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418 Seiten Buch ist neu, aus priv. Vorbesitz, ungelesen. Mit einem biographischen Essay über Norbert Jacques von Günter Scholdt versehen. ISBN: 9783807703039 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Deutsch Gewicht in Gramm: 463

Dr. Mabuse the Gambler, Parts 1 and 2 Dr. Mabuse: Gambler (1922) - BR 738329206307

The Mabuse phenomenon is recognized as an icon of horror in Germany as Frankenstein and Dracula are in the United States. A study of the 12 motion pictures and five books (and some secondary films) that make up the eight decades of adventures of master criminal Mabuse, created by author Norbert Jacques in the best-selling 1922 German novel and brought to the screen by master filmmaker Fritz Lang in the same year. Both on screen and off, the story of Dr. Mabuse is a story of love triangles and revenge, of murder, suicides, and suspicious deaths, of betrayals and paranoia, of fascism and tyranny, deceptions and conspiracies, mistaken identities, and transformation. This work, featuring much information never before published in English, provides an understanding of a modern mythology whose influence has pervaded popular culture even while the name Mabuse remains relatively unknown in the United States.

The Mabuse phenomenon is recognized as an icon of horror in Germany as Frankenstein and Dracula are in the United States. A study of the 12 motion pictures and five books (and some secondary films) that make up the eight decades of adventures of master criminal Mabuse, created by author Norbert Jacques in the best-selling 1922 German novel and brought to the screen by master filmmaker Fritz Lang in the same year. Both on screen and off, the story of Dr. Mabuse is a story of love triangles and revenge, of murder, suicides, and suspicious deaths, of betrayals and paranoia, of fascism and tyranny, deceptions and conspiracies, mistaken identities, and transformation. This work, featuring much information never before published in English, provides an understanding of a modern mythology whose influence has pervaded popular culture even while the name Mabuse remains relatively unknown in the United States.

Locked away in an asylum for a decade and teetering between life and death, the criminal mastermind Doctor Mabuse has scribbled his last will and testament: A manifesto establishing a future empire of crime. Direction: Fritz Lang Actors: Adolf E. Licho, Georg John, Gustav Diessl, Special Features: Audio commentary by David Kalat, author of the Strange Case of Dr. Mabuse; Complete French-language version of the film, Le Testament du Dr. Mabuse, filmed simultaneously by Lang with French actors 1.1

A truly legendary silent film, Dr. Mabuse, the Gambler had a major impact on the development of the crime thriller, building upon the work of the pioneering French film serialist Louis Feuillade (Les Vampires) and firmly establishing it as a significant film genre. This epic two-part tale was originally released as two separate films, respectively subtitled the Great Gambler and Inferno, and that format is reproduced here. The plot revolves around the pursuit of arch fiend Dr. Mabuse, a gambler,

Fritz Lang, almost alone among his fellow continental refugees, was able to make outstanding films in both his native Germany and his adopted Hollywood. The director of Metropolis and M and Dr. Mabuse came to America in 1934 and began a long and distinguished career that included such films as You Only Live Once, The Woman in the Window, Scarlet Street, Ministry of Fear, Rancho Notorious, and The Big Heat. He is a key figure in the history of film noir, bringing to the screen a fatalist's vision of a menacing world of criminals, misfits, and helpless victims, and providing a distinctive visual look to every film he directed. This film-by-film study of Lang's oeuvre by one of the great film historians combines personal insight—Eisner and Lang had a long standing friendship—with deep historical understanding of Lang's roots in German culture and cinema. Both true modernists, Eisner and Lang are perfectly matched, as this book clearly demonstrates.

Fritz Lang, almost alone among his fellow continental refugees, was able to make outstanding films in both his native Germany and his adopted Hollywood. The director of Metropolis and M and Dr. Mabuse came to America in 1934 and began a long and distinguished career that included such films as You Only Live Once, The Woman in the Window, Scarlet Street, Ministry of Fear, Rancho Notorious, and The Big Heat. He is a key figure in the history of film noir, bringing to the screen a fatalist's vision of a menacing world of criminals, misfits, and helpless victims, and providing a distinctive visual look to every film he directed. This film-by-film study of Lang's oeuvre by one of the great film historians combines personal insight—Eisner and Lang had a long standing friendship—with deep historical understanding of Lang's roots in German culture and cinema. Both true modernists, Eisner and Lang are perfectly matched, as this book clearly demonstrates.

German cinema of the 1920s is still regarded as one of the 'golden ages' of world cinema. Films such as The Cabinet of Dr Caligari, Dr Mabuse the Gambler, Nosferatu, Metropolis, Pandora's Box and The Blue Angel have long been canonised as classics, but they are also among the key films defining an image of Germany as a nation uneasy with itself. The work of directors like Fritz Lang, F.W. Murnau and G.W. Pabst, which having apparently announced the horrors of fascism, while testifying to the traumas of a defeated nation, still casts a long shadow over cinema in Germany, leaving film history and political history permanently intertwined.Weimar Cinema and After offers a fresh perspective on this most 'national' of national cinemas, re-evaluating the arguments which view genres and movements such as 'films of the fantastic', 'Nazi Cinema', 'film noir' and 'New German Cinema' as typically German contributions to twentieth century visual culture. Thomas Elsaesser questions conventional readings which link these genres to romanticism and expressionism, and offers new approaches to analysing the function of national cinema in an advanced 'culture industry' and in a Germany constantly reinventing itself both geographically and politically.Elsaesser argues that German cinema's significance lies less in its ability to promote democracy or predict fascism than in its contribution to the creation of a community sharing a 'historical imaginary' rather than a 'national identity'. In this respect, he argues, German cinema anticipated some of the problems facing contemporary nations in reconstituting their identities by means of media images, memory, and invented traditions.

Based on the phenomenally popular French pulp novellas, Louis Feuillade's outrageous, ambitious FANTOMAS series became the gold standard of espionage serials in pre-WWI Europe, and laid the foundation for such immortal works as Feuillade's own Les Vampires and Fritz Lang's Dr. Mabuse films.

The complete silent films of German cinema's supreme stylist. A twelve-disc collection including Metropolis (1927), Die Nibelungen (1924), Spies (1928), Dr. Mabuse the Gambler (1922), Destiny (1921), The Spiders (1919), Woman in the Moon (1929), Four Around the Woman (1921), Harakiri (1919), The Wandering Shadow (1920), The Plague of Florence (1919).

Based on the phenomenally popular French pulp novellas, Louis Feuillades outrageous, ambitious FANTOMAS series became the gold standard of espionage serials in pre-WWI Europe, and laid the foundation for such immortal works as Feuillades own Les Vampires and Fritz Lang's Dr. Mabuse films.