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Planner and originator of the Appalachian Trail and a cofounder of the Wilderness Society, Benton MacKaye (1879-1975) was a pioneer in linking the concepts of preservation and recreation. Spanning three-quarters of a century, his long and productive career had a major impact on emerging movements in conservation, environmentalism, and regional planning. MacKaye's seminal ideas on outdoor recreation, wilderness protection, land-use planning, community development, and transportation have inspired generations of activists, professionals, and adventurers seeking to strike a harmonious balance between human need and the natural environment.This pathbreaking biography provides the first complete portrait of this significant and unique figure in American environmental, intellectual, and cultural history. Drawing on extensive research, Larry Anderson traces MacKaye's extensive career, examines his many published works, and describes the importance of MacKaye's relationships with such influential figures as Lewis Mumford, Aldo Leopold, and Walter Lippmann. This book will appeal to students, scholars, and professionals in preservation, conservation, recreation, planning, and American studies, as well as general readers interested in these subjects.

Planner and originator of the Appalachian Trail and a cofounder of the Wilderness Society, Benton MacKaye (1879-1975) was a pioneer in linking the concepts of preservation and recreation. Spanning three-quarters of a century, his long and productive career had a major impact on emerging movements in conservation, environmentalism, and regional planning. MacKaye's seminal ideas on outdoor recreation, wilderness protection, land-use planning, community development, and transportation have inspired generations of activists, professionals, and adventurers seeking to strike a harmonious balance between human need and the natural environment.This pathbreaking biography provides the first complete portrait of this significant and unique figure in American environmental, intellectual, and cultural history. Drawing on extensive research, Larry Anderson traces MacKaye's extensive career, examines his many published works, and describes the importance of MacKaye's relationships with such influential figures as Lewis Mumford, Aldo Leopold, and Walter Lippmann. This book will appeal to students, scholars, and professionals in preservation, conservation, recreation, planning, and American studies, as well as general readers interested in these subjects.

Planner and originator of the Appalachian Trail and a cofounder of the Wilderness Society, Benton MacKaye (1879-1975) was a pioneer in linking the concepts of preservation and recreation. Spanning three-quarters of a century, his long and productive career had a major impact on emerging movements in conservation, environmentalism, and regional planning. MacKaye's seminal ideas on outdoor recreation, wilderness protection, land-use planning, community development, and transportation have inspired generations of activists, professionals, and adventurers seeking to strike a harmonious balance between human need and the natural environment.This pathbreaking biography provides the first complete portrait of this significant and unique figure in American environmental, intellectual, and cultural history. Drawing on extensive research, Larry Anderson traces MacKaye's extensive career, examines his many published works, and describes the importance of MacKaye's relationships with such influential figures as Lewis Mumford, Aldo Leopold, and Walter Lippmann. This book will appeal to students, scholars, and professionals in preservation, conservation, recreation, planning, and American studies, as well as general readers interested in these subjects.

Presents information on well-known hiking trails in Georgia and Tennessee, covering the vegetation on the trails and notable sights.

Very Good text, minor to light reading wear to text and dust jacket. Most items shipped via US Mail. Please provide a US Mail delivery address at checkout. ABE shipping prices reflect actual costs. In rare cases, very heavy books and sets may require additional postage.

This study chronicles the American adaptation of the theory and practice of the French acting, singing, and aesthetics teacher, Francois Delsarte. Delsartism was introduced in the United States by Steele Mackaye, Delsarte's only American student. American Delsartism, with its emphasis on physical culture and expression, differed significantly from Delsarte's works in France. The system evolved from professional training for actors and orators to a means of physical culture and expression that became popular among middle and upper class American women and girls. It allowed nineteenth-century women to pay attention to their bodies, to explore their own physicality, and to perform in a socially acceptable venues. In its later manifestations, Delsartism influenced the innovative dance of such artists as Isadora Duncan, Ruth St. Denis, and Ted Shawn. Biographical information on the most notable figures in the development of American Delsartism is presented along with a discussion of the spread of Delsartism throughout the United States and to Germany. The Delsartean approach to training and expression is traced from Delsarte and Mackaye through the theory, teaching, and performance of Genevieve Stebbins, the most notable American proponent of the system.This work will appeal to scholars of dance history and of late nineteenth-century women's studies. Theater historians will appreciate the detailed account of the system as developed and taught by Steele Mackaye as training for actors. Although Delsartism has been acknowledged as relevant to the history of modern dance, scant information and research has previously been published which explores the movement in depth and discusses its importance to women's physical and cultural education in nineteenth-century America. Photographs illustrate the text and an extensive bibliography serves as a useful guide for further research.

Fugazi, also officially referred to as 7 Songs, is the first, self-titled EP by the American post-hardcore band of the same name. Unlike all other Fugazi releases, Guy Picciotto did not contribute guitar to this record; all guitar was performed by Ian MacKaye. It was originally recorded in June 1988 and released in November 1988 on vinyl and again in 1989 on the compilation release 13 Songs along with the following EP Margin Walker. The photo used for the album cover was taken on June 30th, 1988

Despite playing in legendary punk bands with Henry Rollins and Ian Mackaye, Ivor realizes that window cleaning isn't his day-job, it's his only job. While washing the windows of celebrities and using the service entrance to Manhattan buildings, Ivor reflects on where he has been, what he is doing, and where he wants to go.

Crossing through 14 states from Maine to Georgia, the Appalachian Trail enters New Jersey through the Delaware Water Gap, crosses New York’s Hudson River, and rises over Connecticut’s Lion’s Head. The area is considered by some to be the pathway’s birthplace, for in 1923, just two years after Benton MacKaye originally proposed the trail, the first few miles specifically constructed for the Appalachian Trail were built by volunteers in New York’s Harriman and Bear Mountain State Parks. These photographs and the corresponding narrative present a historical perspective on what it took to create the trail, including the thousands of volunteers and the arduous tasks they performed, those who lived along the trail before and during its creation, the many people who have enjoyed the trail through the years, and the original routes that are no longer part of the present-day Appalachian Trail.

Despite playing in legendary punk bands with Henry Rollins and Ian Mackaye, Ivor realizes that window cleaning isn't his day-job, it's his only job. While washing the windows of celebrities and using the service entrance to Manhattan buildings, Ivor reflects on where he has been, what he is doing, and where he wants to go.

The Appalachian Trail was proposed by Benton MacKaye in 1921. Approximately one-fourth of the Georgia-to-Maine pathway passes through Virginia, going across some of the state’s best mountain scenery and affording access to small-town life. The trail was, and still is, primarily built, maintained, and overseen by volunteers. Selected from the archives of the Appalachian Trail Conservancy, the National Park Service, and local Appalachian Trail maintenance clubs, the approximately 200 photographs in Images of America: Along Virginia’s Appalachian Trail provide a look at life in the mountains before and during the trail’s creation, how it developed, who its early champions were, the many relocations the trail has experienced, and the volunteers who have constructed and maintained it.

This study chronicles the American adaptation of the theory and practice of the French acting, singing, and aesthetics teacher, Francois Delsarte. Delsartism was introduced in the United States by Steele Mackaye, Delsarte's only American student. American Delsartism, with its emphasis on physical culture and expression, differed significantly from Delsarte's works in France. The system evolved from professional training for actors and orators to a means of physical culture and expression that became popular among middle and upper class American women and girls. It allowed nineteenth-century women to pay attention to their bodies, to explore their own physicality, and to perform in a socially acceptable venues. In its later manifestations, Delsartism influenced the innovative dance of such artists as Isadora Duncan, Ruth St. Denis, and Ted Shawn. Biographical information on the most notable figures in the development of American Delsartism is presented along with a discussion of the spread of Delsartism throughout the United States and to Germany. The Delsartean approach to training and expression is traced from Delsarte and Mackaye through the theory, teaching, and performance of Genevieve Stebbins, the most notable American proponent of the system.This work will appeal to scholars of dance history and of late nineteenth-century women's studies. Theater historians will appreciate the detailed account of the system as developed and taught by Steele Mackaye as training for actors. Although Delsartism has been acknowledged as relevant to the history of modern dance, scant information and research has previously been published which explores the movement in depth and discusses its importance to women's physical and cultural education in nineteenth-century America. Photographs illustrate the text and an extensive bibliography serves as a useful guide for further research.