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For decades, Walter Legge (1906-1979) was the dominant figure in the recording of classical music. As music critic of the Manchester Guardian, head of the classical division of EMI/Angel, assistant artistic director at Covent Garden, and founder-owner of the great Philharmonia Orchestra, he was at the very center of international musical life during the mid-twentieth century. A self-absorbed authoritarian and perfectionist who was either revered or detested by his contemporaries, Legge was passionately devoted to the highest standards of performance. Known as the "autocract of the turntable" or "the pope of music," Legge collaborated with such singers and conductors as Maria Callas, Herbert von Karajan, Sir Thomas Beecham, and Otto Klemperer to produce hundreds of recordings that are still considered the finest ever made in opera, the symphonic literature, chamber music, and especially German Lieder. In On and Off the Record, the great soprano Elisabeth Schwarzkopf, Legge's wife and musical associate for over thirty years, compiles and annotates writings both by and about her late husband to provide a fascinating and rich portrait of this complicated musical genius. Connected by Schwarzkopf's own charming narrative, the collection combines fragments from Legge's unfinished autobiography, his correspondence, and his musical criticism with tributes from colleagues as well as radio and television interviews. The work includes an appreciation by Dorle Soria, cofounder of Angel Records, observations by distinguished musicologist Edward Greenfield on Legge's studio sessions, and a selected discography by Alan Sanders. On and Off the Record is both a history of a golden age of recording and a lively memoir of the brilliant man who influenced it more than any other single person.

La Polizia Incrimina la Legge Assolve (High Crime) (Original Soundtrack Music of the Film) (IMPORT) Various Artists - CD 8032539491266

Italian language. 7.56x4.57x0.55 inches. In Stock.

In this magisterial study, Norman J. Girardot focuses on James Legge (1815-1897), one of the most important nineteenth-century figures in the cultural exchange between China and the West. A translator-transformer of Chinese texts, Legge was a pioneering cross-cultural pilgrim within missionary circles in China and within the academic world of Oxford University. By tracing Legge's career and his close association with Max Müller (1823-1900), Girardot elegantly brings a biographically embodied approach to the intellectual history of two important aspects of the emergent "human sciences" at the end of the nineteenth century: sinology and comparative religions.Girardot weaves a captivating narrative that illuminates the era in which Legge lived as well as the surroundings in which he worked. His encyclopedic knowledge of pertinent figures, documents, peculiar ideologies, and even the personal quirks of principal and minor players brings the world of imperial China and Victorian England very much to life. At the same time, Girardot gets at the roots of much of the twentieth-century discourse about the strange religious or nonreligious otherness of China.

Book is in NEW condition. 0.38

The Frameworks GFW-AV-LCD-25 AV stand features a LiftEEZ self-rising center tube piston can lift up to 40 pounds on its own. This deluxe quad legge...

BURMESTER CD 102 LETTORE CD PLAYERFULL SETLettore CD con trazione direttaDAC integrato legge file da 96 fino a 192 Khz 24 bituscita analogica XLR e...

Prodotto reso dal cliente nei termini di legge. Pedale pari al nuovo senza segni d'uso, con scatola. Product returned by the customer in accordance...

These two volumes contain the complete James Legge translation of the sacred writings of the great mystical religion that for millennia has counterbalanced the official Confucianism of the Chinese state. Together with the Confucian canon, these writings have been avidly studied by generations of Chinese scholars and literary men and their place in the formation of Chinese civilization is central.First published as volume xxxix and xl of Max Müller's Sacred Books of the East series, these volumes contain the complete texts of the Tao Te Ching attributed to Lao Tzü; the writings of Chuang Tzü; and several shorter works; the T'ai Shang or Tractate of Actions and Their Retributions, the Ch'ing Chang Ching or Classic of Purity, the Yin Fu Ching of Classic of the Harmony of the Seen and Unseen, the Yü Shu Ching or Classic of the Pivot of jade, and the Hsia Yung Ching or Classic of the Directory for a Day. Many of these lesser documents are to be found in translation only in this collection.Professor Legge, who held the chair in Chinese language and literature at Oxford for 20 years, introduces the collection with a discussion of differences among Confucianism, Taoism, and Buddhism, the authorship of the Tao Te Ching, the real meaning of Tao in Chinese thought, and other backgrounds.Orientalists and students of religion have long recognized this collection as indispensable. But laymen will find that the Tao Te Ching is not only profound but provocative and stimulating and that the parables and tales in the work of Chuang Tzü are delightful reading.

Deluxe 70 CD box set including each individual release (complete opera or recital CD) presented in it's original artwork, 136 pages hardback book containing essays, a biography and chronology, rarely-seen photos and also reproductions of revealing correspondence between Maria Callas, Walter Legge and other EMI executives. Librettos and texts are included on a CD-ROM, and individual albums carry new notes on the specific recording.

The Trinitarian Christology of St Thomas Aquinas brings to light the Trinitarian riches in Thomas Aquinas's Christology. Dominic Legge, O.P, disproves Karl Rahner's assertion that Aquinas divorces the study of Christ from the Trinity, by offering a stimulating re-reading of Aquinas on his own terms, as a profound theologian of the Trinitarian mystery of God as manifested in and through Christ. Legge highlights that, for Aquinas, Christology is intrinsically Trinitarian, in its origin and its principles, its structure, and its role in the dispensation of salvation. He investigates the Trinitarian shape of the incarnation itself: the visible mission of the Son, sent by the Father, implicating the invisible mission of the Holy Spirit to his assumed human nature. For Aquinas, Christ's humanity, at its deepest foundations, incarnates the very personal being of the divine Son and Word of the Father, and hence every action of Christ reveals the Father, is from the Father, and leads back to the Father. This study also uncovers a remarkable Spirit Christology in Aquinas: Christ as man stands in need of the Spirit's anointing to carry out his saving work; his supernatural human knowledge is dependent on the Spirit's gift; and it is the Spirit who moves and guides him in every action, from Nazareth to Golgotha.

The Trinitarian Christology of St Thomas Aquinas brings to light the Trinitarian riches in Thomas Aquinas's Christology. Dominic Legge, O.P, disproves Karl Rahner's assertion that Aquinas divorces the study of Christ from the Trinity, by offering a stimulating re-reading of Aquinas on his own terms, as a profound theologian of the Trinitarian mystery of God as manifested in and through Christ. Legge highlights that, for Aquinas, Christology is intrinsically Trinitarian, in its origin and its principles, its structure, and its role in the dispensation of salvation. He investigates the Trinitarian shape of the incarnation itself: the visible mission of the Son, sent by the Father, implicating the invisible mission of the Holy Spirit to his assumed human nature. For Aquinas, Christ's humanity, at its deepest foundations, incarnates the very personal being of the divine Son and Word of the Father, and hence every action of Christ reveals the Father, is from the Father, and leads back to the Father. This study also uncovers a remarkable Spirit Christology in Aquinas: Christ as man stands in need of the Spirit's anointing to carry out his saving work; his supernatural human knowledge is dependent on the Spirit's gift; and it is the Spirit who moves and guides him in every action, from Nazareth to Golgotha.

Paul Kletzki is best remembered today for his conducting career and many recordings. Kletzki was invited by EMI's Walter Legge to conduct the newly-formed Philharmonia Orchestra in London and many fine recordings were made (including this Sibelius record in early stereo) for EMI. Recorded in stereo on 15 & 16 July 1955 at the Kingsway Hall, London. Produced by the legendary Walter Legge and engineered by Douglas Larter and Neville Boyling. Cut at Abbey Road Studios from the original stereo analo

All'inizio degli anni Trenta diversi fattori si intrecciano e danno vita in Italia alla rinascita di una cinematografia giunta a toccare quota zero: una legge che incoraggia la ripresa della produzione autarchica e ostacola la marcia trionfale delle Majors americane, l'avvento del sonoro e un vero e proprio ricambio generazionale, che vede entrare in scena un gruppo di giovani guidati da Alessandro Blasetti e ispirati dalle teorie e pratiche del cinema sovietico. Dai primi anni Trenta alla caduta del regime la parola d'ordine, comune a tutte le voci - fasciste e antifasciste - del cinema italiano è aprire gli occhi sul Paese, fino a quel momento assente dal grande schermo. La fame di realtà unisce e accomuna una serie di film che, da "Gli uomini che mascalzoni" di Camerini, attraversano l'intero periodo fino ad approdare a "Ossessione" di Visconti, il momento più alto nella realizzazione di un nuovo modo di fare cinema. Da parte sua il fascismo mantiene verso l'industria del grande schermo un atteggiamento più tollerante che verso altri settori della vita sociale e culturale. Una volta assicuratosi il controllo dell'informazione con i cinegiornali Luce, il Duce non chiede mai esplicitamente a registi e produttori di piegarsi alle esigenze della propaganda e i pochi tentativi in tal senso ("Scipione l'africano" su tutti) risultano ben poca cosa.

These two volumes contain the complete James Legge translation of the sacred writings of the great mystical religion that for millennia has counterbalanced the official Confucianism of the Chinese state. Together with the Confucian canon, these writings have been avidly studied by generations of Chinese scholars and literary men and their place in the formation of Chinese civilization is central.First published as volume xxxix and xl of Max Müller's Sacred Books of the East series, these volumes contain the complete texts of the Tao Te Ching attributed to Lao Tzü; the writings of Chuang Tzü; and several shorter works; the T'ai Shang or Tractate of Actions and Their Retributions, the Ch'ing Chang Ching or Classic of Purity, the Yin Fu Ching of Classic of the Harmony of the Seen and Unseen, the Yü Shu Ching or Classic of the Pivot of jade, and the Hsia Yung Ching or Classic of the Directory for a Day. Many of these lesser documents are to be found in translation only in this collection.Professor Legge, who held the chair in Chinese language and literature at Oxford for 20 years, introduces the collection with a discussion of differences among Confucianism, Taoism, and Buddhism, the authorship of the Tao Te Ching, the real meaning of Tao in Chinese thought, and other backgrounds.Orientalists and students of religion have long recognized this collection as indispensable. But laymen will find that the Tao Te Ching is not only profound but provocative and stimulating and that the parables and tales in the work of Chuang Tzü are delightful reading.

Translation of: Dio e la legge naturale: una rilettura di Tommaso d'Aquino.

All'inizio degli anni Trenta diversi fattori si intrecciano e danno vita in Italia alla rinascita di una cinematografia giunta a toccare quota zero: una legge che incoraggia la ripresa della produzione autarchica e ostacola la marcia trionfale delle Majors americane, l'avvento del sonoro e un vero e proprio ricambio generazionale, che vede entrare in scena un gruppo di giovani guidati da Alessandro Blasetti e ispirati dalle teorie e pratiche del cinema sovietico. Dai primi anni Trenta alla caduta del regime la parola d'ordine, comune a tutte le voci - fasciste e antifasciste - del cinema italiano è aprire gli occhi sul Paese, fino a quel momento assente dal grande schermo. La fame di realtà unisce e accomuna una serie di film che, da "Gli uomini che mascalzoni" di Camerini, attraversano l'intero periodo fino ad approdare a "Ossessione" di Visconti, il momento più alto nella realizzazione di un nuovo modo di fare cinema. Da parte sua il fascismo mantiene verso l'industria del grande schermo un atteggiamento più tollerante che verso altri settori della vita sociale e culturale. Una volta assicuratosi il controllo dell'informazione con i cinegiornali Luce, il Duce non chiede mai esplicitamente a registi e produttori di piegarsi alle esigenze della propaganda e i pochi tentativi in tal senso ("Scipione l'africano" su tutti) risultano ben poca cosa.

Vi er alle lei av lærebøker som begynner med Hei! Hva heter du?, ikke sant? Mysteriet om Nils er basert på en fortløpende historie. Du klarer kanskje ikke å legge den fra deg? Da må du nok lære norsk! Det er ikke nødvendig at du har jobbet med del 1 av historien siden introduksjonen forteller deg alt som har skjedd i den forrige boka. Vi har sørget for at historien stort sett består av de mest brukte ordene i det norske språket. Andre tekster og tilleggsoppgaver omhandler konversasjonstemaer og forbereder deg til livet i Norge. Du får kanskje hodepine av grammatikk? Ikke med Mysteriet om Nils. Oppdag strukturene i det norske språket med bilder, enkle og likevel omfattende forklaringer og mange eksempler som er lette å huske. Repetisjon er særlig viktig når du lærer et språk. På skapago.eu/nils finner du lydklipp til historien, diverse øvelser, en glosetrener, uttalevideoer og mye mer - og det meste av dette er gratis. Lærerne våre har vært med på å utforme denne boka. De kjenner til alle vanskeligheter du kan snuble over, og de kan støtte deg med individuell norskundervisning. Siden vi underviser gjennom videokonferanser over Internett, kan du delta fra hvor som helst i hele verden. Avtal en gratis prøvetime på skapago.eu. Dette er historien: Erna Langvik har laget en personlig bursdagsgave til det åtte år gamle barnebarnet sitt, Susanne: en dukke som er inspirert av den mytiske figuren nisse i norsk folklore. Nils - som er dukkens navn - lever et lykkelig liv sammen med den nye familien sin i Oslo. Men etter hvert blir det klart at Nils betyr mye mer for Erna enn bare det å være en tilfeldig bursdagsgave som hun har laget. Uten at han vet det, bærer han med seg en smertelig hemmelighet, og i løpet av en eventyrlig tur til Nord-Norge hjelper han Erna med å ta én av de vanskeligste beslutningene i livet hennes.

Leggi, Bandi E Provvedimenti, 1571-1860 Provincie Toscane - Provincie Romane - Provincie Venete E Lombarde - Pro-vincie Meridionali - Provincie Dell'emilia - Provincie Piemontesi Relazione Di Giovanni Rosadi Sul Disegno D.d.l. "per Le Antichità E Le Belle Arti" [15.5.1909] Legge 20 Giugno 1909, N. 364 Circa Le Antichità E Le Belle Arti Giulio Volpe, La Parabola Della Tutela Artistica Italiana Da Carlo Fea a Giovanni Rosadi Indici Indice Dei Provvedimenti - Indice Tematico - Indice Dei Luoghi - Indice Dei Nomi - Indice Delle Istituzioni - Indice Dei Mestieri - Indice Dei Materiali E Degli Oggetti

Excerpt from Storia della Congiura del Principe di Macchia e della Occupazione Fatta Dalle Armi Austriache del Regno di Napoli Nel 1707, Vol. 1 Civile società col pretesto specioso di rendere tutti eguali innanzi alla legge, confondendo la morale eguaglianza. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.