12 products were found matching your search for kofman in 2 shops:

The internationally recognized philosopher, who committed suicide in 1995, presents a profound, deeply personal meditation on the thought of Maurice Blanchot, her father's death in the Auschwitz concentration camp, and the ethics of writing about the Holocaust. UP.

Marx, Freud, Nietzsche―in vastly different ways all three employed the metaphor of the camera obscura in their work. In this classic book―at last available in an English translation―the distinguished French philosopher Sarah Kofman offers an extended reflection on this metaphor. She contrasts the mechanical function of the camera obscura as a kind of copy machine, rendering a mirror-image of the work, with its use in the writings of master thinkers. In her opening chapter on Marx, Kofman provides a reading of inversion as necessary to the ideological process. She then explores the metaphor of the camera obscura in Freud's description of the unconscious. For Nietzsche the camera obscura is a "metaphor for forgetting." Kofman asks here whether the "magical apparatus" of the camera obscura, rather than bringing about clarity, serves some thinkers as fetish. Camera Obscura is a powerful discussion of a metaphor that dominates contemporary theory from philosophy to film.

Sarah Kofman (1934-1994), Professor of Philosophy at the Sorbonne in Paris and the author of over twenty books, was one of the most significant postwar thinkers in France. Kofman's scholarship was wide-ranging and included work on Freud and psychoanalysis, Nietzsche, feminism and the role of women in Western philosophy, visual art, and literature. The child of Polish Jewish immigrants who lost her father in the Holocaust, she also was interested in Judaism and anti-Semitism, especially as reflected in works of literature and philosophy. This book is an anthology of some of Kofman's most significant writings on these and other topics. Its purpose is to provide a general introduction to Kofman's thought, which has been highly influential in both Europe and America. Although some of the selections have been published previously, the majority of the books contents appear in English translation for the first time.

Sarah Kofman (1934-1994), Professor of Philosophy at the Sorbonne in Paris and the author of over twenty books, was one of the most significant postwar thinkers in France. Kofman's scholarship was wide-ranging and included work on Freud and psychoanalysis, Nietzsche, feminism and the role of women in Western philosophy, visual art, and literature. The child of Polish Jewish immigrants who lost her father in the Holocaust, she also was interested in Judaism and anti-Semitism, especially as reflected in works of literature and philosophy. This book is an anthology of some of Kofman's most significant writings on these and other topics. Its purpose is to provide a general introduction to Kofman's thought, which has been highly influential in both Europe and America. Although some of the selections have been published previously, the majority of the books contents appear in English translation for the first time.

Marx, Freud, Nietzsche―in vastly different ways all three employed the metaphor of the camera obscura in their work. In this classic book―at last available in an English translation―the distinguished French philosopher Sarah Kofman offers an extended reflection on this metaphor. She contrasts the mechanical function of the camera obscura as a kind of copy machine, rendering a mirror-image of the work, with its use in the writings of master thinkers. In her opening chapter on Marx, Kofman provides a reading of inversion as necessary to the ideological process. She then explores the metaphor of the camera obscura in Freud's description of the unconscious. For Nietzsche the camera obscura is a "metaphor for forgetting." Kofman asks here whether the "magical apparatus" of the camera obscura, rather than bringing about clarity, serves some thinkers as fetish. Camera Obscura is a powerful discussion of a metaphor that dominates contemporary theory from philosophy to film.

Rue Ordener, Rue Labat is a moving memoir by the distinguished French philosopher Sarah Kofman. It opens with the horrifying moment in July 1942 when the author’s father, the rabbi of a small synagogue, was dragged by police from the family home on Rue Ordener in Paris, then transported to Auschwitz—“the place,” writes Kofman, “where no eternal rest would or could ever be granted.” It ends in the mid-1950s, when Kofman enrolled at the Sorbonne.The book is as eloquent as it is forthright. Kofman recalls her father and family in the years before the war, then turns to the terrors and confusions of her own childhood in Paris during the German occupation. Not long after her father’s disappearance, Kofman and her mother took refuge in the apartment of a Christian woman on Rue Labat, where they remained until the Liberation. This bold woman, whom Kofman called Mémé, undoubtedly saved the young girl and her mother from the death camps. But Kofman’s close attachment to Mémé also resulted in a rupture between mother and child that was never to be fully healed.This slender volume is distinguished by the author’s clear prose, the carefully recounted horrors of her childhood, and the uncommon poise that came to her only with the passage of many years.

What do you do when your husband claims to be madly in love with you, but doesn't desire you sexually? When your therapist is more interested in opening an online sex-toy shop with your husband than in saving your marriage? Do you try yet another counselor, get divorced, or settle for a sexless marriage? Lee Kofman, rebellious daughter of ultra-orthodox Jews, has always sought her own way. True to her Bohemian dream where love can coexist with sexual freedom, she decided to experiment with an open marriage--despite the fact that her previous nonmonogamous relationship ended in disaster. Cultural mores suggest that love without monogamy is impossible, but Lee hoped she could do better the second time around and embarked on a personal exploration to find out whether she could save her marriage while being nonmonogamous in an ethical way. For several months she talked to swingers, polyamorists, cross-dressers, suburban families, artists, and migrants--in short, anyone who may have ever been involved in an unconventional relationship. Set during Lee's first years in Australia, it is also the story of migration, and an exploration of the eternal conflict between our desire for security, but also for foreign places, in love and elsewhere. "The Dangerous Bride" tells the story of her quest.

Eleonore Kofman and Parvati Raghuram argue for the benefits of social reproduction as a lens through which to understand gendered transformations in global migration. They highlight the range of sites, sectors, and skills in which migrants are employed and how migration is both a cause and an outcome of depletion in social reproduction.

More and more business leaders are catching on to an often-overlooked fact: consciousness is our basic faculty for survival and success. Without it, we forget what's important to us and lose sight of the steps we might take to reach those goals. Conscious business, explains Fred Kofman, means shining this awareness on every area of your work: in recognizing the needs of others and expressing your own; in seeing the hidden emotional obstacles that may be holding your team back; in making good decisions under pressure; and even in delving into such spiritual questions as "Who am I?" and "What is my real purpose here?" In Conscious Business, this visionary teacher and consultant to Google, Microsoft, Yahoo! and other leading companies presents the complete training manual in the breakthrough techniques he has shared with over 20,000 executives on four continents.

This work is an examination of four fictional texts on which Freud himself wrote; a fragmentary poem by Empedocles, Hebbel's "Judith and Holofernes", Jensen's "Gradiva" and E.T.A.Hoffmann's "The Sandman". In her analysis, Kofman is concerned to reassess these texts in the light of Freud's reading of them and to highlight what he misses out. She argues that Freud's claim to give faithful summaries of these works conceals his own editing and distortion of the texts. By interweaving her own commentary with Freud's and with the original texts, Kofman draws attention to the creation of myth and literature, to Freud's use of the literary text as proof of the analyst's theory, and to the process of literary interpretation as a revelation of the interpreter.

Metamanagement es una obra fundamental para nuestros tiempos. Pocas ideas de la era industrial han sido más destructivas que la fragmentación entre la vida ética y el éxito económico. Se nos está acabando el tiempo para corregir esa fractura. Fredy Kofman, uno de los mejores maestros que conozco, ofrece un conjunto de herra

Christus Oratorio Roman Kofman - CD 760623136660