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Nachdem bereits 1993 ein Reprintband der Ausstellungskataloge des Konigsberger Kunstvereins aus den Jahren 1899 bis 1943 vorgelegt wurde, konnen jetzt die ausserst seltenen und schwer zuganglichen Kataloge des 19. Jahrhunderts vom Jahr der Grundung des Vereins an (1832) zuganglich gemacht werden. Der Nachdruck umfasst 35 Kunstkataloge, die eine einzigartige Quellenbasis fur die Kunst Konigsbergs und der preussischen Provinzen bilden. Eine Vielzahl von kunsthistorischen Themen lasst sich durch sie erschliessen, z. B. die fruhe Landschaftsmalerei, die Geschichte der Konigsberger Akademie und die Aktivitaten der Kunstvereine. Insgesamt bieten die Kataloge ein grosses Spektrum von etwa 4.000 Kunstlern - darunter so bekannte wie Caspar David Friedrich, Adolph Menzel, Wilhelm Schadow und Karl Friedrich Schinkel - und von kunstlerischen Tendenzen aus ganz Deutschland. Die Einleitung informiert uber die Geschichte des Kunstvereins und das Kunstleben der Stadt. Die Kataloge sind uber ein ausfuhrliches Kunstlerregister leicht und zuverlassig zu erschliessen.

271 Seiten. Mit Illustrationen. 28 cm, broschiert. Einbandrückseite tewas beschabt. Sonst einwandfreies Exemplar. Sprache: Deutsch.

60 Seiten, Dt. / Engl. Schutzumschlag mit Randläsuren. ISBN: 9783906662114 Sprache: Deutsch Gewicht in Gramm: 396

Rockets, guns, body fragments, collages, stencils, spray paints and crazy colours are the characteristic elements that populate Kiki ­Kogelnik's multicoloured universe. ­Kogel­nik was born in 1935 in Graz and grew up in Klagenfurt, Carinthia. After her time at the Vienna Academy, she left for the USA in 1961, ultimately settling in New York City in 1962. It is then no ­accident that the East-Coast Pop Art canon, ­popularised by her male counterparts at this time, ­resonates in her work. But contrary to the material games or ­pronounced brand ­fetishism of her contemporaries, the young Austrian hoisted the standard of expanding consciousness and, from Pop Art's very inception, ­viewed the relationship between the love of technology and conquest mentality with an extremely critical eye. It is possible to see this in her paintings, alternatively they can be read as critical statements, as well as a naïve contemporary witness to sixties' euphoria. Utopia is the magic watchword that sums up Kiki ­Kogelnik's formal and thematic peregrinations; she is interested in transformation, in overcoming the perplexities of space and time, and she always considered the present to be the start of a better future. Small ­wonder than that she es­poused Women's Lib and, from that point on, devoted herself to ­issues of ­gender affiliation. The ­retrospec­-tive exhibition at the Kunstverein Hamburg and the ­elaborately ­designed and printed catalogue, bear eloquent witness to all these various stages in the oeuvre of an unusual artist. Kiki Kogelnik died in Vienna in 1997.

The first monograph by this popular contemporary chinese artist profiles her work which has highlighted her as a rising talent in the international art scene. The monograph includes images, quotes by the artist and text by art historian Britta von Campenhausen and chinese art expert, Ulrike Munter. The book has been designed by the award-winning Yang Liu.

27 pp., Paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Book One: Selected Writings offers an illustrated and complete collection of the texts Tacita Dean has written concerning films and other projects she has made between 1992 and the present. Book Two: 12.10.02 - 21.12.02 reprints the artist's book Dean made for her show at the Kunstverein fr die Rheinlande und Westfalen in October 2002. The exhibition dates provide the title of the book, which in turn relates to the discovery and filming of Marcel Broodthaers' studio, his Section Cinema in Dsseldorf and the works that were inspired by this. Book Three: W. G. Sebald gives homage to the German writer who was killed in a car accident in 2001. It takes its starting point from a reference in his book The Rings of Saturn and then weaves a meandering narrative between history and autobiography, England and Germany, and ends up, strangely enough, in Texas. Book Four: The Russian Ending shows a set of 20 photogravures made by the artist in 2001. From found postcards the artist made fictional sad endings for films, borrowing from the early days of the Danish Film Industry when it was necessary to make two endings: a happy one for the Americans and a sad one for the Russians. Book Five: Boots is a soliloquy presented in three languages: English, French and German. Each version is a different fictional take on the movement and musings of the character, Boots, in a villa in Portugal. Though it looks like a film script, the book is in fact a transcription of the action in a film with the same name. Book Six: Complete Works and Filmography, 1991 - 2003 is exactly what it says it is. Book Seven: Essays includes texts by Julia Garimorth, Rita Kersting, Jean-Luc Nancy and Michael Newman with a foreword by Laurence Bossª, Senior Curator at ARC/Museª d'art moderne de la ville de Paris.

The CD publication is being released as part of the Wolfgang Tillmans's "There were 30 years between 1943 and 1973. 30 years from 1973 was the year 2003" exhibition, which is being held at the Kunstverein in Hamburg in fall 2017. Wolfgang Tillmans has devised a 35-minute sound installation as part of the exhibition. The installation takes the exhibition's inner-city context as it's starting point, and operates in conjunction with numerous photographs (from a variety of Tillmans' s work phases) a

Published on the occasion of an exhibition, "Your Plinth is My Lap," at Dundee Contemporary Arts and the Neuer Aachener Kunstverein.

In 2015, Magali Reus (born 1981) opened the first of four exhibitions co-commissioned by SculptureCenter, New York; Hepworth Wakefield, England; Westfälischer Kunstverein, Münster, Germany; and Fondazione Sandretto Re Rebaudengo, Turin, Italy. The culmination of these projects is documented here.

On the occasion of the 100th anniversary of the Overbeck Society, the book is a comprehensive publication presenting the history of the Lübecker Kunstverein (Lübeck Art Association) in the 20th and 21st centuries. Together with the works of the anniversary exhibition, an architectural history study of the Bauhaus Pavilion, and a complete chronology of its exhibitions and publications.

Quarto. 114pp. Blue cloth, front cover & spine lettered in white. Illustrated throughout with photographs (chiefly in color). A fine, as new copy, still in publisher's shrinkwrap. Catalog of an exhibition held at Kunstverein Recklinghausen and at the Brotfabrik Galerie, Berlin./ Also issued online. This is volume 32 of the Fotohof series on photography.

English / German, 240 x 305 mm, 448 pages with color illustrations, softcover, ISBN 978-3-943514-46-9, published by BOM DIA BOA TARDE BOA NOITE and k.m Kunstverein München, designed by Studio Manuel Raeder This book is an overview of the exhibition program of Bart van der Heide from 2010 - 2015, which he realised as the director of Kunstverein München. Each exhibition is presented by a corresponding booklet, containing all texts and images. These accompanying publications were designed individually for each exhibition in cooperation with Studio Manuel Raeder. The different designs play with various fonts, formats, and graphic elements. Together with these publications, a variety of coloured images of exhibition views conveys the curatorial direction as well as the identity of the Kunstverein in those years. A reflection by Bart van der Heide and all booklet texts are included in both German and English.

With a focus on both older and newer works, and complemented by site-specific wall paintings and drawings, Pearl Lines presents the colorful and surreal paintings of New York–based artist Walter Price (born 1989). It is published for his exhibition at Kölnischer Kunstverein.

Numerous photographers of note have devoted a substantial share of their creative effort to the theme of the male nude. Indeed, many of them have made a name for themselves with nude photography.Peter Weiermair, Director of the Frankfurter Kunstverein, has arrived at an excellent and thoroughly expert selection. The result is a genuine anthology of male nude photography. It is at once a document of photographic history and a book that is sure to appeal to everyone interested in photography and art.

Edition of 2,500. Includes separate paperback inset that includes forward, biography, work list and colophon. Published on the occasion of the exhibition : Christopher Wool : Paintings 1986-1990 Museum Boymans-van Beuningen Rotterday, 16.2-7.4.1991 Kunstverein Koln, 27.4.-16.6.1991

Michael Krebber: Apothekerman - first catalogue devoted to the work of German artist Michael Krebber. Texts by Merlin Carpenter and Mayo Thompson. Published to coincide with Krebber's first retrospective exhibition at the Kunstverein Braunschweig, 2000.

175 S., Abb., 23 cm, Text Deutsch und Englisch, Kunststoffschutzumschlag mit Läsur. anlässlich der Ausstellungen Carol Bove. The Science of Being and the Art of Living im Kunstverein in Hamburg vom 13. September bis 9. November 2003 und Carol Bove vom 28. Februar bis 4. April 2004 in der Kunsthalle Zürich] / Kunstverein in Hamburg; Kunsthalle Zürich. Sprache: Deutsch

Heinrich Christian Wilhelm Busch (1832-1908) war einer der bedeutendsten humoristischen Dichter Deutschlands und gilt wegen seiner satirischen Bildergeschichten in Versen als einer der Urväter des Comics. 1854 trat Wilhelm Busch dem Kunstverein Jung München bei. Seit 1858 befasste er sich intensiv mit Aktstudien, Anatomie, Zeichnen und Malen. 1864 vollendete er das Werk Der Heilige Antonius von Padua, das jedoch wegen Blasphemie verboten wurde und erst sechs Jahre später erschien. Bis 1884 veröffentlichte er einige seiner berühmtesten Geschichten, wie Fipps der Affe oder Die fromme Helene. Buschs virtuose Kombination von Wort und Bild stellt gleichsam einen Vorgriff auf Comic und Zeichentrickfilm dar. Neben seinen bekannten Werken malte Busch auch etwas mehr als 1.000 Ölbilder, die er Zeit seines Lebens zurückhielt und die erst nach seinem Tod veröffentlicht wurden. Er gilt als Wegbereiter der Moderne. Zu seinen Werken gehören u. a. auch: Max und Moritz (1865), Hans Huckebein (1867), Pater Filucius (1867), Kritik des Herzens (1874) und Plisch und Plum (1882).

Carrier documents the work of Oakland-based artist K.R.M. Mooney (born 1990), who creates sculptures and site-specific installations that are sometimes attached to existing fixtures, and whose (found) components suggest mechanical utility. Published for Mooney’s solo exhibition at Kunstverein Braunschweig’s Remise, Carrier includes texts, a poem and an artist interview.