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Am 30. Juni 1981 endete der grosste Strafprozess der deutschen Rechtsgeschichte – das Majdanek-Verfahren in Dusseldorf. Das im Herbst 1941 auf dem Majdanek-Hugel sudlich von Lublin errichtete Konzentrationslager Lublin-Majdanek war das erste Konzentrationslager, das die Alliierten befreiten. Als am 23. Juli 1944 sowjetische und polnische Soldaten das Lagergelande betraten, fanden sie Beweise fur einen Massenmord von bis dahin unvorstellbarem Ausmass vor. Noch im August 1944 wurde eine Kommission zur Untersuchung nationalsozialistischer Verbrechen eingerichtet. Ebenfalls noch im August erliess die polnische Ubergangsregierung das erste Gesetz zur Ahndung von NS-Verbrechen. Der erste KZ-Prozess fand schliesslich von 27. November bis 2. Dezember 1944 vor dem Sonderstrafgericht Lublin statt. Ein in Graz vorbereiteter osterreichischer Majdanek-Prozess fand hingegen nicht statt. Nach fast zehnjahrigen Ermittlungen gegen 64 Tatverdachtige beantragte die Staatsanwaltschaft Graz im Oktober 1972 die Einstellung des Verfahrens. Erst im Jahr 2007 sah sich die osterreichische Justiz veranlasst, die Mittaterschaft osterreichischer Verdachtiger an Verbrechen in Majdanek zu untersuchen. Doch auch hier scheiterte eine Anklageerhebung am Tod der Beschuldigten Erna Wallisch. In dem anlasslich des 30. Jahrestags des Urteils im Dusseldorfer Majdanek-Prozess erschienenen Buch wird unter anderem der Frage nachgegangen, in welchem Ausmass Staatsanwaltschaften und Gerichte in Osterreich, Deutschland und Polen dazu beigetragen haben, die Verbrechen im KZ Lublin-Majdanek aufzuklaren.

Ten years after the liberation of the Nazi concentration camps, filmmaker Alain Resnais (Hiroshima mon amour) documented the abandoned grounds of Auschwitz and Majdanek in Night and Fog (Nuit et brouillard), one of the first cinematic reflections on the Holocaust. Juxtaposing the stillness of the abandoned camps empty buildings with haunting wartime footage, Resnais investigates the cyclical nature of humanity's violence against humanity, and presents the devastating suggestion that such horrors

This book is an important work in Holocaust literature and was originally published in Poland in 1967. Covering the years 1939-1945, it is the author's account of her experience growing up in the Warsaw ghetto and her eventual deportation to, imprisonment in, and survival of the Majdanek, Auschwitz, Ravensbruck, and Neustadt-Glewe camps. Since the old, the weak, and children were summarily executed by the Nazis in these camps, Mrs Birenbaum's survival and coming of age is all the more remarkable. Her story is told with simplicity and clarity and the new edition contains revisions made by the author to the original English translation, and is expanded with a new epilogue and postscripts that bring the story up to date and complete the circle of Mrs Birenbaum's experiences.

As ten-year-old Pinchas is deported from the Warsaw ghetto to the killing site of Majdanek and then to a series of concentration camps, he shuts himself off to the terrors surrounding him and tries his best not to be noticed, to become almost invisible. But after liberation, his photographic memory won't let his past fade away, and Pinchas struggles to deal with nightmares and flashbacks while trying to raise a family and heal his emotional scars. Memories in Focus vividly retells Pinchas's painful journey, describing the separation from his parents and twin sister, his struggle to stay alive under the cruellest of circumstances and the luck and moments of kindness that enabled him to survive.

Ten years after the liberation of the Nazi concentration camps, filmmaker Alain Resnais (Hiroshima mon amour) documented the abandoned grounds of Auschwitz and Majdanek in Night and Fog (Nuit et brouillard), one of the first cinematic reflections on the Holocaust. Juxtaposing the stillness of the abandoned camps empty buildings with haunting wartime footage, Resnais investigates the cyclical nature of humanity's violence against humanity, and presents the devastating suggestion that such horrors

Before she died in the Majdanek concentration camp during World War II, Else Simon crafted lush, sensual photographs of feminine decadence. An established photographer who worked in Berlin under the name of Yva, Simon took fabulous, fashionable pictures for the magazines of big publishing houses, achieving worldwide respect in during her short career, which lasted from 1925-38. During that time, enfant terrible Helmut Newton was apprenticed to her. This first monograph reconstructs her life's work and illustrates her inimitable photographic style, which earned her renown in the world of fashion photography, a world mostly dominated by men.

Holocaust survivor Max Glauben is on a mission-to outlast hate, to preserve memory, and to compel the world to embrace tolerance.The stench of decay pierced the air aboard the boxcar of trapped Jews. Why me? fifteen-year-old Max asked himself, as a convoy rumbled from the Warsaw Ghetto to Majdanek death camp in May 1943.The Nazis had destroyed the Glauben familys business, upended their rights, and ultimately decimated their neighborhood. The deluge of questions would only intensify after the Nazis murdered Maxs mother, father, and brother. Max channeled grit, determination, and a fortuitous knack for manufacturing airplane parts to outlast six horrific concentration camps in his quest to survive.This memoir explores Maxs mischievous childhood and teen years as a go-to ghetto smuggler. Max journeys from displaced person to American immigrant and Korean veteran. He reveals how he ached as he dared to court love and rear children. For decades, he bottled up his trauma. Then he realized: He could transform his pain into purpose.Infused with raw emotion and vivid detail, historical records and Maxs poignant voice, this memoir relays the true story of the harrowing violence and dehumanization Max endured. It relays Maxs powerful lifetime commitment to actively thwarting hate and galvanizing resilience. Max insists you, too, can transform your adversity into your greatest strength.In the seventy-five years since his liberation, Max has ceased to ask himself, Why me? Instead, he reframes his focus, eager to partner with you and ask: What can we do next?