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Unread book in perfect condition.

Unread book in perfect condition.

New Book. Shipped from UK. Established seller since 2000.

Ril. in cart., cm 27,5 x 22,5, pp 435, 576 tavv. e ill. a col. e alcune in b/n. - ISBN: 9783731911869

440 Seiten; 9783731911869.2 Sprache: Deutsch Gewicht in Gramm: 4

San Francisco-based artist Kota Ezawa draws on iconic imagery to create simplified renderings that comment on the influence of television, film and photography in shaping collective experience. Ezawa grew up in Germany, studying at the Kunstakademie Düsseldorf before moving to San Francisco in 1994. Since that time, he has worked and exhibited in a number of media, including film and, more recently, digital animation. Using well-known films, videos, and photographs, Ezawa explores the appropriation and mediation of current events and images. The History of Photography Remix draws on important art and documentary photographs made throughout the history of the medium. Kota Ezawa's work has been widely exhibited throughout the United States and Europe, and is included in such permanent collections as the Israel Museum, Jerusalem; the Museum of Modern Art, New York; and the San Francisco Museum of Modern Art. "New good artists generate considerable excitement nowadays, the more so because there are so few who are really good. One of them is Kota Ezawa"-- The New York Times. Hardcover, 12 x 12, 56 pages, 42 four-color plates.

Oda Jaune was born in Sofia, Bulgaria. She studied in the Kunstakademie Düsseldorf in the class of Jörg Im- mendorff, who she later married. Her art focuses on the biomorphic, the collaged, the abnormal, which ensure that her work continually evades the viewers grasp. Her work plays with the themes of ambivalence, attraction and withdrawal. Internal organs and emotional states blend together in imaginative, unreal, and occasionally gruesome ways, resulting in disturbing yet poetic works. Deformities, masks, and phallic-like growths distort the subject being portrayed and elude the viewers search for clarification. Her high-profile and controversial marriage thrust Oda into the public eye. This book strips back her celebrity and allows her unique talent to speak for itself. In 2012, she won the Pierre Cardin Prize in the Best Painter category. She is represented by Galerie Daniel Templon in Paris.

The German photographic movement commonly known as the Düsseldorf School of Photography has become synonymous with artistic excellence and innovation. It began in the mid-1970s at the Kunstakademie Düsseldorf, under the instruction of the photographers Bernd and Hilla Becher, known for their comparative grids of mundane industrial buildings captured with an objective and clinical eye. This school has not only birthed some of today's most important and successful photographers, but has also had a fundamental and lasting influence on the history of the medium. The Düsseldorf School of Photography presents over 160 images in a spectacular overview of the breadth of the Düsseldorf School from the early 1970s to today. This impeccable survey is filled with superb reproductions of the best-known photographs by three generations of key Düsseldorf artists: Bernd and Hilla Becher, Laurenz Berges, Elger Esser, Andreas Gursky, Candida Höfer, Axel Hütte, Simone Nieweg, Thomas Ruff, Jörg Sasse, Thomas Struth and Petra Wunderlich. With a scholarly text, extensive artist bios and a plate section dedicated to each of these artists, The Düsseldorf School of Photography offers the first comprehensive assessment of this important photographic movement―one that dominates the salesrooms and museums of our times.

San Francisco-based artist Kota Ezawa draws on iconic imagery to create simplified renderings that comment on the influence of television, film and photography in shaping collective experience. Ezawa grew up in Germany, studying at the Kunstakademie Düsseldorf before moving to San Francisco in 1994. Since that time, he has worked and exhibited in a number of media, including film and, more recently, digital animation. Using well-known films, videos, and photographs, Ezawa explores the appropriation and mediation of current events and images. The History of Photography Remix draws on important art and documentary photographs made throughout the history of the medium. Kota Ezawa's work has been widely exhibited throughout the United States and Europe, and is included in such permanent collections as the Israel Museum, Jerusalem; the Museum of Modern Art, New York; and the San Francisco Museum of Modern Art. "New good artists generate considerable excitement nowadays, the more so because there are so few who are really good. One of them is Kota Ezawa"-- The New York Times. Hardcover, 12 x 12, 56 pages, 42 four-color plates.

Dresden war in den 1920er Jahren eines der wichtigsten Zentren der Neuen Sachlichkeit und des Verismus in Deutschland. Die Dresdner Kunstakademie pragte eine ganze Generation von Kunstlern - von Otto Dix, George Grosz, Otto Griebel, Bernhard Kretzschmar, Hans Grundig, Wilhelm Lachnit bis Rudolf Bergander, Curt Querner und Willy Wolff. In kuhler Distanz und messerscharfer Prazision beschrieben die Maler ihre Wirklichkeit. Bissige Ironie stand altmeisterlicher Eleganz gegenuber. Werke von uber 70 Kunstlern, zum Teil bislang nahezu unbekannte Positionen von uberraschender Qualitat, sind in diesem Kompendium zusammengefuhrt. Das grosszugig bebilderte Buch bietet erstmals einen Uberblick uber die facettenreiche Kunststromung in den Jahren der Weimarer Republik bis 1933.

Dresden war in den 1920er Jahren eines der wichtigsten Zentren der Neuen Sachlichkeit und des Verismus in Deutschland. Die Dresdner Kunstakademie pragte eine ganze Generation von Kunstlern - von Otto Dix, George Grosz, Otto Griebel, Bernhard Kretzschmar, Hans Grundig, Wilhelm Lachnit bis Rudolf Bergander, Curt Querner und Willy Wolff. In kuhler Distanz und messerscharfer Prazision beschrieben die Maler ihre Wirklichkeit. Bissige Ironie stand altmeisterlicher Eleganz gegenuber. Werke von uber 70 Kunstlern, zum Teil bislang nahezu unbekannte Positionen von uberraschender Qualitat, sind in diesem Kompendium zusammengefuhrt. Das grosszugig bebilderte Buch bietet erstmals einen Uberblick uber die facettenreiche Kunststromung in den Jahren der Weimarer Republik bis 1933.