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This issue examines the legacy of Nazi-looted art in light of the 2012 discovery of the famous Hildebrand Gurlitt collection of stolen artwork in Germany. When the German government declassified the case almost two years later, the resulting scandal raised fundamental questions about the role of art dealers in the Third Reich, the mechanics of the Nazi black market for artwork, the shortcomings of postwar denazification, the failure of courts and governments to adjudicate stolen artwork claims, and the unwillingness of museums to determine the provenance of thousands of looted pieces of art. The contributors to this issue explore the continuities of art dealerships and auction houses from the Nazi period to the Federal Republic and take stock of the present political and cultural debate over the handling of this artwork. Special topic contributors. Konstantin Akinsha, Meike Hoffmann, Andreas Huyssen, Lawrence M. Kaye, Olaf Peters, Jonathan Petropoulos, Anson Rabinbach, Avinoam Shalem, Julia Voss, Amy Walsh

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In recent years, several of America’s leading art museums have voluntarily given up their finest pieces of classical art to the governments of Italy and Greece. The monetary value is estimated at over half a billion dollars. Why would they be moved to such unheard-of generosity? The answer lies at the Getty, one of the world’s richest and most troubled museums, and scandalous revelations that it had been buying looted antiquities for decades. Drawing on a trove of confidential museum records and frank interviews, Felch and Frammolino give us a fly-on-the-wall account of the inner workings of a world-class museum and tell the story of the Getty’s dealings in the illegal antiquities trade. The outlandish characters and bad behavior could come straight from the pages of a thriller—the wealthy recluse founder, the cagey Italian art investigator, the playboy curator, the narcissist CEO—but their chilling effects on the rest of the art world have been all too real, as the authors show in novelistic detail. Fast-paced and compelling, Chasing Aphrodite exposes the layer of dirt beneath the polished façade of the museum business.

The story begins, as stories do in all good thrillers, with a botched robbery and a police chase. Eight Apuleian vases of the fourth century B.C. are discovered in the swimming pool of a German-based art smuggler. More valuable than the recovery of the vases, however, is the discovery of the smuggler's card index detailing his deals and dealers. It reveals the existence of a web of tombaroli—tomb raiders— who steal classical artifacts, and a network of dealers and smugglers who spirit them out of Italy and into the hands of wealthy collectors and museums. Peter Watson, a former investigative journalist for the London Sunday Times and author of two previous exposés of art world scandals, names the key figures in this network that has depleted Europe's classical artifacts. Among the loot are the irreplaceable and highly collectable vases of Euphronius, the equivalent in their field of the sculpture of Bernini or the painting of Michelangelo. The narrative leads to the doors of some major institutions: Sothebys, the Getty Museum in L.A., the Museum of Fine Arts in Boston, and the Metropolitan Museum of Art in New York among them. Filled with great characters and human drama, The Medici Conspiracy authoritatively exposes another shameful round in one of the oldest games in the world: theft, smuggling and duplicitous dealing, all in the name of art.

The story begins, as stories do in all good thrillers, with a botched robbery and a police chase. Eight Apuleian vases of the fourth century B.C. are discovered in the swimming pool of a German-based art smuggler. More valuable than the recovery of the vases, however, is the discovery of the smuggler's card index detailing his deals and dealers. It reveals the existence of a web of tombaroli—tomb raiders— who steal classical artifacts, and a network of dealers and smugglers who spirit them out of Italy and into the hands of wealthy collectors and museums. Peter Watson, a former investigative journalist for the London Sunday Times and author of two previous exposés of art world scandals, names the key figures in this network that has depleted Europe's classical artifacts. Among the loot are the irreplaceable and highly collectable vases of Euphronius, the equivalent in their field of the sculpture of Bernini or the painting of Michelangelo. The narrative leads to the doors of some major institutions: Sothebys, the Getty Museum in L.A., the Museum of Fine Arts in Boston, and the Metropolitan Museum of Art in New York among them. Filled with great characters and human drama, The Medici Conspiracy authoritatively exposes another shameful round in one of the oldest games in the world: theft, smuggling and duplicitous dealing, all in the name of art.

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Why did the invasion of Iraq result in cultural destruction and killings of intellectuals? Convention sees accidents of war and poor planning in a campaign to liberate Iraqis. The authors argue instead that the invasion aimed to dismantle the Iraqi state to remake it as a client regime. Post-invasion chaos created conditions under which the cultural foundations of the state could be undermined. The authors painstakingly document the consequences of the occupiers' willful inaction and worse, which led to the ravaging of one of the world's oldest recorded cultures. Targeted assassination of over 400 academics, kidnapping and the forced flight of thousands of doctors, lawyers, artists and other intellectuals add up to cultural cleansing.This important work lays to rest claims that the invasion aimed to free an educated population to develop its own culture of democracy.

The catastrophic collapse of companies such as Enron, WorldCom, ImClone, and Tyco left angry investors, employees, reporters, and government investigators demanding to know how the CEOs deceived everyone into believing their companies were spectacularly successful when in fact they were massively insolvent. Why did the nation's top accounting firms give such companies clean audit reports? Where were the regulators and whistleblowers who should expose fraudulent CEOs before they loot their companies for hundreds of millions of dollars?In this expert insider's account of the savings and loan debacle of the 1980s, William Black lays bare the strategies that corrupt CEOs and CFOs—in collusion with those who have regulatory oversight of their industries—use to defraud companies for their personal gain. Recounting the investigations he conducted as Director of Litigation for the Federal Home Loan Bank Board, Black fully reveals how Charles Keating and hundreds of other S&L owners took advantage of a weak regulatory environment to perpetrate accounting fraud on a massive scale. He also authoritatively links the S&L crash to the business failures of the early 2000s, showing how CEOs then and now are using the same tactics to defeat regulatory restraints and commit the same types of destructive fraud.Black uses the latest advances in criminology and economics to develop a theory of why "control fraud"—looting a company for personal profit—tends to occur in waves that make financial markets deeply inefficient. He also explains how to prevent such waves. Throughout the book, Black drives home the larger point that control fraud is a major, ongoing threat in business that requires active, independent regulators to contain it. His book is a wake-up call for everyone who believes that market forces alone will keep companies and their owners honest.

The organized theft of fine art by Nazi Germany has captivated worldwide attention in the last twenty years. As much as any other topic arising out of World War Two, stolen art has proven to be an issue that simply will not go away. Newly found works of art pit survivors and their heirs against museums, foreign nations, and even their own family members. These stories are enduring because they speak to one of the core tragedies of the Nazi era: how a nation at the pinnacle of fine art and culture spawned a legalized culture of theft and plunder. A Tragic Fate is the first book to address comprehensively the legal and ethical rules that have dictated the results of restitution claims between competing claimants to the same works of art. It provides a history of Art and Culture in German-occupied Europe, an introduction to the most significant collections in Europe to be targeted by the Nazis, and a narrative of the efforts to reclaim looted artwork in the decades following the Holocaust through profiles of some of the art world's most famous and influential restitution cases.

In this expert insider’s account of the savings and loan debacle of the 1980s, William Black lays bare the strategies that corrupt CEOs and CFOs—in collusion with those who have regulatory oversight of their industries—use to defraud companies for their personal gain. Recounting the investigations he conducted as Director of Litigation for the Federal Home Loan Bank Board, Black fully reveals how Charles Keating and hundreds of other S&L owners took advantage of a weak regulatory environment to perpetrate accounting fraud on a massive scale. In the new afterword, he also authoritatively links the S&L crash to the business failures of 2008 and beyond, showing how CEOs then and now are using the same tactics to defeat regulatory restraints and commit the same types of destructive fraud. Black uses the latest advances in criminology and economics to develop a theory of why “control fraud”—looting a company for personal profit—tends to occur in waves that make financial markets deeply inefficient. He also explains how to prevent such waves. Throughout the book, Black drives home the larger point that control fraud is a major, ongoing threat in business that requires active, independent regulators to contain it. His book is a wake-up call for everyone who believes that market forces alone will keep companies and their owners honest.

In 2015, Baltimore plunged into the worst American riots in recent history. In the chaos, two high school honor-roll students, “Brick” and “Wax, used their smarts, computer skills, ambition and gang connections to change the world of illegal drugs forever. With their gang associates, they looted pharmacies and robbed dealers, stealing over one million doses of prescription narcotics and heroin with a street value of more than $100 million. “Brick” and “Wax” were not going to sell drugs on corners; they used location-based technology and encrypted messaging software to dispatch ordered drugs via delivery drivers—an Uber-like service that eliminated street deals and easily tapped phones. They were soon supplying cities along the East Coast, creating a whole new class of opioid addicts with the FBI and DEA trailing in their wake. To ensure their supply of drugs did not run out, the teens formed an alliance with members of the Sinaloa cartel, headed by El Chapo. Veteran Newsday crime reporter Kevin Deutsch has been reporting on the ground in drug-ravaged neighborhoods for over a year. He’s seen the bodies. Across America, thousands are dying from opioid overdoses. This middle-class crisis has been well documented, but the inner cities, where families are being swallowed up by addiction, have been ignored. Deutsch brings us into this underworld, where social unrest and cutting-edge technology allow criminals to seed the next wave of dysfunction and despair.

This book examines the problem of the illicit traffic in looted antiquities. One component analyses the current legal structure governing the international movement of looted antiquities, and the other uses qualitative interview and observational data gathered from meetings with key market figures, and site visits, to construct a scheme for understanding how buyers in the antiquities market make their purchasing choices.

During World War II, in a secret Nazi submarine base, containers crafted entirely from looted wartime gold were hidden away. The treasure was not the solid gold chests, but the cargo they carried an artifact so lethal that whoever possessed “Pandora’s boxes” held the power to unleash hell upon the Earth... In the unforgiving wastes of Greenland, geologist Philip Mercer uncovers a long-abandoned U.S. Army base buried under the ice and a long-dead body still hot with radiation. But before Mercer and his colleague, the seductive Dr. Anika Klein, can investigate further, a flash fire engulfs the base. Ordered to evacuate, their plane is forced to land when a bomb is discovered on board, and they must seek shelter from the murderous weather in a hidden ice cavern. That’s where they learn the startling truth. A powerful German corporation has launched an operation to destroy evidence of its Nazi past. But one of the corporate mercenaries knows what’s inside the Pandora’s boxes, and he plans to hold the entire world hostage unless Mercer can find a way to stop him...

In 1945, US Intelligence officers in Manila discovered that the Japanese had hidden large quantities of gold bullion and other looted treasure in the Philippines. President Truman decided to recover the gold but to keep its riches secret. These would be combined with treasure recovered inside Japan during the US occupation, and with Nazi loot recovered in Europe, to create a worldwide American political action fund to fight communism.Overseen by General MacArthur, President Truman, and John Foster Dulles, this ‘Black Gold’ gave Washington virtually limitless, unaccountable funds, providing an asset base to reinforce the treasuries of America’s allies, to bribe political and military leaders, and to manipulate elections in foreign countries for more than fifty years. Drawing on a vast range of original documents and thousands of hours of interviews, Gold Warriors exposes one of the great state secrets of the twentieth century.

A dying criminal confesses that his loot has been secreted ""in the tower."" Both towers of the looted mansion are searched in vain. It remains for the Hardy boys to make an astonishing discovery that clears up the mystery.

The Moonstone, a priceless yellow diamond looted from an Indian temple, is bequeathed to Rachel Verinder on her eighteenth birthday, but it is stolen again that very night. No one is above suspicion as the indefatigable Sergeant Cuff pieces together a series of events as mystifying as an opium dream and as deceptive as the nearby Shivering Sand. T. S. Eliot praised The Moonstone as “the first...and the best of modern English detective novels.” To this day, it draws the reader into its world of danger, suspense, and societal anxiety. Collins unmasks a restrictive society marked by sexual and imperial domination, as well as the often-ignored underside of Victorian life. In his hands, facts, identities, and memory are only transient. This spellbinding mystery, narrated in turn by characters highborn and lowborn, is a fascinating excursion into the shadows that lie just beyond the ordered landscape of English society.  With an Introduction by Alev Lytle Croutier and an Afterword by Lillian Nayder

Close to three hundred stores and supermarkets were looted during week-long food riots in Argentina in December 2001. Thirty-four people were reported dead and hundreds were injured. Among the looting crowds, activists from the Peronist party (the main political party in the country) were quite prominent. During the lootings, police officers were conspicuously absent - particularly when small stores were sacked. Through a combination of archival research, statistical analysis, multi-sited fieldwork, and taking heed of the perspective of contentious politics, this book provides an analytic description of the origins, course, meanings, and outcomes of the December 2001 wave of lootings in Argentina.

In January 1932, thousands of peasants in western El Salvador rose up in armed rebellion. Armed mostly with machetes and a few guns, they attacked military garrisons, occupied towns, and looted or destroyed businesses, government buildings and private homes. In response, the army and local paramilitary bands killed thousands of citizens in a few days, most of them innocent of any involvement in the rebellion. Recalled as a massacre, the government's actions are regarded as one of the most extreme cases of state-sponsored repression in modern Latin American history. The "Matanza" left generations of Salvadorans and internationals alike attempting to make sense of the events.Remembering a Massacre in El Salvador examines national and international historical memories of the events of 1932 and the factors that determined those memories. It also analyzes Miguel Mármol, by Roque Dalton, a well-known and influential narrative of the 1932 Matanza and one of the most important texts in modern Salvadoran history. The authors employ an array of primary evidence, including the personal archive of Roque Dalton, made available by the Dalton family for the first time. They argue that a systematic look at rivaling memories of the Matanza reveals the close association between historical narratives and political action. The book is complemented by a valuable appendix of primary documents that reveal the evolving memories of these important events in 1932.

On 26 August 1914 the world-famous university library in the Belgian town of Louvain was looted and destroyed by German troops. The international community reacted in horror and the behavior of the Germans at Louvain came to be seen as the beginning of a different style of war, without the rules that had governed military conflict up to that point--a more total war, in which enemy civilians and their entire culture were now legitimate targets. As award-winning historian Alan Kramer shows in this gripping and insightful volume, the destruction at Louvain was simply one symbolic moment in a vast wave of cultural destruction and mass killing that swept across the map of Europe at the time of the First World War. Using a wide range of examples and striking eye-witness accounts from England, France, Germany, and elsewhere, Kramer brings home the reality of the Great War, painting a picture of an entire continent plunging into a chilling new world of mass mobilization, total warfare, and the celebration of nationalist or ethnic violence--often directed expressly at the enemy's civilian population. Kramer examines the psychological impact of trench warfare, addresses the question of German atrocities (were the Germans particularly barbaric, or was savage behavior common on all sides?), and offers a disturbing summation of the war's impact on European culture. From the Western Front to the Balkans, from Italy to the war in the East, the First World War was the most apocalyptic the world had ever known. This book tells you how and why the civilized nations of Europe descended into unprecedented orgy of destruction.

God's Gold explores the fate of the greatest biblical treasure in history, the central icons of the Jewish faith looted from the Temple of Jerusalem. The golden candelabrum, silver trumpets, and the bejeweled Table of the Divine Presence were plundered by the Roman emperor Vespasian and his son Titus in AD 70. These biblical treasures are cast adrift in Mediterranean lands and exposed to 550 years of turbulent history and the rule of four different civilizations; only an intriguing trail of clues betrays their ever-changing destiny.The Temple treasure is a priceless hoard, but it has yet greater significance as the ultimate symbol of man's communication with God. The gold's recovery is central to Israel's broken dreams of messianic redemption by building a new House of God on the Temple Mount and its hopes for a return to an age of biblical sacrifice.Using untapped historical texts and new archaeological sources, Sean Kingsley unravels the incredible history of this treasure; its character; and religious, political, and financial meaning across the ages. Unexpected discoveries send him on a physical journey to expose the treasure's destiny. From the Vatican to the Vandal palace of Carthage, Constantinople's hippodrome, and the wilderness of Judea, his remarkable quest reveals facts more astonishing than fiction.