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This is the 2nd Edition. PLEASE NOTE that a 3rd Edition is scheduled to be published and available on Amazon by May 30, 2016 and for academic and bookstore distribution channels by June 30th. "I liked it, didn't love it." It's the most often heard line in Hollywood. And you'll hear it when studio honchos pass on your screenplays or projects. Join Edwards & Skerbelis as they pull the covers back for an up close look inside the Hollywood system. What happens to a screenplay when it's submitted to a studio? Who are the studio players? What's the difference between an agent and a manager? What exactly does a creative development exec do? How does the writer and producer work within the studio development process? Are you ready for Hollywood? Get the answers from industry Pros, Rona Edwards & Monika Skerbelis. Through personal experiences and examples they'll teach you what it takes to make it in Hollywood as a development executive, producer, writer or director. Chapters also include exercises that will help readers find new ideas and develop them into cinematic stories as well as offer tips in pitching your projects. Edwards worked as a production company development executive and has been a producer for fifteen years while Skerbelis has worked as a studio development executive. Between them, they've developed and sold countless screenplays. They teach feature film development classes at UCLA and Screenwriting Fundamentals at Chapman University's Dodge College of Film & Media Arts. Co-founders of ESE Film Workshops Online, they offer film classes worldwide. Both live in Los Angeles.

“An emotional journey of love, loss, healing, and redemption. I rooted for every character.” ―Lisa See, New York Times and USA Today bestselling author of Snow Flower and The Secret Fan“I Liked My Life is a treasure of a novel. Warm-hearted and clever, the story will keep you reading until the final delicious revelation.” ―Diane Chamberlain, New York Times and USA Today bestselling author “Warm and hopeful, this marvelous debut stands next to novels from Catherine McKenzie and Carolyn Parkhurst.” ―Booklist (starred)"A heartbreaking and ultimately heartwarming read about life, death, and family." ―PopSugar, A Best Winter 2017 Book“An absolutely stunning book...remarkable.” ―RT Book Reviews, 4 1/2 stars, Top PickA story from debut author Abby Fabiaschi that is "as absorbing as it is illuminating, and as witty as it is heartbreaking."Maddy is a devoted stay-at-home wife and mother, host of excellent parties, giver of thoughtful gifts, and bestower of a searingly perceptive piece of advice or two. She is the cornerstone of her family, a true matriarch...until she commits suicide, leaving her husband Brady and teenage daughter Eve heartbroken and reeling, wondering what happened. How could the exuberant, exacting woman they loved disappear so abruptly, seemingly without reason, from their lives? How they can possibly continue without her? As they sift through details of her last days, trying to understand the woman they thought they knew, Brady and Eve are forced to come to terms with unsettling truths.Maddy, however, isn’t ready to leave her family forever. Watching from beyond, she tries to find the perfect replacement for herself. Along comes Rory: pretty, caring, and spontaneous, with just the right bit of edge...but who also harbors a tragedy of her own. Will the mystery of Maddy ever come to rest? And can her family make peace with their history and begin to heal?

On Being Liked is the transforming and joyful sequel to Faith Beyond Resentment, which established James Alison as one of the most striking, original, and intellectually irresistible voices in the church. In this book he invites us to let go of a commomnly-held account of salvation and takes us step-by-step through a bold adventure of re-imagining the central axis of the Christian story, not as 'How does God deal with sin?' but as 'How do we take up God's invitation to sharein the act of creation?'.

The most commonly used rejection line spewed by studio executive honchos when they do not buy a script is, "I liked it, didn’t love it." What happens to your screenplay or novel when it leaves your hands and is submitted to a studio or production company? What happens to it after it’s optioned or sold? What does "in development" really mean? Rona Edwards and Monika Skerbelis will shed light on all those questions for both those who are new to the business, and those already journeying through the "storied" halls at a film studio, television network, or production company. Edwards and Skerbelis will tackle how to find new ideas, what it takes to be a development executive or a story analyst, how to work with producers and writers, and tips for pitching. They present exercises created to assist the reader in developing their writing skills.

You Liked Me Five Minutes Ago Fire! - LP 7033662030910

Frankie Liked to Sing celebrates the life of Frank Sinatra, whose iconic voice changed popular music forever and influenced generations of listeners all over the world. From his early days in Hoboken, New Jersey, to making it big in New York City, Sinatra was determined to follow his dream of being a singer and moving people with his voice. And now, one hundred years after his birth, his legacy lives on with this spirited and loving tribute.

The most commonly used rejection line spewed by studio executive honchos when passing on a script is, “I liked it, didn’t love it.” What happens to your screenplay or novel when it leaves your hands and is submitted to a studio or production company? What does “in development” really mean? Rona Edwards and Monika Skerbelis answer those questions and more in this newly revised, greatly expanded 3rd edition of their critically acclaimed book, long considered the quintessential bible on development. A required textbook at universities worldwide for writing, producing, and development courses, the book sheds light on the inner workings of the feature film and TV development process, who all the players are, and how they fit together as content creators at film studios, TV networks, agencies, and production companies. They tackle how to find new ideas, what it takes to be a development executive or a story analyst, tips on pitching, and how television and the Internet are changing and evolving, creating greater opportunities for storytellers. Are you ready for Hollywood? Get the answers from industry Pros, Rona Edwards and Monika Skerbelis. Through personal experiences and examples they'll teach you what it takes to make it in Hollywood as a development executive, producer, writer or director. Chapters also include exercises that will help readers find new ideas and developing them as well as offer tips on pitching your projects, a comprehensive resource chapter and much, much more.

On a balmy Tuesday during the summer before ninth grade, a car accident on a rain-slicked highway flipped Janna’s safe and happy world upside down, and her adolescence dissolved into a summer of restraining belts, feeding tubes, therapy schedules, and chicken salad sandwiches from the hospital cafeteria. Since that day, Janna’s life has been a navigation through the inescapable struggles of her father’s brain injury, a study of her mother’s resilience and unconditional love, an a challenge to find her own identity and acceptance as an adult. Brain injury is insidious. It’s tricky and tiresome. For those asked to love and support a TBI survivor, the struggles are deeply personal and often unresolved, and the victim’s recovery is repeatedly thwarted by insurmountable obstacles, along with the battles fought with insurance companies for proper patient care and effective treatment. Janna Leyde’s coming-of-age memoir encompasses the acute and lasting effects of brain injury on both survivors and their loved ones. He Never Liked Cake is for children who feel the weight of life crashing down, for families who fight for the new normal, for survivors who fail to see how life has changed—and, for everyone, this is a story about how to embrace life when it doesn’t work out the way we had it planned.

Bernie Rhodenbarr, prince of New York thieves, signs on to steal a unique volume of Kipling from a Long Island mansion and, when he goes to deliver the book to Madeleine Porlock, finds himself the prime suspect in her murder

On a balmy Tuesday during the summer before ninth grade, a car accident on a rain-slicked highway flipped Janna’s safe and happy world upside down, and her adolescence dissolved into a summer of restraining belts, feeding tubes, therapy schedules, and chicken salad sandwiches from the hospital cafeteria. Since that day, Janna’s life has been a navigation through the inescapable struggles of her father’s brain injury, a study of her mother’s resilience and unconditional love, an a challenge to find her own identity and acceptance as an adult. Brain injury is insidious. It’s tricky and tiresome. For those asked to love and support a TBI survivor, the struggles are deeply personal and often unresolved, and the victim’s recovery is repeatedly thwarted by insurmountable obstacles, along with the battles fought with insurance companies for proper patient care and effective treatment. Janna Leyde’s coming-of-age memoir encompasses the acute and lasting effects of brain injury on both survivors and their loved ones. He Never Liked Cake is for children who feel the weight of life crashing down, for families who fight for the new normal, for survivors who fail to see how life has changed—and, for everyone, this is a story about how to embrace life when it doesn’t work out the way we had it planned.

In an unusual and funny story, New York City resident Jocelyn Guenevere Machantiere, recently divorced, finds herself in financial straits and spends much of her time wandering the city intent on finding the cleanest public restrooms. 35,000 first printing.

Bernie Rhodenbarr has gone legit -- almost -- as the new owner of a used bookstore in New York's Greenwich Village. Of course, dusty old tomes don't always turn a profit, so to make ends meet, Bernie's forced, on occasion, to indulge in his previous occupation: burglary. Besides which, he likes it.Now a collector is offering Bernie an opportunity to combine his twin passions by stealing a very rare and very bad book-length poem from a rich man's library.The heist goes off without a hitch. The delivery of the ill-gotten volume, however, is a different story. Drugged by the client's female go-between, Bernie wakes up in her apartment to find the book gone, the lady dead, a smoking gun in his hand, and the cops at the door. And suddenly he's got to extricate himself from a rather sticky real-life murder mystery and find a killer -- before he's booked for Murder One.

On a balmy Tuesday during the summer after ninth grade, a car accident on a rain-slicked highway flipped Janna's safe and happy world upside down, and her adolescence dissolved into a summer of restraining belts, feeding tubes, therapy schedules, and chicken salad sandwiches from the hospital cafeteria. Since that day, Janna's life has been a navigation through the inescapable struggles of her father's brain injury, a study of her mother's resilience and unconditional love, and a challenge to find her own identity and acceptance as an adult.  Brain injury is insidious. It's tricky and tiresome. For those asked to love and support a TBI survivor, the struggles are deeply personal and often unresolved, and the victim's recovery is repeatedly thwarted by insurmountable obstacles, along with the battles fought with insurance companies for proper patient care and effective treatment. Janna Leyde's coming-of-age memoir encompasses the acute and lasting effects of TBI on both survivors and their loved ones. He Never Liked Cake is for families who fight for the new normal, for survivors who fail to see how life is different-and, and, for everyone, this is a story about how to embrace life when it doesn't work out the way we had it planned.

The story of an odd couple-a British military historian and the Tawny Owl with whom he lived for fifteen yearsMartin Windrow was a war historian with little experience with pets when he adopted an owl the size of a corncob. Adorable but with knife-sharp talons, Mumble became Windrow's closest, if at times unpredictable, companion, first in a South London flat and later in the more owl-friendly Sussex countryside. In The Owl Who Liked Sitting on Caesar, Windrow recalls with wry humor their finer moments as well as the reactions of incredulous neighbors, the awkwardness of buying Mumble unskinned rabbit at Harrods Food Hall, and the grievous sense of loss when Mumble nearly escapes. As Windrow writes: "Mumble was so much a part of my life in those days that the oddity of our relationship seldom occurred to me, and I only thought about it when faced with other people's astonishment. When new acquaintances learned that they were talking to a book editor who shared a seventh-floor flat in a South London tower block with a Tawny Owl, some tended to edge away, rather thoughtfully . . . I tried to answer patiently, but I found it hard to come up with a short reply to the direct question 'Yes, but . . . why?'; my best answer was simply 'Why not?'" Windrow offers a poignant and unforgettable reminiscence of his charmed years with his improbable pet, as well as an unexpected education in the paleontology, zoology, and sociology of owls.

The story of an odd couple-a British military historian and the Tawny Owl with whom he lived for fifteen yearsMartin Windrow was a war historian with little experience with pets when he adopted an owl the size of a corncob. Adorable but with knife-sharp talons, Mumble became Windrow's closest, if at times unpredictable, companion, first in a South London flat and later in the more owl-friendly Sussex countryside. In The Owl Who Liked Sitting on Caesar, Windrow recalls with wry humor their finer moments as well as the reactions of incredulous neighbors, the awkwardness of buying Mumble unskinned rabbit at Harrods Food Hall, and the grievous sense of loss when Mumble nearly escapes. As Windrow writes: "Mumble was so much a part of my life in those days that the oddity of our relationship seldom occurred to me, and I only thought about it when faced with other people's astonishment. When new acquaintances learned that they were talking to a book editor who shared a seventh-floor flat in a South London tower block with a Tawny Owl, some tended to edge away, rather thoughtfully . . . I tried to answer patiently, but I found it hard to come up with a short reply to the direct question 'Yes, but . . . why?'; my best answer was simply 'Why not?'" Windrow offers a poignant and unforgettable reminiscence of his charmed years with his improbable pet, as well as an unexpected education in the paleontology, zoology, and sociology of owls.

Irvine Welsh, the author of Trainspotting, is up to his old tricks with his new work of transgressive short fiction. Irvine Welsh's first short-story collection since his debut work The Acid House presents five extraordinary stories, which remind us that he is a master of the short form, a brilliant storyteller, and―unarguably―one of today's funniest and most subversive writers. In "Rattlesnakes" three young Americans, lost in the desert, are accosted by two armed Mexicans. A Korean chef and a Chicago socialite find themselves connected through the disappearance of a pooch named Toto in "The D.O.G.S. of Lincoln Park." And in the title story, Mickey Baker―an ex-pat English bar owner living on the Costa Brava―tries to keep all of his balls in the air: maintaining his barmaid's weight at the sexual maximum, attending to the youthful Persephone, and dodging his ex-wife and Spanish gangsters. In typically Welshian fashion, the characters and settings are anything but typical. These stories will make you laugh and gasp.

Bernie Rhodenbarr, prince of New York thieves, signs on to steal a unique volume of Kipling from a Long Island mansion and, when he goes to deliver the book to Madeleine Porlock, finds himself the prime suspect in her murder

Police Chief Mario Balzic discovers a mysterious corpse while hunting

In a classic Bernie Rhodenbarr thriller, the burglar-turned-bookseller plots to steal the lost manuscript of a Kipling poem, but an unexpected twist leaves the police hot on his trail. 20,000 first printing. $20,000 ad/promo.

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