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At the Berlin Conference of 1885, Europe divided up the African continent. The Congo became the personal property of King Leopold II of Belgium. on June 30, 1960, a young self-taught nationalist, Patrice Lumumba, became, at age 36.

Patrice Lumumba, first prime minister of the Republic of Congo and a pioneer of African unity, was murdered on 17 January 1961.Democratically elected to lead the Mouvement National Congolais, the party he founded in 1958, Lumumba was at the centre of the country’s growing popular defiance of the colonial rule of oppression imposed by Belgium. When, in June 1960, independence was finally won, his unscheduled speech at the official ceremonies in Kinshasa received a standing ovation and made him a hero to millions. Always a threat to those who sought to maintain a covert imperialist hand over the country, however, he became within months the victim of an insidious plot and was arrested and subsequently tortured and executed.This book unravels the appalling mass of lies, hypocrisy and betrayals that have surrounded accounts of the assassination since it perpetration. Making use of a huge array of official sources as well as personal testimony from many of those in the Congo at the time, Ludo De Witte reveals a network of complicity ranging from the Belgian government to the CIA. Chilling official memos which detail ‘liquidation’ and ‘threats to national interests’ are analysed alongside macabre tales of the destruction of evidence, putting Patrice Lumumba’s personal strength and his dignified quest for African unity in stark contrast with one of the murkiest episodes in twentieth-century politics.

Patrice Lumumba, first prime minister of the Republic of Congo and a pioneer of African unity, was murdered on 17 January 1961.Democratically elected to lead the Mouvement National Congolais, the party he founded in 1958, Lumumba was at the centre of the country’s growing popular defiance of the colonial rule of oppression imposed by Belgium. When, in June 1960, independence was finally won, his unscheduled speech at the official ceremonies in Kinshasa received a standing ovation and made him a hero to millions. Always a threat to those who sought to maintain a covert imperialist hand over the country, however, he became within months the victim of an insidious plot and was arrested and subsequently tortured and executed.This book unravels the appalling mass of lies, hypocrisy and betrayals that have surrounded accounts of the assassination since it perpetration. Making use of a huge array of official sources as well as personal testimony from many of those in the Congo at the time, Ludo De Witte reveals a network of complicity ranging from the Belgian government to the CIA. Chilling official memos which detail ‘liquidation’ and ‘threats to national interests’ are analysed alongside macabre tales of the destruction of evidence, putting Patrice Lumumba’s personal strength and his dignified quest for African unity in stark contrast with one of the murkiest episodes in twentieth-century politics.

Durante cuarenta años se ha silenciado el crimen del jefe del gobierno del Congo, asesinado en 1961, hasta que la historia ha hecho oír su voz y el libro de Ludo De Witte ha sacado a la luz la cruda y dramática verdad de unos hechos que han conmovido al mundo entero.

American justice...and the violent fears that underscore it...is the theme of Murray Kempton's brilliant examination of the landmark trial of a group of young men and women who came to be called the Panther 21.At five o'clock in the morning of April 2, 1969, approximately 100 members of the Special Services Division of the New York City Police Dept. were dispatched to capture 19 of the 21 persons,' many of them Black Panthers,' who had been indicted for arson, conspiracy and attempted murder. The narrative of 'The Briar Patch' explores both the mechanics of the police undercover operations that brought the Panthers to the bar, and those of their highly publicized trial. What especially distinguishes this book is the way Kempton illustrates each of the contending forces...prosecution, defense, member of the jury...acting out this great human drama from their own angle of alienation. As Mr. Kempton states, 'A man's spirit can be marked most clearly in its passage from the reform to the revolutionary impulse at the moment when he decides that his enemy will no longer write his history.' The furious heroics and posturings of the defendants in this extraordinary trial grew out of one such moment of self-determination. That moment, a watershed of American history, is recorded in 'The Briar Patch.'

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Death in the Congo is a gripping account of a murder that became one of the defining events in postcolonial African history. It is no less the story of the untimely death of a national dream, a hope-filled vision very different from what the war-ravaged Democratic Republic of the Congo became in the second half of the twentieth century.When Belgium relinquished colonial control in June 1960, a charismatic thirty-five-year-old African nationalist, Patrice Lumumba, became prime minister of the new republic. Yet stability immediately broke down. A mutinous Congolese Army spread havoc, while Katanga Province in southeast Congo seceded altogether. Belgium dispatched its military to protect its citizens, and the United Nations soon intervened with its own peacekeeping troops. Meanwhile, behind the scenes, both the Soviet Union and the United States maneuvered to turn the crisis to their Cold War advantage. A coup in September, secretly aided by the UN, toppled Lumumba’s government. In January 1961, armed men drove Lumumba to a secluded corner of the Katanga bush, stood him up beside a hastily dug grave, and shot him. His rule as Africa’s first democratically elected leader had lasted ten weeks.More than fifty years later, the murky circumstances and tragic symbolism of Lumumba’s assassination still trouble many people around the world. Emmanuel Gerard and Bruce Kuklick pursue events through a web of international politics, revealing a tangled history in which many people―black and white, well-meaning and ruthless, African, European, and American―bear responsibility for this crime.

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American justice...and the violent fears that underscore it...is the theme of Murray Kempton's brilliant examination of the landmark trial of a group of young men and women who came to be called the Panther 21.At five o'clock in the morning of April 2, 1969, approximately 100 members of the Special Services Division of the New York City Police Dept. were dispatched to capture 19 of the 21 persons,' many of them Black Panthers,' who had been indicted for arson, conspiracy and attempted murder. The narrative of 'The Briar Patch' explores both the mechanics of the police undercover operations that brought the Panthers to the bar, and those of their highly publicized trial. What especially distinguishes this book is the way Kempton illustrates each of the contending forces...prosecution, defense, member of the jury...acting out this great human drama from their own angle of alienation. As Mr. Kempton states, 'A man's spirit can be marked most clearly in its passage from the reform to the revolutionary impulse at the moment when he decides that his enemy will no longer write his history.' The furious heroics and posturings of the defendants in this extraordinary trial grew out of one such moment of self-determination. That moment, a watershed of American history, is recorded in 'The Briar Patch.'

Death in the Congo is a gripping account of a murder that became one of the defining events in postcolonial African history. It is no less the story of the untimely death of a national dream, a hope-filled vision very different from what the war-ravaged Democratic Republic of the Congo became in the second half of the twentieth century.When Belgium relinquished colonial control in June 1960, a charismatic thirty-five-year-old African nationalist, Patrice Lumumba, became prime minister of the new republic. Yet stability immediately broke down. A mutinous Congolese Army spread havoc, while Katanga Province in southeast Congo seceded altogether. Belgium dispatched its military to protect its citizens, and the United Nations soon intervened with its own peacekeeping troops. Meanwhile, behind the scenes, both the Soviet Union and the United States maneuvered to turn the crisis to their Cold War advantage. A coup in September, secretly aided by the UN, toppled Lumumba’s government. In January 1961, armed men drove Lumumba to a secluded corner of the Katanga bush, stood him up beside a hastily dug grave, and shot him. His rule as Africa’s first democratically elected leader had lasted ten weeks.More than fifty years later, the murky circumstances and tragic symbolism of Lumumba’s assassination still trouble many people around the world. Emmanuel Gerard and Bruce Kuklick pursue events through a web of international politics, revealing a tangled history in which many people―black and white, well-meaning and ruthless, African, European, and American―bear responsibility for this crime.

Avec cette monumentale monographie, Thomas Turner s'est consacré à l'étude des dynamiques identitaires dans la communauté ethnique des Tetela. Le fil directeur est L'ETHNOGENESE : comment le sentiment d'appartenance tetela s'est-il durci au contact d'une multiplicité d'identités locales ? Le plus célèbre des fils du pays tetela, Patrice Lumumba leur a donné une visibilité politique renouvelée. La vision radicale du nationalisme congolais continue à ce jour d'influencer la politique nationale.

Avec cette monumentale monographie, Thomas Turner s'est consacré à l'étude des dynamiques identitaires dans la communauté ethnique des Tetela. Le fil directeur est L'ETHNOGENESE : comment le sentiment d'appartenance tetela s'est-il durci au contact d'une multiplicité d'identités locales ? Le plus célèbre des fils du pays tetela, Patrice Lumumba leur a donné une visibilité politique renouvelée. La vision radicale du nationalisme congolais continue à ce jour d'influencer la politique nationale.

A History Book Club Reading SelectionThis omnibus edition brings together concise and up-to-date biographies of Steve Biko, Emperor Haile Selassie, Patrice Lumumba, and Thomas Sankara. African Leaders of the Twentieth Century will complement courses in history and political science and serve as a useful collection for the general reader.Steve Biko, by Lindy WilsonSteve Biko inspired a generation of black South Africans to claim their true identity and refuse to be a part of their own oppression. This short biography shows how fundamental he was to the reawakening and transformation of South Africa in the second half of the twentieth century and just how relevant he remains.Emperor Haile Selassie, by Bereket Habte SelassieEmperor Haile Selassie was an iconic figure of the twentieth century, a progressive monarch who ruled Ethiopia from 1916 to 1974. The fascinating story of the emperor¹s life is also the story of modern Ethiopia.Patrice Lumumba, by Georges Nzongola-NtalajaPatrice Lumumba was a leader of the independence struggle in what is today the Democratic Republic of the Congo. Decades after his assassination, Lumumba remains one of the heroes of the twentieth-century Africanindependence movement.Thomas Sankara: An African Revolutionary, by Ernest HarschThomas Sankara, often called the African Che Guevara, was president of Burkina Faso, one of the poorest countries in Africa, until his assassination during the military coup that brought down his government. This is the first English-language book to tell the story of Sankara’s life and struggles.

A History Book Club Reading SelectionThis omnibus edition brings together concise and up-to-date biographies of Steve Biko, Emperor Haile Selassie, Patrice Lumumba, and Thomas Sankara. African Leaders of the Twentieth Century will complement courses in history and political science and serve as a useful collection for the general reader.Steve Biko, by Lindy WilsonSteve Biko inspired a generation of black South Africans to claim their true identity and refuse to be a part of their own oppression. This short biography shows how fundamental he was to the reawakening and transformation of South Africa in the second half of the twentieth century and just how relevant he remains.Emperor Haile Selassie, by Bereket Habte SelassieEmperor Haile Selassie was an iconic figure of the twentieth century, a progressive monarch who ruled Ethiopia from 1916 to 1974. The fascinating story of the emperor¹s life is also the story of modern Ethiopia.Patrice Lumumba, by Georges Nzongola-NtalajaPatrice Lumumba was a leader of the independence struggle in what is today the Democratic Republic of the Congo. Decades after his assassination, Lumumba remains one of the heroes of the twentieth-century Africanindependence movement.Thomas Sankara: An African Revolutionary, by Ernest HarschThomas Sankara, often called the African Che Guevara, was president of Burkina Faso, one of the poorest countries in Africa, until his assassination during the military coup that brought down his government. This is the first English-language book to tell the story of Sankara’s life and struggles.

Favorite Recordings presents Jongler, the first album by Pat Kalla, produced by Bruno "Patchworks" Hovart. Pat Kalla is a musician, singer and storyteller. Patrice is his birth name, in tribute to the great Lumumba! Lover of words, French language, and music of course, he was born in Lyon, to a Cameroonian father, musician and political activist, and a French and literary mother. On Jongler, he explores from his childhood the soul, the slam, the funk... and the art of telling stories, life being

Double LP version. Gatefold sleeve. Favorite Recordings presents Jongler, the first album by Pat Kalla, produced by Bruno "Patchworks" Hovart. Pat Kalla is a musician, singer and storyteller. Patrice is his birth name, in tribute to the great Lumumba! Lover of words, French language, and music of course, he was born in Lyon, to a Cameroonian father, musician and political activist, and a French and literary mother. On Jongler, he explores from his childhood the soul, the slam, the funk... and th

This play by renowned poet and political activist Aime Césairerecounts the tragic death of Patrice Lumumba, the first prime minister of the Congo Republic and an African nationalist hero. A Season in the Congofollows Lumumba’s efforts to free the Congolese from Belgian rule and the political struggles that led to his assassination in 1961. Césaire powerfully depicts Lumumba as a sympathetic, Christ-like figure whose conscious martyrdom reflects his self-sacrificing humanity and commitment to pan-Africanism.Born in Martinique and educated in Paris, Césaire was a revolutionary artist and lifelong political activist, who founded the Martinique      Independent Revolution Party. Césaire’s ardent personal opposition to Western imperialism and racism fuels both his profound sympathy for Lumumba and the emotional strength of A Season in the Congo.Now rendered in a lyrical translation by distinguished scholar Gayatri Chakravorty Spivak, Césaire’s play will find a new audience of readers interested in world literature and the vestiges of European colonialism.

Examines how the Eisenhower and Kennedy administrations manipulated the 1960-1963 Congo crises and countered Soviet influence on Lumumba, Tshombe, and Mobotu

Contributions by Jacob Agner, Susan V. Donaldson, Sarah Gilbreath Ford, Stephen M. Fuller, Jean C. Griffith, Ebony Lumumba, Rebecca Mark, Donnie McMahand, Kevin Murphy, Harriet Pollack, Christin Marie Taylor, Annette Trefzer, and Adrienne Akins Warfield The year 2013 saw the publication of Eudora Welty, Whiteness, and Race, a collection in which twelve critics changed the conversation on Welty’s fiction and photography by mining and deciphering the complexity of her responses to the Jim Crow South. The thirteen diverse voices in New Essays on Eudora Welty, Class, and Race deepen, reflect on, and respond to those seminal discussions. These essays freshly consider such topics as Welty’s uses of African American signifying in her short stories and her attention to public street performances interacting with Jim Crow rules in her unpublished photographs. Contributors discuss her adaptations of gothic plots, haunted houses, Civil War stories, and film noir. And they frame Welty’s work with such subjects as Bob Dylan’s songwriting, the idea and history of the orphan in America, and standup comedy. They compare her handling of whiteness and race to other works by such contemporary writers as William Faulkner, Richard Wright, Toni Morrison, Chester Himes, and Alice Walker. Discussions of race and class here also bring her masterwork The Golden Apples and her novel Losing Battles, underrepresented in earlier conversations, into new focus. Moreover, as a group these essays provide insight into Welty as an innovative craftswoman and modernist technician, busily altering literary form with her frequent, pointed makeovers of familiar story patterns, plots, and genres.