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The wide-ranging conceptual painter and artist Michael Krebber's Alien Hybrid Creatures addresses, among other things, the historical figure of the dandy--and among the dandies implicated is the spawning sea anemone on the cover. Published on the occasion of Krebber's (excellently titled) lecture "Puberty in Painting" at the Institute of Art History at the University of Cologne.

"Michael Krebber: Les escargots ridiculises / The ridiculized snails," catalogue published in conjunction with 2012-2013 survey exhibiton of same name at the CAPC, Bordeaux, France. The most comprehensive catalogue, to-date, covering the work and career of German artist Michael Krebber. 326 pages; hundreds of color images representing the artist's entire artistic career. Texts in both English and French, by Magnus Schafer, Catherine Chevalier.

"Michael Krebber: Les escargots ridiculises / The ridiculized snails," catalogue published in conjunction with 2012-2013 survey exhibiton of same name at the CAPC, Bordeaux, France. The most comprehensive catalogue, to-date, covering the work and career of German artist Michael Krebber. 326 pages; hundreds of color images representing the artist's entire artistic career. Texts in both English and French, by Magnus Schafer, Catherine Chevalier.

Published on the occasion of Michael Krebber's Cologne exhibition of the same name, this volume includes 96 drawings and paintings by the German conceptual painter born in 1954 and known in the 80s and 90s as the antithesis of other Berlin and Cologne painters like Baselitz, Lupertz, Kippenberger and Oehlen.

Michael Krebber: Apothekerman - first catalogue devoted to the work of German artist Michael Krebber. Texts by Merlin Carpenter and Mayo Thompson. Published to coincide with Krebber's first retrospective exhibition at the Kunstverein Braunschweig, 2000.

The artist and professor Michael Krebber recently invited his colleagues Gareth James, John Kelsey and Josef Strau to participate in an exhibition with the title Ical Krbbr Prdly Prsnts Gart Jas, Jon Klsy, Josf Stra. Minus a few of the necessary letters, the artists' names became a wall painting transformed into concrete poetry. As the exhibition freed itself from the curator's reins, the resulting exhibition catalogue also goes against conventional form and order. For example, a foreword by the editor turns out to be an artist's improvised speech on the topic of Puberty in Painting: "Now I have written: I can't decide any longer for one of these points of views or non-points of views." Artworks are not presented in groups by artist, but rather by associative links of picture strips, found-object texts, prose, drawings and collages.

Published on the occasion of Michael Krebber's Cologne exhibition of the same name, this volume includes 96 drawings and paintings by the German conceptual painter born in 1954 and known in the 80s and 90s as the antithesis of other Berlin and Cologne painters like Baselitz, Lupertz, Kippenberger and Oehlen.