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Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.26

This chic mini dress is made of luxe silk blend is feature ruched detail. Sweetheart neckline Three-quarter sleeves Back concealed zip Ruffle trim Ruched Lined Silk & spandex Dry clean Imported SIZE & FIT About 35" from shoulder to hem Model shown is 5'10" (177cm) wearing US size 4. Womens - W Contemporary > Saks Off 5th. Veronica Beard. Color: Green Multi. Size: 0.

This chic mini dress is made of luxe silk blend is feature ruched detail. Sweetheart neckline Three-quarter sleeves Back concealed zip Ruffle trim Ruched Lined Silk & spandex Dry clean Imported SIZE & FIT About 35" from shoulder to hem Model shown is 5'10" (177cm) wearing US size 4. Womens - W Contemporary > Saks Off 5th. Veronica Beard. Color: Green Multi. Size: 00.

This chic mini dress is made of luxe silk blend is feature ruched detail. Sweetheart neckline Three-quarter sleeves Back concealed zip Ruffle trim Ruched Lined Silk & spandex Dry clean Imported SIZE & FIT About 35" from shoulder to hem Model shown is 5'10" (177cm) wearing US size 4. Womens - W Contemporary > Saks Off 5th. Veronica Beard. Color: Green Multi. Size: 2.

This chic mini dress is made of luxe silk blend is feature ruched detail. Sweetheart neckline Three-quarter sleeves Back concealed zip Ruffle trim Ruched Lined Silk & spandex Dry clean Imported SIZE & FIT About 35" from shoulder to hem Model shown is 5'10" (177cm) wearing US size 4. Womens - W Contemporary > Saks Off 5th. Veronica Beard. Color: Green Multi. Size: 4.

Robert Graham's Lozano abstract sport shirt features a classic point collar and long sleeves, offering a blend of sophistication and modern flair. Crafted from 100% cotton, this button-down shirt showcases contrast-lined cuffs that add a distinctive touch. Point collar Long sleeve Button down Contrast-lined cuffs 100% cotton Machine wash Imported SIZE & FIT Model is wearing a US size Medium Model measurements: 6&. Men's - M Classic Sportswear > Saks Off 5th. Robert Graham. Color: Black. Size: S.

Robert Graham's Lozano abstract sport shirt features a classic point collar and long sleeves, offering a blend of sophistication and modern flair. Crafted from 100% cotton, this button-down shirt showcases contrast-lined cuffs that add a distinctive touch. Point collar Long sleeve Button down Contrast-lined cuffs 100% cotton Machine wash Imported SIZE & FIT Model is wearing a US size Medium Model measurements: 6&. Men's - M Classic Sportswear > Saks Off 5th. Robert Graham. Color: Black. Size: M.

Robert Graham's Lozano abstract sport shirt features a classic point collar and long sleeves, offering a blend of sophistication and modern flair. Crafted from 100% cotton, this button-down shirt showcases contrast-lined cuffs that add a distinctive touch. Point collar Long sleeve Button down Contrast-lined cuffs 100% cotton Machine wash Imported SIZE & FIT Model is wearing a US size Medium Model measurements: 6&. Men's - M Classic Sportswear > Saks Off 5th. Robert Graham. Color: Black. Size: XL.

Robert Graham's Lozano abstract sport shirt features a classic point collar and long sleeves, offering a blend of sophistication and modern flair. Crafted from 100% cotton, this button-down shirt showcases contrast-lined cuffs that add a distinctive touch. Point collar Long sleeve Button down Contrast-lined cuffs 100% cotton Machine wash Imported SIZE & FIT Model is wearing a US size Medium Model measurements: 6&. Men's - M Classic Sportswear > Saks Off 5th. Robert Graham. Color: Black. Size: L.

Robert Graham's Lozano abstract sport shirt features a classic point collar and long sleeves, offering a blend of sophistication and modern flair. Crafted from 100% cotton, this button-down shirt showcases contrast-lined cuffs that add a distinctive touch. Point collar Long sleeve Button down Contrast-lined cuffs 100% cotton Machine wash Imported SIZE & FIT Model is wearing a US size Medium Model measurements: 6&. Men's - M Classic Sportswear > Saks Off 5th. Robert Graham. Color: Black. Size: XXL.

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An illuminating study of an overlooked artist from the 1960s whose work has recently returned to the limelight This is the first in-depth study of the idiosyncratic ten-year career of Lee Lozano (1930–1999), assuring this important artist a key place in histories of post-war art. The book charts the entirety of Lozano’s production in 1960s New York, from her raucous drawings and paintings depicting broken tools, genitalia, and other body parts to the final exhibition of her spectacular series of abstract “Wave Paintings” at the Whitney Museum of American Art in 1970.   Highly regarded at the time, Lozano is now perhaps best known for Dropout Piece (1970), a conceptual artwork and dramatic gesture with which she quit the art world. Shortly afterwards she announced she would have no further contact with other women. Her “dropout” and “boycott of women” lasted until her death, by which time she was all but forgotten. This book tackles head-on the challenges that Lozano poses to art history—and especially to feminist art history—attending to her failures as well as her successes, and arguing that through dead ends and impasses she struggled to forge an alternative mode of living. Lee Lozano: Not Working looks for the means to think about complex figures like Lozano whose radical, politically ambiguous gestures test our assumptions about feminism and the “right way” to live and work.

spiral-bound edition. 200 pages. 6.50x5.75x0.75 inches. In Stock.

The artist Lee Lozano (1930--1999) began her career as a painter; her work rapidly evolved from figuration to abstraction. In the late 1960s, she created a major series of eleven monochromatic Wave paintings, her last in the medium. Despite her achievements as a painter, Lozano is best known for two acts of refusal, both of which she undertook as artworks: Untitled (General Strike Piece), begun in 1969, in which she cut herself off from the commercial art world for a time; and the so-called Boycott Piece, which began in 1971 as a month-long experiment intended to improve communication but became a permanent hiatus from speaking to or directly interacting with women. In this book, Sarah Lehrer-Graiwer examines Lozano's Dropout Piece, the culmination of her practice, her greatest experiment in art and endurance, encompassing all her withdrawals, and ending only with her burial in an unmarked grave. And yet, although Dropout Piece is among Lozano's most important works, it might not exist at all. There is no conventional artwork to be exhibited, no performance event to be documented. Lehrer-Graiwer views Dropout Piece as leveraging the artist's entire practice and embodying her creative intelligence, her radicality, and her intensity. Combining art history, analytical inquiry, and journalistic investigation, Lehrer-Graiwer examines not only Lozano's act of dropping out but also the evolution over time of Dropout Piece in the context of the artist's practice in New York and her subsequent life in Dallas.

This is the sixth volume in Karma's 11-volume facsimile printing of Lee Lozano's Private Book (1930–99) project. One excerpt reads: “For my opening at the Whitney I would like to do a very special FANCY: want to give an invitation personally to the downtown people I know from being/living in this neighborhood for so long. In fact these are the only people I want at my opening. Just NEIGHBORHOOD people: from drugstores, food & laundry stores, stationary stores, etc. GET IT?”

In the late 1960s, Lee Lozano (1930–99) conceived of and executed a series of "language pieces," written in the pages of her notebooks, consisting of rules and parameters for the actions that would constitute a piece. From offering money to houseguests to smoking as much marijuana as possible, Lozano boldly tested social norms, culminating in two of her most famous works: General Strike Piece (1969), which saw her retreating from the art world completely, and Decide to Boycott Women (1971), in which she ceased engaging with all members of her own gender. Lee Lozano: Language Pieces presents 46 of these pieces, beautifully reproducing them at full scale. Nearly five decades later, these radical manifestations of 1960s and '70s conceptualism continue to exert their political and artistic influence.

Before her self-imposed exile from the art world, Lee Lozano (1930–99) was a highly regarded painter who defined a generation of American artists infusing conceptualism with a new intensity. A prolific writer and documenter of both her art and her relationships, the public and private, Lozano kept a series of personal journals from 1968 to 1972 while living in New York’s SoHo neighborhood. In the decade before her infamous “dropout piece”―culminating in a move to Dallas where she would remain until her death―Lozano returned to these notebooks, editing the entries, sometimes blacking out entire pages. Private Book 1 is the first in the series of 11 pocket-sized books, which are printed as facsimiles.

Before her self-imposed exile from the art world, Lee Lozano (1930–99) was a highly regarded painter who defined a generation of American artists infusing conceptualism with a new intensity. A prolific writer and documenter of both her art and her relationships, the public and private, Lozano kept a series of personal journals from 1968 to 1972 while living in New York’s SoHo neighborhood. In the decade before her infamous “dropout piece”―culminating in a move to Dallas where she would remain until her death―Lozano returned to these notebooks, editing the entries, sometimes blacking out entire pages. Private Book 1 is the first in the series of 11 pocket-sized books, which are printed as facsimiles.

Transiting Pop art, Feminist Expressionism, Conceptualism and Minimalism, Lee Lozano (1930–1999) sits alongside Eva Hesse and Hannah Wilke as a radical and influential model for younger generations of female artists. Lozano's notebooks, which she approached as drawings, and which were later dismantled and sold as individual pages, became a part of her artmaking at the height of her fame in the late 1960s. Reproduced here for the first time, as an affordably-priced facsimile reprint, the three notebooks collected here, which were kept between 1967–1970, contain sketches for her Wave paintings, writings about the trajectory of her artistic process and the language pieces that she became famous for prior to her withdrawal from the art world. They thus constitute the fullest and richest document on an artist whose relevance and profile have recently seen a steady ascent.

This is the fourth volume in Karma's 11-volume facsimile printing of Lee Lozano's Private Book project. It is primarily a calendar of Lozano's personal, artistic and chemical interactions in 1969–70. A prolific writer and documenter of both her art and her relationships, the public and private, the painter Lee Lozano (1930–99) kept a series of personal journals from 1968 to 1970 while living in New York's SoHo neighborhood. In 1972 she rigorously edited these books, thus completing the project.