7 products were found matching your search for liubov in 2 shops:

Color/pattern: walnut; black lining Walnut; Black lining Perfect piece to store all of your treasures. Will complement any decor. Walnut Finish Plush black lining Measures Closed: 13.5inw x 8.88ind x 35.25inh, Open: 23.63inw x 11ind x 43inh rubberwood, particleboard, birch veneer, paper veneer, mirror, rayon lining Some assembly required Imported Limit of 10 items per purchase

Book by Magdalena Dabrowski, Liubov Sergeevna Popova

pp. 135, b/w and color illustrations of the art works, " As the Bolsheviks were reformulating Russian society in the heady decades at the beginning of this century, a group of young artists were intent on radically altering the look and meaning of art. Popova, whose mature career spanned a brief 12 years, was an...

(UK) Presumed 1st edition,No markings, Very Good. Card cover side-stapled, 36pp, 3 colour plates, small B&W reproductions of th works of Aksionov; Alexandra Exter;Liubov Popova;Rodchenko. (1.33 JM LVR 206/b2 Size: 8vo - over 7¾" - 9¾"

Kir Bulychev â€" vtoraia velichina v otechestvennoi fantastike XX veka posle bratev Strugatckikh. Neskolko pokolenii chitatelei vyroslo na ego knigakh, a pervaia chitatelskaia liubov dolgovechna i s godami ne ostyvaet. Osnovatel Velikogo Gusliara (svoeobraznogo analoga severnogo goroda Solovtca so znamenitym NIIChAVO i ego sotrudnikami), krestnyi papa Alisy Seleznevoi, devochki iz budushchego Zemli, letopisetc trudov i dnei doktora Pavlysha i ego druzei iz ekipazha mezhplanetnogo zvezdoleta «Segezha», lotcman na reke Khronos, soediniaiushchei vo vremeni raznye berega Rossii... â€" Kir Bulychev mnogomeren, kak sama zhizn, v ego literaturnoi vselennoi est mesto i shutlivomu rozygryshu, i edkoi, besposhchadnoi ironii, i mudrosti uchenogo i providtca. V nei est vse, krome skuki. eta kniga v polnom obeme predstavliaet chitateliu tcikl o doktore Pavlyshe. Takzhe siuda vkhodiat proizvedeniia, tem ili inym obrazom sviazannye s mirom geroev tcikla. I opiat pereklichka mezhdu mirami â€" mirom Pavlysha i mirom Poldnia XXII veka.

Following the Russian Revolution, two artists, Aleksandr Rodchenko (1891-1956) and Liubov Popova (1889-1924), propelled the avant-garde in an exciting new direction. As pioneers of the Constructivist movement, Rodchenko and Popova created an astonishing array of iconic work that reflected the new political and cultural landscape of their nation. In this groundbreaking book, leading authorities on Constructivism and the Russian avant-garde shed new light on the artists’ achievements and examine the extent of their influence on twentieth-century graphic design, fashion, theater, and film.For the first time, the issue of gender in the Constructivist movement is explored in-depth, with the artists’ extensive network of colleagues and collaborators considered in the discussion. Extensively illustrated with striking examples of the artists’ work, including previously unpublished works, Rodchenko and Popova is a comprehensive account of their creative development, from their movement through different mediums to their passionate rejection of art for art’s sake.” Published to accompany a major exhibition at Tate Modern, this is an indispensable guide to a fascinating period in art history.

Following the Russian Revolution, two artists, Aleksandr Rodchenko (1891-1956) and Liubov Popova (1889-1924), propelled the avant-garde in an exciting new direction. As pioneers of the Constructivist movement, Rodchenko and Popova created an astonishing array of iconic work that reflected the new political and cultural landscape of their nation. In this groundbreaking book, leading authorities on Constructivism and the Russian avant-garde shed new light on the artists’ achievements and examine the extent of their influence on twentieth-century graphic design, fashion, theater, and film.For the first time, the issue of gender in the Constructivist movement is explored in-depth, with the artists’ extensive network of colleagues and collaborators considered in the discussion. Extensively illustrated with striking examples of the artists’ work, including previously unpublished works, Rodchenko and Popova is a comprehensive account of their creative development, from their movement through different mediums to their passionate rejection of art for art’s sake.” Published to accompany a major exhibition at Tate Modern, this is an indispensable guide to a fascinating period in art history.