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Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 0.35

Sleep in style with the Signature Sleep Laurier Platform Bed with Headboard. This bed is the perfect centerpiece for any bedroom with its simple, modern and versatile design. It is strong and durable as it is made with a sleek sturdy metal. This bed comes with heavy-duty steel slats that provide the perfect support for your mattress without requiring an additional foundation or box spring. It is ideal for small spaces as it has 12 in. of clearance for under-bed storage. Finally, this Signature Sleep bed has 38 in. stylish headboard that even though it is low-profile, it will perfectly accentuate your room. Color: Black Metal.

Sleep in style with the Signature Sleep Laurier Platform Bed with Headboard. This bed is the perfect centerpiece for any bedroom with its simple, modern and versatile design. It is strong and durable as it is made with a sleek sturdy metal. This bed comes with heavy-duty steel slats that provide the perfect support for your mattress without requiring an additional foundation or box spring. It is ideal for small spaces as it has 12 in. of clearance for under-bed storage. Finally, this Signature Sleep bed has 38- in. stylish headboard that even though it is low-profile, it will perfectly accentuate your room. Color: Black Metal.

Sleep in style with the Signature Sleep Laurier Platform Bed with Headboard. This bed is the perfect centerpiece for any bedroom with its simple, modern and versatile design. It is strong and durable as it is made with a sleek sturdy metal. This bed comes with heavy-duty steel slats that provide the perfect support for your mattress without requiring an additional foundation or box spring. It is ideal for small spaces as it has 12 in. of clearance for under-bed storage. Finally, this Signature Sleep bed has 38- in. stylish headboard that even though it is low-profile, it will perfectly accentuate your room. Color: Gold Metal.

Part of the Laurier collection Color/finish: brass/gray Measurements: 11.75in x 11.75in x 24.75in 50% Iron, 15% Glass, 10% Faux Fur, 25% MDF Wipe Clean, no abrasives Fully assembled Imported

Upgrade your casual shorts collection with these Jacquemus workwear shorts. Designed with a relaxed fit and knee-length, they feature a spacious utility pocket on the front for added functionality. Crafted from 100% cotton, these oversized shorts are a must-have for any modern man's wardrobe. Ref: 101530.

Brand from Japan: TANBAYA. Color: As Figure Shown, Materials: Polyethylene Foam, Polyester, Size: Size: W1500H900mm, (Package Size: W320H210D110mm) , Care: N/A

Astérix - Dargaud n° 18 (1972) - Albert UDERZO Astérix - 18 - Les Lauriers de césar - DL 2ème trimestre 1972

One of Canada's best-loved and most-read historians, Laurier LaPierre, provides an intimate portrait of Sir Wilfrid, from his school days at the College classique and McGill University law school, his marriage to his beloved Zoe and his friendship with the beguiling Emile.

1970'S DES LAURIERS DE-60 - MIJ - MADE IN JAPAN (MATSUMOKU) FANTASTIC CONDITION! VERY RARE EARLY DES LAURIERS DE-60 (SERIAL# 448) FROM THE MATSUM...

Part of the Laurier collection Color/finish: gold/white Measurements: 11.75in x 11.75in x 24.75in 50% Iron, 15% Glass, 10% Faux Fur, 25% MDF Wipe Clean, no abrasives Assembly required Imported

I Remember Laurier is the story―actually, thirty-seven stories―of the little university that could, told by some of those who devoted themselves to transforming the school from its modest beginnings into a superb small liberal arts college, and in turn to the university whose growth, diversification, research, and partnerships characterize it today. Although the stories are diverse in content, viewpoint, and tone, readers will note a number of unifying themes, one being nostalgia for a small university where faculty, staff, and students were close and new initiatives were readily approved and easily implemented. Here too are reflections, sometimes bemused and sprinkled with humour, on professors, administrators, and students, the “Laurier Experience,” and significant events such as “WLU” becoming “WLU” (Waterloo Lutheran University was renamed Wilfrid Laurier University in 1973). Evident throughout is the pride of the contributors in the development of the university to its current status and in having played a role. In the photo album at the back of the book readers will find vintage prints of the authors and of many others mentioned in the book. More photos will soon be available on the website of the Wilfrid Laurier Retirees’ Association: http://www.wlu.ca/retirees.

I Remember Laurier is the story―actually, thirty-seven stories―of the little university that could, told by some of those who devoted themselves to transforming the school from its modest beginnings into a superb small liberal arts college, and in turn to the university whose growth, diversification, research, and partnerships characterize it today. Although the stories are diverse in content, viewpoint, and tone, readers will note a number of unifying themes, one being nostalgia for a small university where faculty, staff, and students were close and new initiatives were readily approved and easily implemented. Here too are reflections, sometimes bemused and sprinkled with humour, on professors, administrators, and students, the “Laurier Experience,” and significant events such as “WLU” becoming “WLU” (Waterloo Lutheran University was renamed Wilfrid Laurier University in 1973). Evident throughout is the pride of the contributors in the development of the university to its current status and in having played a role. In the photo album at the back of the book readers will find vintage prints of the authors and of many others mentioned in the book. More photos will soon be available on the website of the Wilfrid Laurier Retirees’ Association: http://www.wlu.ca/retirees.

New Book. Shipped From Uk. This Book Is Printed On Demand. Established Seller Since 2000.

The selections in Fierce Departures, drawn from Dionne Brand’s work since 1997, delineate with searing eloquence how history marks and dislocates peoples of the African diaspora, how nations, concretely and conceptually, fail to create safe haven, and how human desire persists nevertheless. Through a widening canvas, Brand unfolds the (im)possibilities of belonging for those whom history has dispossessed. Yet she also shows how Canada, and in particular Toronto, remade by those who alight on it, is a place of contingency. Known for her linguistic intensity and lyric brilliance, Brand consoles through the beauty of her work and disturbs with its uncompromising demand for ethical witness. In her introduction, editor Leslie C. Sanders traces the evolution of Brand’s poetic concerns and changing vision. In particular, she observes Brand’s complex use of landscape and language to delineate the ethical and emotional issues around the desire for place. She argues that Brand reformulates Northrop Frye’s question “Where is here?,” disturbing and expanding the national imaginary. As afterword, Brand has selected passages from her evocative collection of essays A Map to the Door of No Return. Read as an ars poetica, the passages summon the presences of those whose lives are circumscribed by the histories the poet narrates as her own.

Lorna Crozier’s radical imagination, and the finely tuned emotional intelligence that is revealed in the clarity of her poetry, have made her one of Canada’s most popular poets. Before the First Word: The Poetry of Lorna Crozier is a collection of thirty-five of her best poems, selected and introduced by Catherine Hunter, and includes an afterword by Crozier herself. Representing her work from 1985 to 2002, the collection reveals the wide range of Lorna Crozier’s voice in its most lyrical, contemplative, ironic, and witty moments. Hunter’s introduction discusses the poet’s major themes, with particular attention to her feminist approach to biblical myth and her fascination with absence and silence as sites for imaginative revision. Crozier’s afterword, “See How Many Ends This Stick Has: A Reflection on Poetry,” is a lyrical meditation that provides an inspirational glimpse into the philosophy of a writer who prizes the intensity of awareness that poetry demands, and is tantalized by what predates speaking and all that cant be named. An engaging volume that will appeal to undergraduate students as well as general readers of poetry. Lorna Crozier’s work has won many awards, including the Governor Generals Award in 1992 (for Inventing the Hawk), the first prize for poetry in the CBC Literary Competition, the Canadian Authors Association Award for Poetry in 1992, a National Magazine Award in 1995, and two Pat Lowther Memorial Awards (1993 and 1996) for the best book of poetry by a Canadian woman. She has published fourteen books of poetry, most recently, Whetstone. Born in Swift Current, Saskatchewan, she now lives in British Columbia, where she is a Distinguished Professor at the University of Victoria.

It was Sir John A. Macdonald's last campaign. His Conservatives had dominated Canadian politics since Confederation. Their National Policy, which protected Canadian manufacturers from foreign competition, was well established and affection for the "Old Man" was deep and widespread. The Liberal leader, Wilfrid Laurier, was new in the job and uncertain that a Roman Catholic from Quebec had any chance of winning votes outside his home province. But Macdonald's decision to hang Louis Riel had split the country, the economy was in the doldrums, and a movement in support of free trade with the United States gave the Liberals hope. In this richly textured narrative, Christopher Pennington spins a colourful tale of a country poised to make a momentous choice and of nineteenth century politics both at its most principled and at its most corrupt.

"I build this story like my lair. One willow, / a rib at a time" ("The Crooked Good").Since 1990, Sky Dancer Louise Bernice Halfe’s work has stood out as essential testimony to Indigenous experiences within the ongoing history of colonialism and the resilience of Indigenous storytellers. Sôhkêyihta includes searing poems, written across the expanse of Halfe’s career, aimed at helping readers move forward from the darkness into a place of healing.Halfe’s own afterword is an evocative meditation on the Cree word sôhkêyihta: Have courage. Be brave. Be strong. She writes of coming into her practice as a poet and the stories, people, and experiences that gave her courage and allowed her to construct her “lair.” She also reflects on her relationship with nêhiyawêwin, the Cree language, and the ways in which it informs her relationships and poetics.The introduction by David Gaertner situates Halfe’s writing within the history of whiteness and colonialism that works to silence and repress Indigenous voices. Gaertner pays particular attention to the ways in which Halfe addresses, incorporates, and pushes back against silence, and suggests that her work is an act of bearing witness – what Kwagiulth scholar Sarah Hunt identifies as making Indigenous lives visible.

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Book is in NEW condition. 1.59