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Includes 1500 entries and 400 illustrations, and discusses such exotic places as Dracula's Castle, Toad Hall, the Coast of Coromandel, and Middle Earth

Reading Pictures looks at the work of great artists–from the intensely familiar to the undiscovered–and examines the stories behind them, tracing the passage of life into art. Pablo Picasso torments his mistress Dora Maar and then paints brilliant studies of her grief-crumpled face; these evolve into the weeping woman in his great indictment of fascism, Guernica. Manguel untangles what this story, and countless others, shows us of our twin impulses toward creation and destruction. A tour of the psyche more than of the museum, this book dares to ponder, with contagious wonder, why we create. Not since John Berger’s influential Ways of Seeing has an essayist so eloquently examined what happens when we are moved by profound works of art and how we decode a wordless language that touches us so intimately. Richly illustrated, Reading Pictures shows us that there is no limit to the stories we may find if we look with care and delight.

four stories, Argentina, tr Alberto Manguel

A unique collection of essays by one of the literary geniuses of the past hundred years, edited by none other than the award-winning Argentinian writer, Alberto Manguel. Alberoused to "read books to Nobel Laureate Jorge Luis Borges in hisltter years. Borges sai o Chesterton: see Author bio  

A best-selling author and world-renowned bibliophile meditates on his vast personal library and champions the vital role of all libraries. In June 2015 Alberto Manguel prepared to leave his centuries-old village home in France’s Loire Valley and reestablish himself in a one-bedroom apartment on Manhattan’s Upper West Side. Packing up his enormous, 35,000-volume personal library, choosing which books to keep, store, or cast out, Manguel found himself in deep reverie on the nature of relationships between books and readers, books and collectors, order and disorder, memory and reading. In this poignant and personal reevaluation of his life as a reader, the author illuminates the highly personal art of reading and affirms the vital role of public libraries.   Manguel’s musings range widely, from delightful reflections on the idiosyncrasies of book lovers to deeper analyses of historic and catastrophic book events, including the burning of ancient Alexandria’s library and contemporary library lootings at the hands of ISIS. With insight and passion, the author underscores the universal centrality of books and their unique importance to a democratic, civilized, and engaged society.

The Dictionary of Imaginary Places is best described as a guidebook of the make-believe. A good way to understand what Alberto Manguel and Gianni Guadalupi set out to do with their book is to imagine that you want to travel to a place like Oz, as in The Wizard of. What you remember from watching the classic movie and what you would want to know as a traveler are two very distinct things. What you'll earn in this book is that Oz is a large rectangular country where everyone works half the time and plays half the time, one that is divided into four smaller countries: Munchkin Country, Winkie Country, Quadling Country, and Gillikin Country. Flip through more of the book's alphabetized listings and you'll discover Fuddlecumjig, a town in Oz's Quadling Country whose inhabitants, the Fuddles, are among the most curious people in Oz. The main peculiarity is that they are made of many pieces, rather like jigsaw puzzles, and literally fall apart when strangers approach, and have to be reassembled with skill and patience. A travel tip for readers with vivid imaginations: put Fuddlecumjig's cook together first if you want a meal. And so go the descriptions of more than 1,200 worlds invented by storytellers throughout history, from Homer's Wandering Rocks in the Odyssey to Michael Crichton's Jurassic Park. But there's more here than just the worlds of literature and film. You can learn more about John Lennon's Nutopia from his album Mind Games. Nutopia is a country with no land, no boundaries, no passports, and no laws other than cosmic laws. And the Beatles' Pepperland from Yellow Submarine is described as a country 18,000 leagues beneath the Sea of Green, where inhabitants dress in bright colors and rainbows are frequent. Written with rich descriptions that bring places to life, The Dictionary of Imaginary Places is a wonderful, magical reference book perfect for fiction lovers. --John Russell --

“This delightful book provides readers a key to more than one secret room of Borges’s magical worlds.”—Mahmoud Darwish“Alberto Manguel is to reading what Casanova was to sex.”—Scotland on Sunday“His stories about Borges . . . [are] wrapped in luminous poetry.”—The Toronto StarWinner of the 2003 Prix du livre en Poitou-Charentes. In 1964, in Buenos Aires, a blind writer in his sixties approached a sixteen-year-old bookstore clerk and asked if he would be interested in a part-time job reading aloud. The writer was Jorge Luis Borges, one of the world’s finest literary minds; the boy was Alberto Manguel, who was later to become an internationally acclaimed author and bibliophile.Manguel’s reflections are part memoir, part biography, and all celebration of the living quality of literature. A moving portrait of an enigmatic genius, replete with deep insight into Borges and the writers he most admired.

Book by Manguel, Alberto (editor) (Isabel Allende; Armonia Somers; Rachel de Queiroz; Ma

While traveling in Calgary, Alberto Manguel was struck by how the novel he was reading (Goethe's Elective Affinities) seemed to reflect the social chaos of the world in which he was living. An article in the daily paper would suddenly be illuminated by a passage in the novel; a long reflection would be prompted by a single word. He decided to keep a record of these moments, rereading a book each month, and forming A Reading Diary: a volume of notes, reflections, impressions of travel, of friends, of events public and private, all elicited by his reading. From Don Quixote (August) to The Island of Dr. Moreau (February) to Kim (April), Manguel leads us on an enthralling adventure in literature and life, and demonstrates how, for the passionate reader, one is utterly inextricable from the other.

Manguel explains in his introduction that "fantastic literature" makes use of the everyday world as a facade through which the undefinable appears, hinting at the half-forgotten dreams of the imagination. This collection includes material from Kafka, Henry James, E.M. Forster and Herman Hesse.

Inspired by history, Story of a Nation is a beautifully illustrated collection of original stories from some of Canada's most celebrated and best-loved authors. Twelve of the country's finest writers, including Margaret Atwood, Roch Carrier, Timothy Findley, Antonine Maillet, Alberto Manguel and Michael Turner, when presented with the question, What are the great events in Canadian history responded by travelling into the past to discover the moments, both familiar and unexpected, that shaped our nation.Drawing on their skills as master storytellers, the contributors to this collection offer wonderfully imaginative accounts of what it's like to make history. Margaret Atwood casts her eye back to 1759 and brilliantly captures the journal entries of a frightened French woman, trapped in Québec City as the English forces attack. In "The First of July," David Macfarlane's youthful narrator loses himself in the papers of an elderly neighbour, and through the records of her past, experiences the heartbreaking, stunting loss of war. In Thomas King's hilarious story, "Where the Borg Are," a young boy named Milton Friendlybear offers a Star Trekkian reinterpretation of the Indian Act, linking its significance to the fate of the universe. And revisiting an occasion of huge national pride, Michelle Berry tells the story of a four-year-old girl caught up in the excitement of the 1972 Summit Series, hopeful that the passion of hockey will hold her crumbling family together.

Inspired by the process of creating a library for his fifteenth-century home near the Loire, in France, Alberto Manguel, the acclaimed writer on books and reading, has taken up the subject of libraries. “Libraries,” he says, “have always seemed to me pleasantly mad places, and for as long as I can remember I’ve been seduced by their labyrinthine logic.” In this personal, deliberately unsystematic, and wide-ranging book, he offers a captivating meditation on the meaning of libraries. Manguel, a guide of irrepressible enthusiasm, conducts a unique library tour that extends from his childhood bookshelves to the “complete” libraries of the Internet, from Ancient Egypt and Greece to the Arab world, from China and Rome to Google. He ponders the doomed library of Alexandria as well as the personal libraries of Charles Dickens, Jorge Luis Borges, and others. He recounts stories of people who have struggled against tyranny to preserve freedom of thought—the Polish librarian who smuggled books to safety as the Nazis began their destruction of Jewish libraries; the Afghani bookseller who kept his store open through decades of unrest. Oral “memory libraries” kept alive by prisoners, libraries of banned books, the imaginary library of Count Dracula, the library of books never written—Manguel illuminates the mysteries of libraries as no other writer could. With scores of wonderful images throughout, The Library at Night is a fascinating voyage through Manguel’s mind, memory, and vast knowledge of books and civilizations.

The end of ethnic nationalism building societies that promote civic nationalism with universally accepted value systems seems eminently sensible. But something is going wrong. In these 2007 Massey Lectures, Alberto Manguel takes a fresh look at the problems that come with creating new societies. Race riots in France, political murder in The Netherlands, bombings in Britain all appear to be symptoms of a multicultural experiment gone awry. Politicians and sociologists are puzzled; why is it so hard for people to live together given the grim alternatives? Is blood still more important than peaceful coexistence? In The City of Words Manguel proposes a different approach: look at what writers have to say maybe books and stories hold secret keys to the human heart, keys that social planners can’t find. With his trademark wit and erudition, Manguel suggests looking on the library shelf marked fiction” for the book titled How to Build a Better Society.

At one magical instant in your early childhood, the page of a book—that string of confused, alien ciphers—shivered into meaning. Words spoke to you, gave up their secrets; at that moment, whole universes opened. You became, irrevocably, a reader. Noted essayist Alberto Manguel moves from this essential moment to explore the 6000-year-old conversation between words and that magician without whom the book would be a lifeless object: the reader. Manguel lingers over reading as seduction, as rebellion, as obsession, and goes on to trace the never-before-told story of the reader's progress from clay tablet to scroll, codex to CD-ROM.

Título original "Collected Stories" traducción de Catalina Martínez. Seleccion Y Postfacio De Alberto Manguel. Colección "Narrativa" núm. 133. EXCELENTE ejemplar. 798pp +`colofón

“This delightful book provides readers a key to more than one secret room of Borges’s magical worlds.”—Mahmoud Darwish“Alberto Manguel is to reading what Casanova was to sex.”—Scotland on Sunday“His stories about Borges . . . [are] wrapped in luminous poetry.”—The Toronto StarWinner of the 2003 Prix du livre en Poitou-Charentes. In 1964, in Buenos Aires, a blind writer in his sixties approached a sixteen-year-old bookstore clerk and asked if he would be interested in a part-time job reading aloud. The writer was Jorge Luis Borges, one of the world’s finest literary minds; the boy was Alberto Manguel, who was later to become an internationally acclaimed author and bibliophile.Manguel’s reflections are part memoir, part biography, and all celebration of the living quality of literature. A moving portrait of an enigmatic genius, replete with deep insight into Borges and the writers he most admired.

two novellas, w/an interview, tr Alberto Manguel

An intimate and exhilarating journey through the world of books by the internationally celebrated author In this major collection of his essays, Alberto Manguel, whom George Steiner has called “the Casanova of reading,” argues that the activity of reading, in its broadest sense, defines our species. “We come into the world intent on finding narrative in everything,” writes Manguel, “landscape, the skies, the faces of others, the images and words that our species create.” Reading our own lives and those of others, reading the societies we live in and those that lie beyond our borders, reading the worlds that lie between the covers of a book are the essence of A Reader on Reading.The thirty-nine essays in this volume explore the crafts of reading and writing, the identity granted to us by literature, the far-reaching shadow of Jorge Luis Borges, to whom Manguel read as a young man, and the links between politics and books and between books and our bodies. The powers of censorship and intellectual curiosity, the art of translation, and those “numinous memory palaces we call libraries” also figure in this remarkable collection. For Manguel and his readers, words, in spite of everything, lend coherence to the world and offer us “a few safe places, as real as paper and as bracing as ink,” to grant us room and board in our passage.

A unique collection of essays by one of the literary geniuses of the past hundred years, edited by none other than the award-winning Argentinian writer, Alberto Manguel. Alberoused to "read books to Nobel Laureate Jorge Luis Borges in hisltter years. Borges sai o Chesterton: see Author bio  

A celebration of reading, of libraries, and of the mysterious human desire to give order to the universe Inspired by the process of creating a library for his fifteenth-century home near the Loire, in France, Alberto Manguel, the acclaimed writer on books and reading, has taken up the subject of libraries. “Libraries,” he says, “have always seemed to me pleasantly mad places, and for as long as I can remember I’ve been seduced by their labyrinthine logic.” In this personal, deliberately unsystematic, and wide-ranging book, he offers a captivating meditation on the meaning of libraries.Manguel, a guide of irrepressible enthusiasm, conducts a unique library tour that extends from his childhood bookshelves to the “complete” libraries of the Internet, from Ancient Egypt and Greece to the Arab world, from China and Rome to Google. He ponders the doomed library of Alexandria as well as the personal libraries of Charles Dickens, Jorge Luis Borges, and others. He recounts stories of people who have struggled against tyranny to preserve freedom of thought—the Polish librarian who smuggled books to safety as the Nazis began their destruction of Jewish libraries; the Afghani bookseller who kept his store open through decades of unrest. Oral “memory libraries” kept alive by prisoners, libraries of banned books, the imaginary library of Count Dracula, the library of books never written—Manguel illuminates the mysteries of libraries as no other writer could. With scores of wonderful images throughout, The Library at Night is a fascinating voyage through Manguel’s mind, memory, and vast knowledge of books and civilizations.