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Neuware - Neuauflage des Bandes 49 mit den Gedichten und Sinnsprüchen im originalen Wortlaut und in der Reihenfolge der Sammlung 'Himmelsgedanken' von 1900.Ebenfalls enthalten ist Karl Mays einziges Schauspiel, das Drama 'Babel und Bibel' sowie 'Der Dichter über sein Werk'; außerdem Varianten der Gedichte 'Des Buches Seele' und 'Weihnachtsabend'.Mit einem Vorwort und Erläuterungen von Prof. Dr. Christoph F. Lorenz.

Unread book in perfect condition.

Im Lichte der Wahrheit: Gralsbotschaft: 3 Bände. [Perfect Paperback] ... 3878602405

German language. 9.61x7.09x1.89 inches. In Stock.

97 S. ; 22 cm Kartoniert. Einbanddeckel mit Knickspur sonst gut erhalten. Sprache: Deutsch Gewicht in Gramm: 152

270 Seiten; NR-04-E-32 Sprache: Deutsch Gewicht in Gramm: 500

VI, 249 S. Sprache: Deutsch Gewicht in Gramm: 400 8°. Original-kartoniert, Bibliotheksexemplar, Bibliotheksschild a. Vorderdeckel, Einband etwas berieben und bestoßen, hinterer Deckel m. geringer Kratzspur, Signaturen u. Stempel (entwidmet) a. Schnitt, Innendeckel u. Titelblatt, sonst gut.

Die angemessene Gewichtung von Parteiherrschaft und Richtermacht gehort zu den klassischen Problemstellungen des Zivilprozessrechts. Die Thematik ist in rechtsdogmatischer Hinsicht eng verknupft mit der Verhandlungs- und der Dispositionsmaxime, deren pragende Bedeutung im Zuge des Novellenrechts der CPO seit 1879 einhergehend mit einem Vordringen von Richtermacht und einer Schwachung der Parteiherrschaft gesunken ist. Damit hat sich ein Wandel von einem liberalen zu einem sozialen Prozessmodell vollzogen. Madeleine Tolani widmet sich konkreten Zukunftsperspektiven der Verhandlungs- und der Dispositionsmaxime und skizziert einen modernen liberalen Zivilprozess des 21. Jahrhunderts. Dieser wird durch eine erhohte Eigenverantwortung der sich im Zivilprozess kontradiktorisch gegenuberstehenden Parteien unter obligatorischer Einbindung der Anwaltschaft gepragt und sichert sowie optimiert die Funktionsbedingungen der Prozessmaximen.

288 pp. Hannibal, Veurne, 2012. Eerste edition. Harde kaft. De stofomslag heeft lichte schade. Het boek zelf heeft geen zichtbare tekenen van slijtage. First edition. Hardcover. Some wear to the dustjacket, the book itself shows no sighs of wear. This book is heavy. Additional charges might apply. Please contact the bookstore for more information.

Staat: Zeer goed. Titel: Kronieken Van Narnia De Leeuw Heks En De Kleerkast. Editie: 2. Jaar van uitgave: 2005. Lichte gebruik-/opslagsporen

Erika Fischer-Lichte's introduction to the discipline of Theatre and Performance Studies is a strikingly authoritative and wide ranging guide to the study of theatre in all of its forms. Its three-part structure moves from the first steps in starting to think about performance, through to the diverse and interrelated concerns required of higher-level study: Part 1 – Central Concepts for Theatre and Performance Research – introduces the language and key ideas that are used to discuss and think about theatre: concepts of performance; the emergence of meaning; and the theatrical event as an experience shared by actors and spectators. Part 1 contextualizes these concepts by tracing the history of Theatre and Performance Studies as a discipline. Part 2 – Fields, Theories and Methods – looks at how to analyse a performance and how to conduct theatre-historiographical research. This section is concerned with the 'doing' of Theatre and Performance Studies: establishing and understanding different methodological approaches; using sources effectively; and building theoretical frameworks. Part 3 – Pushing Boundaries – expands on the lessons of Parts 1 and 2 in order to engage with theatre and performance in a global context. Part 3 introduces the concept of 'interweaving performance cultures'; explores the interrelation of theatre with the other arts; and develops a transformative aesthetics of performance. Case studies throughout the book root its theoretical discussion in theatrical practice. Focused accounts of plays, practitioners and performances map the development of Theatre and Performance Studies as an academic discipline, and of the theatre itself as an art form. This is the most comprehensive and sophisticated introduction to the field available, written by one of its foremost scholars.

Hardcover. Bovenhoekjes kaft gedeukt. Zeer lichte verkleuring papier. Verder zo goed als nieuw. 368 pp

Titel: Zelfportretten. Jaar van uitgave: 1994. Boek zeer goed met deukje onderzijde rand. Stofomslag strak met 2 kleine scheurtjes en strookje verkleuring rug. Lichte gebruik-/opslagsporen

Staat: Zeer goed. Titel: Mindf*ck. Jaar van uitgave: 2016. Gesigneerd door beide auteurs. Lichte sporen omslag verder als nieuw

Titel: Gereformeerde Heiligen. Jaar van uitgave: 2005. Lichte sporen omslag verder als nieuw

Titel: Delfts Aardewerk deel 1. Jaar van uitgave: 1999. Boek zeer goed met iets verkleurde rug, Lichte gebruik-/opslagsporen

Originele blauwe linnen band, oblong, ca. 39x27cm, illustraties in z/w.; Lichte foxing.

In this fascinating volume, acclaimed theatre historian Erika Fischer-Lichte reflects on the role and meaning accorded to the theme of sacrifice in Western cultures as mirrored in particular fusions of theatre and ritual. Theatre, Sacrifice, Ritual presents a radical re-definition of ritual theatre through analysis of performances as diverse as: Max Reinhardt's new people's theatre the mass spectacles of post-revolutionary Russia American Zionist pageants the Olympic Games. In offering both a performative and a semiotic analysis of such performances, Fischer-Lichte expertly demonstrates how theatre and ritual are fused in order to tackle the problem of community-building in societies characterised by loss of solidarity and disintegration, and exposes the provocative connection between the utopian visions of community they suggest, and the notion of sacrifice. This innovative study of twentieth-century performative culture boldly examines the complexities of political theatre, propaganda and manipulation of the masses, and offers a revolutionary approach to the study of theatre and performance history.

In this fascinating volume, acclaimed theatre historian Erika Fischer-Lichte reflects on the role and meaning accorded to the theme of sacrifice in Western cultures as mirrored in particular fusions of theatre and ritual. Theatre, Sacrifice, Ritual presents a radical re-definition of ritual theatre through analysis of performances as diverse as: Max Reinhardt's new people's theatre the mass spectacles of post-revolutionary Russia American Zionist pageants the Olympic Games. In offering both a performative and a semiotic analysis of such performances, Fischer-Lichte expertly demonstrates how theatre and ritual are fused in order to tackle the problem of community-building in societies characterised by loss of solidarity and disintegration, and exposes the provocative connection between the utopian visions of community they suggest, and the notion of sacrifice. This innovative study of twentieth-century performative culture boldly examines the complexities of political theatre, propaganda and manipulation of the masses, and offers a revolutionary approach to the study of theatre and performance history.

Staat: Zeer goed. Titel: Letters to Gail Volume I. Editie: Sixth printing. Jaar van uitgave: 1987. Taal: Engels. Lichte gebruik-/opslagsporen