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Harmony Korine: Interviews tracks filmmaker Korine's stunning rise, fall, and rise again through his own evolving voice. Bringing together interviews collected from over two decades, this unique chronicle includes rare interviews unavailable in print for years and an extensive, new conversation recorded at the filmmaker's home in Nashville.After more than twenty years, Harmony Korine (b. 1973) remains one of the most prominent and yet subversive filmmakers in America. Ever since his entry into the independent film scene as the irrepressible prodigy who wrote the screenplay for Larry Clark's Kids in 1992, Korine has retained his stature as the ultimate cinematic provocateur. He both intelligently observes modern social milieus and simultaneously thumbs his nose at them. Now approaching middle age, and more influential than ever, Korine remains intentionally sensationalistic and ceaselessly creative.He parlayed the success of Kids into directing the dreamy portrait of neglect, Gummo, two years later. With his audacious 1999 digital video drama Julien Donkey-Boy, Korine continued to demonstrate a penchant for fusing experimental, subversive interests with lyrical narrative techniques. Surviving an early career burnout, he resurfaced with a trifecta of insightful works that built on his earlier aesthetic leanings: a surprisingly delicate rumination on identity (Mister Lonely), a gritty quasi-diary film (Trash Humpers), and a blistering portrait of American hedonism (Spring Breakers), which yielded significant commercial success. Throughout his career he has also continued as a mixed-media artist whose fields included music videos, paintings, photography, publishing, songwriting, and performance art.

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Harmony Korine: Interviews tracks filmmaker Korine's stunning rise, fall, and rise again through his own evolving voice. Bringing together interviews collected from over two decades, this unique chronicle includes rare interviews unavailable in print for years and an extensive, new conversation recorded at the filmmaker's home in Nashville.After more than twenty years, Harmony Korine (b. 1973) remains one of the most prominent and yet subversive filmmakers in America. Ever since his entry into the independent film scene as the irrepressible prodigy who wrote the screenplay for Larry Clark's Kids in 1992, Korine has retained his stature as the ultimate cinematic provocateur. He both intelligently observes modern social milieus and simultaneously thumbs his nose at them. Now approaching middle age, and more influential than ever, Korine remains intentionally sensationalistic and ceaselessly creative.He parlayed the success of Kids into directing the dreamy portrait of neglect, Gummo, two years later. With his audacious 1999 digital video drama Julien Donkey-Boy, Korine continued to demonstrate a penchant for fusing experimental, subversive interests with lyrical narrative techniques. Surviving an early career burnout, he resurfaced with a trifecta of insightful works that built on his earlier aesthetic leanings: a surprisingly delicate rumination on identity (Mister Lonely), a gritty quasi-diary film (Trash Humpers), and a blistering portrait of American hedonism (Spring Breakers), which yielded significant commercial success. Throughout his career he has also continued as a mixed-media artist whose fields included music videos, paintings, photography, publishing, songwriting, and performance art.

In excellent condition with 2 corners showing slight wear.

The first comprehensive monograph on the cinema, art, and creative world of Harmony Korine, the boundary-breaking auteur of Mister Lonely, Kids, Gummo, and Spring Breakers. Harmony Korine’s talent as a writer and filmmaker has earned the approval of a wide range of audiences. His first major monograph gathers together many of his most significant projects, spanning film, writing, and art. Korine rose to prominence after penning Larry Clark’s infamous Kids (1995) at the age of nineteen. In the years since, he has created critically acclaimed cult classics, including Gummo, Julien Donkey-Boy, Mister Lonely, Trash Humpers, and Spring Breakers, as well as the lauded street-art documentary Beautiful Losers. Korine’s creative practice extends to photography, drawing, and figurative and abstract painting. This book is the first to reflect on Korine’s career to date, and will mark his massive influence on indie culture over the past twenty years. This project aims to explore the importance of process and experimentation as well as the artist’s wide variety of creative tools such as collage and editing that help shape his ever-changing practice. An interview by film critic Emmanuel Burdeau and an essay by curator Alicia Knock trace common themes through his films and art works, exploring Korine’s interests in the surreal quality of contemporary life.

Consisting of 49 photographs from Korine's private archive, Pigxote reveals a largely unexamined side of the artist's creative process. It depicts a mysterious young girl moving through a televised landscape of intuitively arranged "experiential moments," and offers further insight into the poetic mind of one of Nashville's finest sons.

23 x 29cm near fine paperback exhibition catalogue with text by Richard Prince and full page colour reproductions.

In excellent condition with 2 corners showing slight wear.

William Eggleston 414 is Harmony Korine and Juergen Teller s visual memoir of a road trip they took ten years ago with William Eggleston and his son, Winston, from Memphis to Mississippi. 144 Seiten, 28.6 x 20.9 cm, 865 g

21 x 31cm near fine paperback exhibition catalogue featuring full page colour reproductions. A small Gagosian library stamp on the inside front cover and a Gagosian library label, bottom right on inside rear wrapper.

A digital copy of "Harmony Korine" by Kohn. Download is immediately available upon purchase!

A digital copy of "Harmony Korine" by Kohn. Download is immediately available upon purchase!

Shadow Fux: The first collaborative work of New York artist Rita Ackermann and Nashville based director Harmony Korine consistes of large-scale paintings on vinyl and canvas, several drawings as well as one film, creating a grand presentation with dissonant overtones.

Four frustrated college girlfriends (Selena Gomez, Vanessa Hudgens, Ashley Benson and Rachel Korine) plot to fund their best spring break ever by burglarizing a fast-food shack. But that's only the beginning during a night of partying, the girls get arrested. Hungover and clad only in bikinis, the girls appear before a judge and get bailed out unexpectedly by Alien (James Franco), an infamous local dealer who takes them on the wildest spring-break trip in history.

Paperback. Pub Date :2002-04-08 Pages: 272 Language: English Publisher: Faber & Faber Only 23-years-old when he directed his extraordinary dbut feature Gummo. Harmony Korine has since continued to serve notice that he is the riskiest. most radical young talent in independent US film.This collection of three screenplays displays his defiantly unorthodox approach to film form. as well as the unclassifiable imaginative energy that drives all of his work.

The Beach Bum is the new film by provocateur filmmaker Harmony Korine (Spring Breakers). This unique, heartfelt and cutting edge comedy stars Matthew McConaughey in the role of Moondog, the titular beach bum. The film follows the unpredictable adventure of this rebellious poet and lovable rogue through Miami and the Florida Keys where he meets colorful characters interpreted by the likes of Jimmy Buffet, Snoop Dogg, Martin Lawrence and Zac Efron. The Beach Bum features an exciting soundtrack wit

Shadow Fux: The first collaborative work of New York artist Rita Ackermann and Nashville based director Harmony Korine consistes of large-scale paintings on vinyl and canvas, several drawings as well as one film, creating a grand presentation with dissonant overtones.

The bible of indie culture. index A to Z celebrates the uncompromising personalities, humor, and DIY brilliance of the indie generation and captures the spirit of the era with sections like F for Fashion, featuring designers Kate Spade and Marc Jacobs; I for Indie with Harmony Korine and John Waters; and others such as Royalty, Vanished, and X-Rated. Paying homage to Generation X's "It" glossy, this volume is packed with index's most memorable interviews and greatest photographs of the time, including previously unpublished outtakes and party pictures. Beginning as a low-budget, oversized fanzine in 1996, index magazine quickly became one of the most influential small publications in the United States. With a smart and irreverent voice that epitomized the late '90s indie ethos, the magazine brought together some of the most relevant cultural figures who were at that time young and often unknown, and who have since become cultural icons or celebrities, including Bjork, Scarlett Johansson, Alexander McQueen, and Ryan McGinley, to name just a few. New interviews with founders Peter Halley and Bob Nickas, a reminiscence by Bruce LaBruce, and a historical overview by Wendy Vogel offer further looks behind the scenes.

Whether defined by the carnivalesque excesses of Troma studios ( The Toxic Avenger), the arthouse erotica of Radley Metzger and Doris Wishman, or the narrative experimentations of Abel Ferrara, Melvin Van Peebles, Jack Smith, or Harmony Korine, underground cinema has achieved an important position within American film culture. Often defined as "cult" and "exploitation" or "alternative" and "independent," the American underground retains separate strategies of production and exhibition from the cinematic mainstream, while its sexual and cinematic representations differ from the traditionally conservative structures of the Hollywood system. Underground U.S.A. offers a fascinating overview of this area of maverick moviemaking by considering the links between the experimental and exploitative traditions of the American underground.