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Theological Writings: Selected in Translation

A digital copy of "Lessing: Vernunft und Geschichte" by Martin Bollacher. Download is immediately available upon purchase!

The series Studien zur deutschen Literatur (Studies in German Literature) presents outstanding analyses of German-speaking literature from the early modern period to the present day. It particularly embraces comparative, cultural and historical-epistemological questions and serves as a tradition-steeped forum for innovative literary research. All submitted manuscripts undergo a double peer-review process. Please contact the editor Marcus Bhm (marcus.boehm [at] degruyter.com) for further information regarding manuscript submission and subsidies.

Primarily celebrated for his dramatic works Minna von Barnhelm, Emilia Galotti and Nathan der Weise, Gotthold Ephraim Lessing's diverse pursuits extended far beyond the stage. From incisive journalism to innovative reflections on poetry, aesthetics and theology, his wide-ranging intellectual interests place him firmly alongside contemporary polymaths such as Diderot. In this extensive study an international team of experts explores Lessing's contribution to both the German and broader European Enlightenments to reveal: the energy and acuity of his critical writing, which made him an exemplar for subsequent German authors; the originality and lasting significance of Laocoon, his groundbreaking treatise on aesthetics, which distinguished the domains of poetry and the visual arts, and is still a major point of reference; how his reflections on theology and the Bible helped shape a view of Christianity as a historical phenomenon without absolute truth; how his Enlightenment curiosity and open-mindedness were nourished by an interest in natural science, particularly astronomy; how activities such as his adaptation of English domestic tragedy and his translations of Diderot's theatrical writings placed him at the heart of the pan- European Enlightenment.

This study analyses the emergence of aesthetic theory in eighteenth-century Germany in relation to contemporary theories of the nature of language and signs. As well as being extremely relevant to the discussion of literary theory, this perspective casts much light on Enlightenment aesthetics. The central text under consideration shows that the extended comparison of poetry and the plastic arts contained in that major work of aesthetic criticism rests upon a theory of signs and constitutes a complex and global theory of aesthetic signification. His analysis of Laocoon is preceded by chapters which establish the underlying structure and influence of the Enlightenment metasemiotic - that is, the place and function of the sign concept in the culture of the early eighteenth century. As an important reinterpretation of Lessing's Laocoon and of the development of German aesthetic theory, this book will be of special interest to students and scholars of German literature. Moreover, as a significant chapter in the history of semiotics, it will be read with profit by all those concerned with the history of literary criticism and aesthetic theory.

Despite the benevolent intellectual climate of the 1960s in Germany which had witnessed a reappraisal of earlier attitudes towards the eighteenth century in general, and towards the Aufklärung in particular, relatively little has since been done to pursue this stimulus to its logical conclusion – or to a discussion of possible conclusions. By looking beyond artificial literary classifications at the historical data and by accumulating detailed empirical evidence this study seeks to reappraise this situation, firstly by establishing a case which overcomes the traditional antithesis of Aufklärung and Sturm und Drang, and secondly by presenting a clear picture of the degree and nature of Lessing’s influence on German dramatists from Herder to Schiller.

This study analyses the emergence of aesthetic theory in eighteenth-century Germany in relation to contemporary theories of the nature of language and signs. As well as being extremely relevant to the discussion of literary theory, this perspective casts much light on Enlightenment aesthetics. The central text under consideration shows that the extended comparison of poetry and the plastic arts contained in that major work of aesthetic criticism rests upon a theory of signs and constitutes a complex and global theory of aesthetic signification. His analysis of Laocoon is preceded by chapters which establish the underlying structure and influence of the Enlightenment metasemiotic - that is, the place and function of the sign concept in the culture of the early eighteenth century. As an important reinterpretation of Lessing's Laocoon and of the development of German aesthetic theory, this book will be of special interest to students and scholars of German literature. Moreover, as a significant chapter in the history of semiotics, it will be read with profit by all those concerned with the history of literary criticism and aesthetic theory.

Primarily celebrated for his dramatic works Minna von Barnhelm, Emilia Galotti and Nathan der Weise, Gotthold Ephraim Lessing's diverse pursuits extended far beyond the stage. From incisive journalism to innovative reflections on poetry, aesthetics and theology, his wide-ranging intellectual interests place him firmly alongside contemporary polymaths such as Diderot. In this extensive study an international team of experts explores Lessing's contribution to both the German and broader European Enlightenments to reveal: the energy and acuity of his critical writing, which made him an exemplar for subsequent German authors; the originality and lasting significance of Laocoon, his groundbreaking treatise on aesthetics, which distinguished the domains of poetry and the visual arts, and is still a major point of reference; how his reflections on theology and the Bible helped shape a view of Christianity as a historical phenomenon without absolute truth; how his Enlightenment curiosity and open-mindedness were nourished by an interest in natural science, particularly astronomy; how activities such as his adaptation of English domestic tragedy and his translations of Diderot's theatrical writings placed him at the heart of the pan- European Enlightenment.

In these twenty-four provocative interviews, Doris Lessing talks frankly to a variety of interviewers--among them Joyce Carol Oates and Studs Terkel--about a wide range of subjects that concern her deeply. We hear about her early years in Southern Rhodesia (now Zimbabwe), her involvement in Marxist politics, her views on feminism and "space fiction," and her own work, especially The Golden Notebook and The Good Terrorist. Included is a recent talk on the failure of Communism. These interviews, informed by Lessing's unfailing intelligence and refreshing directness, present an invaluable and up-to-date view of the mind and art of a distinguished contemporary writer.

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This volume views Doris Lessing's writing as a whole and in retrospect, focusing on her innovative attempts to rework literary form to engage with the challenges thrown up by the sweeping historical changes through which she lived.

Delves through interviews with Lessing's friends and associates, as well as her autobiographical novels and memoirs, to explore her life and literary career.

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This volume views Doris Lessing's writing as a whole and in retrospect, focusing on her innovative attempts to rework literary form to engage with the challenges thrown up by the sweeping historical changes through which she lived.

Gotthold Ephraim Lessing (1729-1781) is the most eminent literary figure of the German Enlightenment and a writer of European significance. His range of interest as dramatist, poet, critic, philosopher, theologian, philologist and much else besides was comparable to that of Voltaire, Diderot, and Rousseau, with all of whose ideas he engaged. He contributed decisively to the emergence of German as a literary language and was the founder of modern German literature, urging his compatriots to look to England rather than France for literary inspiration. His major plays (including the classic drama on religious tolerance, Nathan the Wise) are still regularly performed. He was a brilliant controversialist, and his philosophical and religious writings profoundly shook traditional assumptions. This book sets his life and work in the context of the intellectual, social, and cultural background of eighteenth-century Europe. It is the first comprehensive account of Lessing's life for over a century, and it serves as a reference work on all aspects of Lessing's life, work, and thought. The German edition, published in 2008, is now regarded as definitive; it was awarded the Hamann Research Prize of the University and city of Munster and the Einhard Prize for Biography of the Einhard Foundation in Seligenstadt. The present English edition has been revised and updated in the light of relevant publications since 2008.

A digital copy of "Doris Lessing" by Ridout. Download is immediately available upon purchase!

A digital copy of "Doris Lessing" by Ridout. Download is immediately available upon purchase!

A digital copy of "Lessings exoterische Verteidigung der Orthodoxie" by Eleonora Travanti. Download is immediately available upon purchase!

A digital copy of "Lessing's Philosophy of Religion and the German Enlightenment" by Toshimasa Yasukata. Download is immediately available upon purchase!

A digital copy of "Lessings Theorie Der Tragodienwirkung" by Martinec. Download is immediately available upon purchase!