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Brice Marden (born 1938) first incorporated gesture in his paintings and drawings in the mid-1980s. Inspired by Chinese calligraphy, the wandering lines were a departure from the planes of color that had characterized his prior work. In recent years the monochrome has returned, but in a different form, subtly altered by the artist’s ongoing engagement with gesture. This catalogue presents Marden’s first new body of work since 2012. It includes 12 paintings― calligraphic and monochrome, with multiple panels and single panels―and 43 drawings, all illustrated in full color. Photographs of his studios in Tivoli and Nevis offer a view of his tools and techniques, while a conversation with painter Matt Connors sheds light on Marden’s continuing evolution and influence.

Color/pattern: mirrored finish Design details: the marden mirror features a convex central mirror with four outer flat sections all with a frameless construction. whether singularly or grouped together, these mirrors will add visual depth and light to and application. Measures 27in h x 27in w x 1in d Glass Spot Clean Imported

This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9781870814478

Published to accompany an exhibition of the Whitney Museum of American Art's collection of 52 Brice Marden drawings, this book aims to show how Marden's innovative concepts began and evolved through his drawings. The author surveys his graphic achievements - the solid forms and muted tonalities of the 1960s, and the later calligraphic imagery that culminated in the "Cold Mountain" series - and in an interview with the artist explores his interplay of technique and subject matter, his sources of inspiration, and the role that his drawings play in the oeuvre.

2008. Paperback. Pictorial boards. Quarto. 231 pp. Profusely illustrated. Text in English and German. In publisher's shrinkwrap. New.

Unread book in perfect condition.

This second volume of “The Marden Collection” includes four of the best books written by Orison Swett Marden, including his first one, and considered by many as his masterpiece: Pushing to the Front. If you know about Orison, you know that after reading this collection, you will be prepared to face life in a completely different way; in a successful way. If you have not read Orison before, you have missed a Master, the one that inspired the others, the source of most self-help books written today; and this book will change your life. The books included are: PUSHING TO THE FRONT AN IRON WILL AMBITION & SUCCESS THE HOUR OF OPPORTUNITY

Text: German, English (translation) Original Language: German

Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.9

Essay by Jean-Pierre Criqui. 120 pages. 112 color plates. Wraps with cloth slipcase and magnetic closure. 11 1/8 x 12 1/2 inches; 28 x 31.5 cm. Published to accompany Marden’s first exhibition in New York in five years and his most significant since the Cold Mountain exhibition at the Dia Center for the Arts in 1991. Containing over 70 full-color plates of paintings, drawings, and etchings completed between 1997 and 2002.

Brice Marden: Ru Ware, Marbles, Polke features the most recent paintings from this towering figure in contemporary abstraction. The book’s title alludes to the breadth of Marden’s inspirations: rare Chinese pottery, coarse Greek marble and the late German artist Sigmar Polke. Each of the works or series in this volume stems from these sources: the Ru Ware Project (2007–2012), composed of nine small panels painted in pale blues and greens; 15 new paintings in oil on marble, which Marden completed on the Greek island of Hydra in 2012; and a large oil-on-linen painting, "Polke Letter" (2010–2011), a painterly homage to Marden’s contemporary. Helping to pinpoint Marden’s place in the flow of time is an essay by David Anfam, along with a statement written by the artist, an extended meditation on geometry, proportion and color.

Essay by David Rimanelli. Hardcover with dust jacket. 3 fold outs. 54 color plates.

Graphite Drawings includes 25 of Brice Marden's seminal early works on paper and accompanies the first exhibition devoted solely to this body of work. The drawings, made between 1962 and 1981, feature luxurious surfaces of graphite and beeswax worked into dense, reflective planes of blacks, whites and grays. Within these surfaces, Marden reveals the underlying geometries of the rectangle and the grid, a formal strategy that has characterized his work from the 1960s to the present. Art historian Richard Schiff has written of these works, "Marden's black reveals its qualities only to those who look and can see its changes Each area of blackness has its history, its experiential specificity." Accompanying the illustrations are an essay by Paul Galvez, a 1976 interview with the artist by Ed Howard (published here for the first time) and extensive documentation on each work featured in the exhibition.

Essay by David Rimanelli. Hardcover with dust jacket. 3 fold outs. 54 color plates.

The paintings and drawings that compose Brice Marden's Letter series, the artist's first extended group of works since his 2006 retrospective at The Museum of Modern Art, New York, demonstrate the persistence of labor and method that has characterized the artist's practice for over four decades now. The Letter paintings have in common a strict formatting device: borders or bands of color along the left and right vertical edges of the canvas.

Used. Very Good conditions. May have soft reading marks and name of the previous owner.

American artist Brice Marden has had a profound impact on painting today. While there has been a sea change in art movements, Marden has unwaveringly adhered to modernist principles of abstraction. From his early monochrome paintings to landscapes of China or the Greek island, Hydra, composed of vivid and calligraphice loops and webs, Marden's deeply personal work incorporates multiple art historical and cultural inspirations. This book explores his work.

Text: German, English (translation) Original Language: German

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158 illustrations, including 133 plates in color. Bound in publisher's original white cloth. Dust jacket.