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Hardcover. Minor shelf-wear to book and jacket. Interior is clean and unmarked, binding solid.

Japanese architecture's commanding presence on the world stage can be traced to the struggles of earlier generations of Japan's modernist architects. This first book-length study of Maekawa Kunio (1905-1986) focuses on one of the most distinctive leaders in Japan's modernist architectural community. In a career spanning the 1930s to the 1980s, Maekawa's work and critical writing put him in the vanguard of the Japanese architectural profession. Jonathan Reynolds illuminates Maekawa's role as a bridge between prewar and postwar architecture in Japan, focusing particularly on how he influenced modernism's ambivalence regarding "tradition" and contemporary practice and the importance of technology in modernist design and ideology.Maekawa studied architecture at the prestigious Tokyo Imperial University before moving to Paris in 1928 to work with Le Corbusier. The latter experience had a powerful impact on Maekawa; he became an advocate for Le Corbusier and modernism when he returned to Japan two years later. Throughout his career Maekawa designed residential, commercial, and government buildings in Japan and abroad. He became particularly well known internationally for his approach to public architecture, especially museums and public spaces such as the Tokyo Metropolitan Festival Hall. These projects illustrated the principles that earned Maekawa the respect and admiration of architects the world over.Carefully researched, with numerous illustrations that complement discussions of Maekawa's principal projects, Reynolds's book will be welcomed in the fields of architecture and design. It will also attract readers interested in twentieth-century Japan, for in addition to highlighting Maekawa's architectural career, Reynolds portrays the broader cultural context within which Maekawa and other Japanese architects and artists sought to be heard and recognized.

Japanese architecture's commanding presence on the world stage can be traced to the struggles of earlier generations of Japan's modernist architects. This first book-length study of Maekawa Kunio (1905-1986) focuses on one of the most distinctive leaders in Japan's modernist architectural community. In a career spanning the 1930s to the 1980s, Maekawa's work and critical writing put him in the vanguard of the Japanese architectural profession. Jonathan Reynolds illuminates Maekawa's role as a bridge between prewar and postwar architecture in Japan, focusing particularly on how he influenced modernism's ambivalence regarding "tradition" and contemporary practice and the importance of technology in modernist design and ideology.Maekawa studied architecture at the prestigious Tokyo Imperial University before moving to Paris in 1928 to work with Le Corbusier. The latter experience had a powerful impact on Maekawa; he became an advocate for Le Corbusier and modernism when he returned to Japan two years later. Throughout his career Maekawa designed residential, commercial, and government buildings in Japan and abroad. He became particularly well known internationally for his approach to public architecture, especially museums and public spaces such as the Tokyo Metropolitan Festival Hall. These projects illustrated the principles that earned Maekawa the respect and admiration of architects the world over.Carefully researched, with numerous illustrations that complement discussions of Maekawa's principal projects, Reynolds's book will be welcomed in the fields of architecture and design. It will also attract readers interested in twentieth-century Japan, for in addition to highlighting Maekawa's architectural career, Reynolds portrays the broader cultural context within which Maekawa and other Japanese architects and artists sought to be heard and recognized.

Average, unremarkable Ai Maekawa navigates school life unnoticed...until one day when a spiteful classmate totally humiliates her in front of everyone. Determined to jettison her embarrassing past, she overhauls her image and enrolls at a new high school where no one knows the old Ai. From the start, Ai is the target of romantic advances and jeolous gossip--can a formerly invisible girl handle this avalanche of attention? And is Ai's erstwhile identity as a loser really as far behind her as she hopes?

Like his counterpart in the U.S., prominent origami artist and scientist Robert J. Lang, Jun Maekawa approaches origami from the perspective of mathematical and geometric principles. In Genuine Origami, Maekawa takes readers, step-by-step, through the fundamentals of his method, beginning with the basics and guiding them through simple figures (a mouse, an elephant, Santa Claus) all the way up to such highly sophisticated models as his signature creations, the devil and the peacock. The 43 different models are grouped into five sections, including one chapter on the ABCs, three which present projects in order of increasing difficulty (Simple, Intermediate and Complex), and one called Varieties of Origami, which reveals how to use different kinds of papers and techniques. In addition to the folding instructions and diagrams, Maekawa explains the mathematical theory behind each project. An intriguing blend of art and science, Genuine Origami will allow newcomers to discover the pleasures of folding at the same time that it enables beginners and experts alike to learn clever, surprising and elegant sequences to produce exceptional results.

Like his counterpart in the U.S., prominent origami artist and scientist Robert J. Lang, Jun Maekawa approaches origami from the perspective of mathematical and geometric principles. In Genuine Origami, Maekawa takes readers, step-by-step, through the fundamentals of his method, beginning with the basics and guiding them through simple figures (a mouse, an elephant, Santa Claus) all the way up to such highly sophisticated models as his signature creations, the devil and the peacock. The 43 different models are grouped into five sections, including one chapter on the ABCs, three which present projects in order of increasing difficulty (Simple, Intermediate and Complex), and one called Varieties of Origami, which reveals how to use different kinds of papers and techniques. In addition to the folding instructions and diagrams, Maekawa explains the mathematical theory behind each project. An intriguing blend of art and science, Genuine Origami will allow newcomers to discover the pleasures of folding at the same time that it enables beginners and experts alike to learn clever, surprising and elegant sequences to produce exceptional results.