an international level in recent years, by means of a surprising dialogue between their works.The catalog compares over seventy paintings, watercolors, and drawings by Klee with some eighty sculptures and drawings by Melotti. A large selection of critical essays and short writings by contemporary artists contribute to casting light on the relationship between these two protagonists of twentieth-century art.

Text: English (translation) Original Language: French

There are artists whose métier is the observation or documentation of the world, and artists who set the world aside altogether to build their own visionary cosmology, designing its constituent parts from scratch as a personal mythology relayed in motifs. Paul Klee (1879-1940) was such an artist, as his aphorism "Art does not reproduce the visible, rather it makes visible" testifies, and The Klee Universe addresses his work from this perspective. In 1906, Klee noted in his diary, "All will be Klee," and in 1911, as the encyclopedist of his cosmos, he began to meticulously chronicle his works in a catalogue that, by the time he died, was to contain more than 9,000 items. Here, in the fashion of an Orbis Pictus or a Renaissance emblem book, Klee's oeuvre is made legible as a cogent entirety, in thematic units address: the human life cycle, from birth and childhood to sexual desire, parenthood and death; music, architecture, theater and religion; plants, animals and landscapes; and, finally, darker, destructive forces in the shape of war, fear and death. The Klee Universe reimagines the artist as a Renaissance man, an artist of great learning whose cosmos proves to be a coherent system of ideas and images.Paul Klee (1879-1940) was born and died in Switzerland, though he never obtained Swiss citizenship. Technically of German nationality, he taught at the Bauhaus from 1921 to 1926, alongside Wassily Kandinsky, Franz Marc and others. Seventeen of his works were included in the Nazi's infamous 1937 Munich exhibition of "degenerate art."

Paul Klee was a leading figure in European Modernism, and his acclaim at home was quickly matched in the United States, where both private collectors and major museums sought out his work. Klee and America explores the reasons for that enthusiastic reception, especially during the 1930s and 1940s, while the artist was being targeted in Hitler's campaign against Entartete Kunst (degenerate art). Just as the European market for Klee's work was collapsing, American patrons and curators were gobbling it up. And after he had been removed from his teaching post in Dsseldorf and had returned to his childhood home in Switzerland, Klee continued to be represented by a number of German-Jewish art dealers who had emigrated to the U.S. Eventually his work landed in the collections of The Museum of Modern Art and the Guggenheim, among others. Foremost among Klee's earliest American collectors was Katherine Dreier, whose Societe Anonyme, founded with artists Marcel Duchamp and Man Ray, sponsored the exhibitions of pioneering abstract art in which his paintings were first shown in America. In Los Angeles, Walter and Louise Arensberg assembled a vast collection of Klee's paintings. In 1939, Alfred Barr Jr. bought a first canvas for MoMA. Klee and America examines this history and offers an impressive selection of Klee's finest "American" works, both paintings and drawings.